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| Sporre, Creative Impulse | |
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| Preface | |
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| Introduction Understanding the Arts | |
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| Getting Started | |
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| Two-Dimensional Art | |
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| Media | |
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| Composition | |
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| Techniques: Linear Perspective | |
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| Sculpture | |
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| Dimensionality | |
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| Texture | |
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| Techniques: Lost-Wax Casting | |
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| Architecture | |
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| Music | |
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| Genres | |
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| Melody and Form | |
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| Techniques: Musical Notation | |
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| Theatre | |
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| Genres | |
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| Plot, Character, and Visual Elements | |
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| Literature | |
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| Genres | |
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| Point of View, Character, and Plot | |
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| Theme and Language | |
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| Cinema | |
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| Dance | |
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| Genres | |
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| Line, Form, and Repetition | |
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| Features | |
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| Glossary and Dating | |
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| Pronunciation | |
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| Profiles | |
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| Technology | |
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| Masterwork | |
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| A Dynamic World | |
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| Maps and Timelines | |
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| Chapter Opener | |
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| Chapter Review | |
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| Cybersources and Examples | |
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| Putting The Arts In Context | |
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| The Arts and Ways of Knowing | |
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| What Concerns Art? | |
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| Creativity | |
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| Aesthetic Communication | |
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| Symbols | |
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| Fine and Applied Art | |
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| The Functions of Art | |
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| Entertainment | |
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| Political and Social Commentary | |
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| Therapy | |
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| Artifact | |
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| Evaluating Works of Art | |
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| Approaches to Criticism | |
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| Making Judgments | |
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| The Ancient World | |
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| Contexts And Concepts | |
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| Contexts | |
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| The Stone Age | |
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| Mesopotamia | |
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| Ancient Egypt | |
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| Concepts | |
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| Individuality and Symbols | |
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| Civilization | |
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| Religion | |
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| Technology: The Invention of the Wheel | |
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| Literacy | |
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| Law | |
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| The Arts Of The Ancient World | |
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| Painting | |
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| Sculpture | |
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| Masterwork: The Human Form 1: The Tell Asmar Statues | |
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| A Dynamic World: Ancient China | |
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| Profile: Akhenaton and Nefertiti | |
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| Architecture | |
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| Music | |
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| Dance | |
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| Literature | |
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| The Aegean and Archaic Greece | |
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| Contexts And Concepts | |
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| Contexts | |
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| Minoans | |
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| Mycenaeans | |
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| Technology: The Olive Press | |
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| The Dark Centuries | |
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| The Hellenes | |
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| Concepts | |
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| The Polis | |
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| The Olympian Gods | |
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| "Love of Wisdom" | |
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| The Arts Of The Aegean And Archaic Greece | |
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| Painting | |
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| Geometric Style | |
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| Archaic Style | |
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| Red- and Black-Figure Pottery | |
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| Sculpture | |
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| A Dynamic World: Native America | |
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| Architecture | |
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| Music | |
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| Dance | |
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| Literature | |
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| Masterwork: Heroes 1: Homer, The Iliad | |
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| Profile: Sappho | |
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| Greek Classicism and Hellenism | |
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| Contexts And Concepts | |
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| Contexts | |
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| The Persian War | |
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| The "Golden Age"of Pericles | |
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| The Peloponnesian Wars | |
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| The Hellenistic Age | |
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| Technology: Hero's Steam Turbine | |
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| Concepts | |
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| Historia | |
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| Sophistry | |
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| Stoicism and Epicureanism | |
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| Cynicism and Skepticism | |
