| |
| |
| Picture | |
| |
| |
| Credits | |
| |
| |
| Preface | |
| |
| |
| Introduction | |
| |
| |
| |
| The Origins of Photography (to 1839) Before Photography Technological and Artistic Forebears | |
| |
| |
| The Invention of Photographies Antoine Florence and the Question of Simultaneous Invention The Problem of Permanence: Wedgwood and Davy | |
| |
| |
| The Sun Writing of Niepce | |
| |
| |
| The Collaboration of Niepce and Daguerre Daguerre and the Latent | |
| |
| |
| Image Responses to the Announcement of the Daguerreotype | |
| |
| |
| Bayards Direct Positive Process | |
| |
| |
| Herschels Photographic Specimens | |
| |
| |
| Talbots Photogenic Drawing | |
| |
| |
| The Politics of Invention Focus | |
| |
| |
| The Stranger Philosophy and Practice | |
| |
| |
| Natures Automatic Writing | |
| |
| |
| |
| The Second Invention of Photography (18391854) | |
| |
| |
| The Second Invention Focus: Iron, Glass, and Photography | |
| |
| |
| Talbot and The Pencil of Nature Bayard | |
| |
| |
| The Doubting Camera Photography and the Sciences | |
| |
| |
| The Microscope and the Telescope Biology Anthropology and Medicine Focus | |
| |
| |
| Photography, Race, and Slavery Performing History? | |
| |
| |
| The Dr. Morton Controversy Recording Events with the Camera War and Photography Imaging War Focus | |
| |
| |
| The Mexican-American War British Conflicts in Asia Expeditionary and Travel | |
| |
| |
| Photography Egypt and the Holy Land | |
| |
| |
| The Historic Monuments Commission Portraiture and the Camera Coloring the Image | |
| |
| |
| The Photography Studio Celebrity Photography | |
| |
| |
| The Firm of Southworth and Hawes | |
| |
| |
| The Calotype Portrait: Hill and Adamson Focus | |
| |
| |
| The First Police Pictures? Photography and Fiction Philosophy and Practice: A Threat to Art? | |
| |
| |
| |
| The Expanding Domain (18541880) | |
| |
| |
| The Stereograph | |
| |
| |
| The Carte-de-Visite Photographic Societies, Publications, and Exchange | |
| |
| |
| Clubs Art and Photography Art Reproduction | |
| |
| |
| The Photographer and Fine Art High Art Photography Women Behind the Camera Women as Amateurs Portrait | |
| |
| |
| |
| Women as Professionals War and Photography | |
| |
| |
| The Crimean War Roger Fenton Focus | |
| |
| |
| The Valley of Death | |
| |
| |
| |
| The American Civil War | |
| |
| |
| The Effect of the War on Photography Portrait | |
| |
| |
| |
| The Civil War and Remembrance Portrait | |
| |
| |
| |
| The War of the Triple Alliance, South America | |
| |
| |
| The Franco-Prussian War and the Paris Commune Small Wars, Colonial Expansion,and Photography | |
| |
| |
| India China Japan Photography in the Middle East Topographical Surveys and Photography | |
| |
| |
| The Abyssinian Campaign, or the Maqdala Expedition Desire Charnay and Expeditionary Photography | |
| |
| |
| The 49th Parallel Survey Government Surveys in the United States Photography and the Transcontinental Railway Timothy OSullivan and Survey | |
| |
| |
| Photography Preservation of the Wilderness: Yellowstone and Yosemite War and the Photography of Native Americans | |
| |
| |
| The Modoc War | |
| |
| |
| The Fort Laramie Treaty Little Big Horn Photography and Science | |
| |
| |
| Medical Photography Photomicrography and Astronomical | |
| |
| |
| Photographs Photographic Studies of Human Expression | |
| |
| |
| |
| Photography and the Social Sciences Ethnographic Studies and Display Orientalism | |
| |
| |
| Dying Cultures Popularizing Ethnic and Economic Types Philosophy and Practice: Superseded | |