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List of Plays Used in Photographs | |
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List of Authors Whose Plays Appear in Photographs | |
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Dedication and Credits for Photographs | |
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Preface | |
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Why the Director? | |
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Capturing the Wild Bird: The Dramatic Poet and the Director's Job | |
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The Foundation and Facade of the Playscript: Given Circumstances and Dialogue | |
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The Hard Core of the Playscript: Dramatic Action and Characters | |
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The Derivatives of Dramatic Action in a Playscript: Idea and Rhythmic Beats | |
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The Director's Preparation: The Basis of Communication | |
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Directing is Communicating: Working with Actors | |
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Learning to See: Game of Visual Perception | |
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The Groundplan: The Basic Tool in Director-Actor Communication | |
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Composition: Discovering and Projecting Basic Relationships | |
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Helping Each Actor Intensify: Gesture and Improvisation with Properties | |
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Picturization: Helping a Group Intensify | |
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The Dynamic Tool of Movement | |
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Coordinating Visual Tools in Director-Actor Communication | |
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The Director's Job is Finding Oral and Visual Balance | |
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Directing is Designing | |
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The Director and the Stage Machine: Symbolization and Synthesis | |
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Director's Options 1: Choice of the Stage | |
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Director's Options 2: Scenery, Properties, and Lighting | |
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Director's Options 3: Costume, Makeup, and Sound Effects | |
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Responsibility to Audiences | |
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Style is Individual Expression | |
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Style in Playwriting and Playwrights | |
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The Director's Analysis of Style in a Playscript | |
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Style in Production: Making Decisions | |
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Style in Production: Modern Plays | |
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Style in Production: New Plays | |
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Style in Production: Musical Theatre and Opera | |
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Style in Production: Plays of Past Ages | |
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Epilogue: On the Road: Your Future as a Director | |
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Bibliography | |
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Index | |