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| Mystery Cults | |
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| Ethics | |
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| Aesthetics | |
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| Classicism and Hellenism | |
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| The Arts Of The Classical And Hellenistic Ages | |
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| Painting | |
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| Sculpture | |
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| Classical Style | |
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| A Dynamic World: The Nok Style of Africa | |
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| Masterwork: The Human Form 2: Myron, Discus Thrower | |
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| Late Classical Style | |
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| Hellenistic Style | |
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| Architecture | |
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| Theatre | |
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| Tragedy | |
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| Profile: Aeschylus | |
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| Masterwork: Heroes 2: Sophocles, Oedipus the King | |
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| Comedy | |
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| Theatre Layout and Form | |
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| Music | |
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| Dance | |
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| Literature | |
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| The Roman Period | |
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| Contexts And Concepts | |
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| Contexts | |
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| The Etruscans | |
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| The Roman Republic | |
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| The Roman Empire | |
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| Concepts | |
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| Roman Law | |
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| Stoicism | |
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| Neo-Platonism | |
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| Divinities and Mystery Cults | |
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| Classicism | |
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| Utilitarianism and Pragmatism | |
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| The Arts Of The Roman Period | |
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| Painting | |
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| A Dynamic World: Chinese Painting | |
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| Sculpture | |
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| Architecture | |
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| Technology: Cement | |
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| Masterwork: The Dome 1: The Pantheon | |
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| Theatre | |
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| Comedy | |
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| Blood Sport | |
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| Music | |
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| Dance | |
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| Literature | |
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| Profile: Vergil | |
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| Judaism and Early Christianity | |
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| Contexts And Concepts | |
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| Contexts | |
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| Hebrews, Israelites, and Jews | |
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| Profile: Solomon | |
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| The Late Roman Empire | |
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| Technology: Matches | |
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| Concepts | |
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| Judaism | |
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| Christianity | |
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| The Arts Of Judaism And Early Christianity | |
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| Painting | |
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| Judaism | |
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| Christianity | |
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| Sculpture | |
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| Late Roman | |
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| Early Christian | |
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| A Dynamic World: Shinto Sculpture in Japan | |
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| Architecture | |
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| Jerusalem | |
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| Masterwork: Buildings as Symbols 1: The Temple of Jerusalem | |
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| The Roman Empire | |
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| Music and Dance | |
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| Literature | |
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| The Hebrew Bible | |
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| Apocalyptic Literature | |
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| The New Testament | |
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| Byzantium and Islam | |
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| Contexts And Concepts | |
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| Contexts | |
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| Byzantium | |
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| Muhammad and the Rise of Islam | |
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| Profile: Muhammad | |
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| Concepts | |
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| Orthodoxy | |
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| Islam | |
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| Intellectualism | |
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| Icons | |
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| Byzantine Cultural Influence | |
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| The Arts Of Byzantium And Islam | |
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| Painting, Mosaics, and Manuscript Illumination | |
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| Byzantium | |
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| Islam | |
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| Sculpture | |
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| Architecture | |
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| Byzantium | |
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| Technology: Spanning Space with Triangles and Pots | |
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| Masterwork: The Dome 2: Hagia Sophia | |
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| Profile: Anthemius of Tralles | |
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| Islam | |
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| A Dynamic World: Chinese Theatre | |
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| Theatre, Music, and Dance | |
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| Byzantium | |
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| Islam | |
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| Literature | |
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| Byzantium | |
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| Islam | |
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| The Early Middle Ages | |
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| The Monastic and Feudal Romanesque Period | |
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| Contexts And Concepts | |
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| Contexts | |
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| The Middle Ages | |
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| The Medieval Church | |
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| Profile: Pope Gregory I, the Great | |
