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| Preface | |
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| Foreword | |
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| Prelude: Italy and Italian Art | |
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| The Role of Antiquity | |
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| The Cities | |
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| The Guilds and the Status of the Artist | |
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| The Artist at Work | |
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| The Products of the Painter's Bottega | |
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| The Practice of Drawing | |
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| The Practice of Painting | |
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| Creating a Tempera Painting | |
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| Creating a Fresco Painting | |
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| Creating an Oil Painting | |
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| The Practice of Sculpture | |
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| The Practice of Architecture | |
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| The Practice of History and of Art History | |
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| The Practice of Art History: Giorgio Vasari | |
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| The Late Middle Ages | |
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| Duecento Art in Tuscany and Rome | |
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| Painting in Pisa | |
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| Painting in Lucca | |
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| Painting in Florence | |
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| Painting in Siena | |
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| Cimabue | |
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| Painting in Rome | |
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| Cavallini | |
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| Sculpture | |
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| Architecture | |
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| Florentine Art of the Early Trecento | |
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| Giotto | |
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| Florentine Painters after Giotto | |
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| Sculpture | |
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| Sienese Art of the Early Trecento | |
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| Duccio | |
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| Simone Martini | |
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| Pietro Lorenzetti | |
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| Ambrogio Lorenzetti | |
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| The Master of the Triumph of Death | |
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| Orvieto Cathedral, Lorenzo Maitani and Ugolino di Vieri | |
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| Later Gothic Art in Tuscany and Northern Italy | |
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| Mid-Trecento Painting in Florence | |
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| Late Gothic Painting: Agnolo Gaddi and Lorenzo Monaco | |
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| Painting and Sculpture in Northern Italy | |
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| The Quattrocento | |
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| The Beginnings of Renaissance Architecture | |
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| The Role of the Medici Family | |
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| Filippo Brunelleschi and Linear Perspective | |
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| The Dome of Florence Cathedral | |
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| The Ospedale degli Innocenti | |
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| Brunelleschi's Sacristy for San Lorenzo | |
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| San Lorenzo and Santo Spirito | |
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| Santa Maria degli Angeli | |
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| The Pazzi Chapel | |
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| The Medici Palace and Michelozzi di Bartolommeo | |
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| Gothic and Renaissance in Tuscan Sculpture | |
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| The Competition Panels | |
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| Ghiberti to 1425 | |
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| Donatello to 1417 | |
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| Nanni di Banco | |
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| Donatello (c. 1417 to c. 1435) | |
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| Jacopo della Quercia | |
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| Gothic and Renaissance in Florentine Painting | |
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| Gentile da Fabriano | |
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| Masolino and Masaccio | |
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| The Heritage of Masaccio and the Second Renaissance Style | |
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| Fra Angelico | |
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| Fra Filippo Lippi | |
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| The Second Renaissance Style in Architecture and Sculpture | |
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| Alberti | |
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| Ghiberti after 1425 | |
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| Luca della Robbia (1399 or 1400-82) | |
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| Donatello (c. 1433 to c. 1455) | |
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| Absolute and Perfect Painting: The Second Renaissance Style | |
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| Paolo Uccello | |
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| Domenico Veneziano | |
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| Andrea del Castagno | |
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| A Birth Salver Celebrating Lorenzo de' Medici | |
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| Piero della Francesca | |
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| Crisis and Crosscurrents | |
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| Donatello after 1453 | |
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| Desiderio da Settignano | |
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| Antonio Rossellino and the Chapel of the Cardinal of Portugal | |
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| Benedetto and Giuliano da Maiano | |
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| Giuliano da Sangallo | |
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| Benozzo Gozzoli | |
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| Alesso Baldovinetti | |
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| Francesco Pesellino | |
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| Science, Poetry, and Prose | |
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| Antonio del Pollaiuolo | |
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| Andrea del Verrocchio | |
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| Renaissance Cassoni | |
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| Alessandro Botticelli | |
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| Filippino Lippi | |
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| Domenico del Ghirlandaio | |
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| The Renaissance in Central Italy | |
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| Siena | |
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| Sassetta | |
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| Giovanni di Paolo | |
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| Domenico di Bartolo | |
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| Matteo di Giovanni | |
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| Vecchietta | |
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| Francesco di Giorgio | |
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| Perugia | |
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| Perugino | |
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| Pintoricchio | |
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| Melozzo da Forli | |
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| The Laurana Brothers | |
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| Gothic and Renaissance in Venice and Northern Italy | |
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| Pisanello | |
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| Early Quattrocento Painting in Venice | |
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| Jacopo Bellini | |
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| Andrea Mantegna | |
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| Mantegna and Isabella d'Este | |
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| Gentile Bellini | |
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| Antonello da Messina | |
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| Giovanni Bellini | |
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| Vittore Carpaccio | |
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| Carlo Crivelli | |
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| Late Quattrocento Architecture in Venice | |
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| Late Quattrocento Art in Milan | |
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| Vincenzo Foppa | |
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| Filarete | |
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| The Certosa di Pavia | |
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| Quattrocento Painting in Ferrara | |
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| North Italian Quattrocento Sculpture | |
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| The Cinquecento | |
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| The High Renaissance in Florence | |
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| Leonardo da Vinci | |
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| Michelangelo to 1505 | |
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| Raphael in Perugia and Florence | |
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| Fra Bartolommeo | |
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| Luca Signorelli | |
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| Piero di Cosimo | |
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| The High Renaissance in Rome | |
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| Bramante | |
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| Michelangelo 1505 to 1516 | |
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| Raphael in Rome | |
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| High Renaissance and Mannerism | |
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| Michelangelo 1516 to 1533 | |
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| Andrea del Sarto | |
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| Pontormo | |
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| Rosso Fiorentino | |
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| Perino del Vaga | |
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| Domenico Beccafumi | |
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| Properzia de' Rossi | |
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| Correggio | |
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| Parmigianino | |
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| Pordenone | |
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| Defining Mannerism | |
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| Antonio da Sangallo the Elder | |
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| Antonio da Sangallo the Younger | |
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| Baldassare Peruzzi | |
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| Giulio Romano | |
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| High and Late Renaissance in Venice and on the Mainland | |
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| Giorgione | |
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| Titian | |
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| Tullio Lombardo | |
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| Lorenzo Lotto and Paris Bordone | |
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| The Mainland | |
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| Bramantino, Dosso Dossi, Savoldo, and Moretto | |
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| Sofonisba Anguissola | |
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| Tintoretto | |
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| Paolo Veronese | |
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| Jacopo Bassano | |
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| Michele Sanmicheli | |
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| Jacopo Sansovino | |
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| Andrea Palladio | |
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| Alessandro Vittoria | |
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| Michelangelo and the Maniera | |
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| Michelangelo after 1534 | |
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| The Maniera | |
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| The Michelangelesque Relief | |
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| Benvenuto Cellini | |
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| Bartolommeo Ammanati | |
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| Giovanni Bologna | |
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| Bronzino and Francesco Salviati | |
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| Later Majolica | |
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| Giorgio Vasari | |
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| The Studiolo | |
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| Lavinia Fontana of Bologna | |
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| Postlude | |
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| Giacomo da Vignola | |
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| Federico Barocci | |
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| Sixtus V | |
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| Glossary | |
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| Bibliography | |
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| Index | |
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| Photo Credits | |
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| Literary Credits | |