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| Charlemagne's Empire | |
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| Concepts | |
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| Monasticism | |
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| Mysticism | |
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| Asceticism and Sufism | |
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| Feudalism | |
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| Technology: The Viking Ships | |
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| The Carolingian Renaissance | |
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| The Arts Of The Early Middle Ages | |
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| Painting | |
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| A Dynamic World: Igbo-Ukwu | |
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| Sculpture | |
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| Masterwork: Organizing the Image 1: The Bronze Doors of Hildesheim Cathedral | |
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| Architecture | |
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| Theatre | |
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| Music | |
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| Sacred Music | |
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| Secular Music | |
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| Profile: Hildegard of Bingen | |
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| Dance | |
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| Literature | |
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| Legends | |
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| Poets and Scholars | |
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| The High Middle Ages | |
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| The Gothic Age | |
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| Contexts And Concepts | |
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| Contexts | |
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| The Social Order | |
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| The Hundred Years' War | |
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| Technology: A Better Horse Collar | |
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| The Plague | |
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| The Great Schism | |
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| Profile: Joan of Arc | |
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| The Crusades | |
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| Concepts | |
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| Chivalry | |
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| Secularism | |
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| Aristotelianism | |
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| Industrialization | |
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| The Arts Of The High Middle Ages | |
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| Painting | |
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| Sculpture | |
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| Architecture | |
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| Masterwork: Buildings as Symbols 2: Chartres Cathedral | |
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| Theatre | |
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| A Dynamic World: Noh Theatre of Japan | |
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| Music | |
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| Dance | |
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| Literature | |
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| Religion | |
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| Profile: Geoffrey Chaucer | |
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| Profile: St Francis of Assisi | |
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| Secularism | |
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| The Early Renaissance | |
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| Contexts And Concepts | |
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| Contexts | |
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| The Renaissance | |
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| The World Discovered | |
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| Technology: Flywheels and Connecting Rods | |
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| The Papal States | |
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| Italian City-States | |
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| The Quattrocento in Florence | |
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| Concepts | |
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| Humanism | |
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| Individualism | |
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| Scientific Naturalism | |
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| Capitalism | |
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| The Arts Of The Early Renaissance | |
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| Painting | |
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| The Masaccian Heritage | |
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| Lyricism | |
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| A Dynamic World: Chinese Painting and Music | |
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| Sculpture | |
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| Architecture | |
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| Masterwork: The Dome 3: Florence Cathedral | |
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| Theatre | |
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| Music | |
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| Dance | |
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| Literature | |
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| Profile: Niccol� Machiavelli | |
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| The High Renaissance and Mannerism | |
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| Contexts And Concepts | |
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| Contexts | |
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| The Expanding World | |
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| The Papal States | |
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| Spain's Golden Century | |
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| Technology: Leonardo: Turning the Screw | |
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| The Ottoman Turks | |
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| Concepts | |
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| Classicism | |
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| The High Renaissance | |
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| Mannerism | |
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| The Arts Of The High Renaissance And Mannerism | |
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| Painting | |
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| The High Renaissance in Rome | |
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| Profile: Michelangelo | |
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| The High Renaissance in Venice | |
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| Mannerism | |
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| A Dynamic World: Painting in India | |
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| Sculpture | |
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| Masterwork: The Human Form 3: Michelangelo, David | |
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| Architecture | |
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| Theatre | |
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| Music | |
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| Sacred Choral Music | |
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| Secular Choral Music | |
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| Instrumental Music | |
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| Literature | |
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| Renaissance and Reformation in Northern Europe | |
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| Contexts And Concepts | |
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| Contexts | |
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| The Reformation | |
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| Reformers | |
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| Profile: Martin Luther | |
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| Science | |
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| Technology: Naval Artillery | |
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| Concepts | |
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| Christian Humanism | |
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| Utopianism | |
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| The Arts Of The Renaissance And Reformation In The North | |
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| Painting | |
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| Flanders | |
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| The Netherlands | |
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| Germany | |
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| A Dynamic World: Ming Dynasty Porcelain | |
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| France | |
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| England | |
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| Architecture | |
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| Theatre | |
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| Masterwork: Heroes 3: Shakespeare, Hamlet | |
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| Music | |
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| Flanders | |
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| Germany | |
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| France | |
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| England | |
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| Dance | |
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| Literature | |
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| The Baroque Age | |
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| Contexts And Concepts | |
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| Contexts | |
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| The Catholic and Counter-Reformation | |
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| The Wars of Religion | |
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| The Scientific Revolution | |
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| Technology: Standardized Measurement | |
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| Concepts | |
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| Academicism | |
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| Scientific Rationalism | |
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| Social Contract | |
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| Absolutism | |
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| The Arts Of The Baroque Age | |
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| Painting | |
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| Italy | |
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| Spain | |
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| Flanders | |
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| France | |
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| The Netherlands (Holland) | |
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| Sculpture | |
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| Architecture | |
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| A Dynamic World: The Taj Mahal | |
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| Profile: Sir Christopher Wren | |
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| Masterwork: The Dome 4: St Paul's Cathedral | |
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| Theatre | |
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| Music | |
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| Instrumental Music | |
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| Profile: Johann Sebastian Bach | |
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| Vocal Music | |
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| Opera | |
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| Dance | |
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| Literature | |
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| Spain | |
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| England | |
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| The Enlightenment | |
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| Contexts And Concepts | |
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| Contexts | |
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| The Enlightenment | |
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| Technology | |
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| Technology: James Watt and the Steam Engine | |
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| Economics and Politics | |
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| Profile: Maria Theresa | |
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| Concepts | |
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| Rationalism | |
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| Aesthetics | |
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| Humanitarianism | |
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| Profile: Voltaire | |
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| Classicism | |
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| Feminism | |
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| The Arts Of The Enlightenment | |
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| Painting | |
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| Rococo Style | |
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| The English School | |
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| Genre | |
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| Neoclassicism | |
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| Masterwork: Organizing the Image 2: David, The Oath of the Horatii | |
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| Sculpture | |
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| Architecture | |
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| Theatre | |
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| Britain | |
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| America | |
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| France | |
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| A Dynamic World: Japanese Kabuki Theatre | |
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| Music | |
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| Pre-Classical Style | |
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| Expressive Style | |
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| Classical Style | |
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| Dance | |
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| Literature | |
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| Rococo | |
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| Neoclassicism | |
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| Humanitarianism | |
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| Feminism | |
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| Genre | |
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| Pre-Romantic | |
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| The Romantic Age | |
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| Contexts And Concepts | |
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| Contexts | |
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| Technology | |
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| Technology: Exact Tolerance | |
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| Social Changes | |
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| The Victorian Age | |
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| Concepts | |
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| Marxism | |
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| Evolution | |
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| Idealism | |
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| Positivism and Materialism | |
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| Internationalism | |
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| Patronage | |
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| Romanticism | |
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| The Arts Of The Romantic Age | |
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| Painting | |
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| Masterwork: Organizing the Image 3: G�ricault, The Raft of the "Medusa" | |
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| A Dynamic World: Japanese Painting | |
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| Profile: Rosa Bonheur | |
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| Architecture | |
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| Theatre | |
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| Popularism and Historicism | |
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| Melodrama | |
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| Music | |
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| Lieder | |
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| Piano Works | |
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| Program Music | |
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| Symphonies | |
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| Trends | |
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| Choral Music | |
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| Profile: Johannes Brahms | |
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| Opera | |
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| Dance | |
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| Literature | |
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| Romanticism in Europe | |
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| American Renaissance | |
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| Realism, Impressionism, and Beyond | |
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| Contexts And Concepts | |
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| Contexts | |
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| European Migration | |
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| Workers and Socialism | |
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| The German Reich | |
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| A Scientific Explosion | |
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| Technology: Coca-Cola | |
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| Nietzschean Philosophy | |
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| Freudian Psychology | |
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| Concepts | |
| |
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| Aestheticism | |
| |
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| Functionalism | |
| |
| |
| The Arts: Realism, Impressionism, And Beyond | |
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| |
| Painting and Sculpture | |
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| Realism | |
| |
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| Masterwork: Organizing the Image 4: Manet, D�jeuner sur l:herbe | |
| |
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| Pre-Raphaelites | |
| |
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| Impressionism | |
| |
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| A Dynamic World: Japanese Painting | |
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| Post-Impressionism | |
| |
| |
| Cubism | |
| |
| |
| Mechanism and Futurism | |
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| Expressionism | |
| |
| |
| Fauvism | |
| |
| |
| Architecture | |
| |
| |
| Profile: Louis Sullivan | |
| |
| |
| Theatre | |
| |
| |
| Realism and Naturalism | |
| |
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| Symbolism | |
| |
| |
| Aestheticism | |
| |
| |
| Expressionism | |
| |
| |
| Music | |
| |
| |
| Impressionism | |
| |
| |
| Naturalism | |
| |
| |
| Nontraditionalism | |
| |
| |
| Profile: Igor Stravinsky | |
| |
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| Dance | |
| |
| |
| Ethnic Foundations | |
| |
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| Ballet | |
| |
| |
| Modern Dance | |
| |
| |
| Literature | |
| |
| |
| Realism | |
| |
| |
| Pre-Raphaelites | |
| |
| |
| Naturalism | |
| |
| |
| Impressionism | |
| |
| |
| Symbolism | |
| |
| |
| Futurism | |
| |
| |
| Expressionism | |
| |
| |
| Cubism | |
| |
| |
| Cinema | |
| |
| |
| |
| Modernism | |
| |
| |
| Contexts And Concepts | |
| |
| |
| Contexts | |
| |
| |
| The Modern World in Conflict | |
| |
| |
| Between the Wars | |
| |
| |
| World War II | |
| |
| |
| Science and War | |
| |
| |
| Technology: Computers | |
| |
| |
| Concepts | |
| |
| |
| Pragmatism | |
| |
| |
| Existentialism | |
| |
| |
| Abstraction | |
| |
| |
| Modernism | |
| |
| |
| The Arts In The Modern World | |
| |
| |
| Painting and Sculpture | |
| |
| |
| Abstraction | |
| |
| |
| Dada | |
| |
| |
| Surrealism | |
| |
| |
| American Painting | |
| |
| |
| Profile: Georgia O:Keeffe | |
| |
| |
| The Harlem Renaissance | |
| |
| |
| Central American Painting | |
| |
| |
| African and Primitive Influences | |
| |
| |
| A Dynamic World: African Masks | |
| |
| |
| Photography | |
| |
| |
| Architecture | |
| |
| |
| Masterwork: Buildings as Symbols 3: Wright, Kaufmann House | |
| |
| |
| Theatre | |
| |
| |
| Epic Theatre | |
| |
| |
| Absurdism | |
| |
| |
| Music | |
| |
| |
| Modern Traditionalism | |
| |
| |
| Departures | |
| |
| |
| Jazz | |
| |
| |
| Dance | |
| |
| |
| Modern Dance | |
| |
| |
| Literature | |
| |
| |
| Modernism | |
| |
| |
| The Chicago Renaissance | |
| |
| |
| The Harlem Renaissance | |
| |
| |
| Cinema | |
| |
| |
| Europe | |
| |
| |
| The Rise of the Studio | |
| |
| |
| New Genres | |
| |
| |
| Social Commentary | |
| |
| |
| |
| From Modernism to Postmodernism and Beyond | |
| |
| |
| Contexts And Concepts | |
| |
| |
| Contexts | |
| |
| |
| Decolonization | |
| |
| |
| The Cold War | |
| |
| |
| European Unification | |
| |
| |
| Science and Liberty | |
| |
| |
| Technology: Robots | |
| |
| |
| Concepts | |
| |
| |
| Postmodernism | |
| |
| |
| Pluralism | |
| |
| |
| The Arts From Modernism To Postmodernism And Beyond | |
| |
| |
| Painting and Sculpture | |
| |
| |
| Postwar Modernism | |
| |
| |
| Masterwork: Organizing the Image 5: Frankenthaler, Buddha | |
| |
| |
| Profile: Pablo Picasso | |
| |
| |
| Postmodernism | |
| |
| |
| Pluralism | |
| |
| |
| Architecture | |
| |
| |
| Postwar Modernism | |
| |
| |
| Postmodernism | |
| |
| |
| Pluralism | |
| |
| |
| Theatre | |
| |
| |
| Postwar Modernism | |
| |
| |
| Postmodernism | |
| |
| |
| Pluralism | |
| |
| |
| Music | |
| |
| |
| Postwar Modernism | |
| |
| |
| Postmodernism | |
| |
| |
| Profile: Richard Danielpour | |
| |
| |
| Pluralism | |
| |
| |
| Dance | |
| |
| |
| Modern | |
| |
| |
| Ballet | |
| |
| |
| Postmodern | |
| |
| |
| Pluralism | |
| |
| |
| Literature | |
| |
| |
| Postmodernism | |
| |
| |
| Pluralism | |
| |
| |
| Cinema | |
| |
| |
| International Film and the Demise of the Studio | |
| |
| |
| Pluralism | |
| |
| |
| Glossary | |
| |
| |
| Further Reading | |
| |
| |
| Notes | |
| |
| |
| Literary Acknowledgments | |
| |
| |
| Picture Credits | |
| |
| |
| Index | |
| |
| |
| MAPS | |
| |
| |
| |
| Sites of prehistoric importance in Europe | |
| |
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| |
| The ancient Near and Middle East, showing peoples | |
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| The Aegean | |
| |
| |
| |
| Ancient Greece | |
| |
| |
| |
| The Roman Republic, 264-31 B.C.E. | |
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| |
| The Roman Empire to 280 C.E. | |
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| |
| Lands of the Bible, showing trade routes | |
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| |
| The Roman Empire in the fourth century C.E. | |
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| |
| |
| The spread of Christianity | |
| |
| |
| |
| The empire of Justinian I, showing peoples | |
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| |
| |
| The Byzantine Empire, 1340-1403 | |
| |
| |
| |
| The Byzantine and Islamic empires, 814 | |
| |
| |
| |
| Growth of the empire of Charlemagne, 768-814, and its division, 843 | |
| |
| |
| |
| The Crusades | |
| |
| |
| |
| Renaissance Italy | |
| |
| |
| |
| European trade in the fifteenth century | |
| |
| |
| |
| World exploration, 1487-1610 | |
| |
| |
| |
| Religious divisions in sixteenth-century Europe | |
| |
| |
| |
| Map of Europe from the Atlas sive cosmo graphicae published by Gerard Mercator, Duisburg, 1585 | |
| |
| |
| |
| Scientific thinkers and philosophes of the Enlightenment | |
| |
| |
| |
| The industrialization of Europe in the nineteenth century | |
| |
| |
| |
| European emigration in the eighteenth and nineteenth centuries | |
| |
| |
| |
| Europe on the eve of World War I | |
| |
| |
| |
| World War II in Europe | |
| |
| |
| |
| World War II in the Pacific | |
| |
| |
| |
| Collapse of the Soviet bloc, 1989-93 | |