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Preface | |
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Acknowledgments | |
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About the Authors | |
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Preparation for Listening | |
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Introducing the World of Music | |
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The Infinite Variety of Music: A Global Perspective | |
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The American Mainstream and Ethnic Diversity | |
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Music in Culture | |
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Music Labels: Help or Hindrance? | |
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Artists and Artistry | |
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The Business of Music | |
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Manufacturing and Merchandising | |
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Performance of Music | |
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Music Publishing and Copyright Laws | |
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Music in Advertising | |
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Music in the Community | |
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Summary | |
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The Nature of Music: Vocabulary for Listening and Understanding | |
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Definitions of Music | |
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Music as a Science | |
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Expressive and Functional Qualities of Music | |
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Music Is Sound and Silence | |
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Music Moves through Time | |
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Music Is an Art | |
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Music Is Universal | |
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Music Is a Means of Expression | |
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Music Can Be Functional | |
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Music Is a Changing Art | |
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The Creative, Performing, and Listening Experiences | |
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Participating in Active Listening | |
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The Elements of Music | |
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Melody | |
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Harmony | |
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Rhythm | |
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Loudness | |
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Tone Quality | |
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Interaction of the Elements | |
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To Create a Style: Musical Concepts | |
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Texture | |
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Genres and Forms | |
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Melodic Growth and Character | |
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Goals for Listening | |
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Summary | |
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Listening to American Music: Folk, Religious, Jazz, and Pop | |
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Folk Music Traditions | |
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Goals for Listening | |
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The Roots of Traditional Folk Music | |
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Types of Folk Music | |
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The Blues | |
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Folk Music: An Expanded View | |
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The Urban Folk Revival | |
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Urban Blues | |
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Summary | |
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Religious Music Traditions | |
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Goals for Listening | |
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The Roots of American Protestant Music | |
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Psalm Singing and Psalters | |
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Lining Out, Singing Schools, and the Shape-Note System | |
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Traditional Black Gospel Music | |
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White Gospel Music: Revival and Evangelical Hymns | |
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Popular Contemporary Styles | |
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Summary | |
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Jazz Styles | |
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Goals for Listening | |
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What Is Jazz? | |
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The Jazz Style | |
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The Feel of Swing | |
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Instruments | |
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Improvisation | |
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The Roots of Jazz | |
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Jazz Styles | |
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New Orleans and Chicago Jazz | |
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Stride and Boogie Woogie | |
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Swing and Big Band Jazz | |
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Bebop | |
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Cool Jazz, Hard Bop, Soul Jazz, and Free Jazz | |
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Modern Jazz, Fusion, and Smooth Jazz | |
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Summary | |
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Popular Music | |
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Goals for Listening | |
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The Definition and Scope of Popular Music | |
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Pre-Twentieth Century | |
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Twentieth Century and Beyond | |
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Tin Pan Alley | |
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Vaudeville | |
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Musicals | |
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Film | |
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Radio and Recordings | |
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Country Music | |
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Hillbilly | |
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Cowboy Songs and Western Swing | |
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Bluegrass | |
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The Nashville Sound | |
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Contemporary Country | |
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Early African American Influences | |
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Motown | |
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Gospel | |
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Rhythm and Blues | |
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Soul | |
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Contemporary Styles | |
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Rock | |
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Rap/Hip-Hop | |
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Other Genres | |
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Summary | |
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Listening to World Music | |
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Music of the Americas | |
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Goals for Listening | |
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Native American Music | |
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Style and Context | |
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Assimilation and Preservation | |
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Ethnic Music in the United States | |
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Reggae | |
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Latino Music | |
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Cajun and Zydeco Music | |
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Music of South America, Mexico, and the Caribbean | |
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Indigenous Folk Culture | |
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Musical Instruments | |
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Folk Songs and Dances | |
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Religious Influences | |
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Summary | |
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Music Beyond the Americans | |
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Goals for Listening | |
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Music in India | |
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Classical Music | |
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Popular Music | |
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Music in Japan | |
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The Performance Context | |
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Musical Genres | |
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Gagaku | |
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Kabuki | |
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Koto, Shakuhachi, and Shamisen | |
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Music in Sub-Saharan Africa | |
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Music in Context | |
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Instruments | |
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Rhythm | |
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Popular Music | |
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Music in Eastern Europe | |
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Indonesian Gamelan and Popular Music | |
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Jewish Music | |
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Cultural Context | |
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Liturgical Music | |
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Klezmer Music | |
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Celtic Music | |
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Instruments | |
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Artists | |
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Altan | |
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Clannad | |
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Solas | |
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The Chieftains | |
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Summary | |
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Listening to Western Classical Music | |
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Music to 1600 | |
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Goals for Listening | |
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The Beginnings of Western Music (until 1450) | |
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Gregorian Chant | |
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Notation | |
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Polyphonic Music | |
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The Renaissance (1450-1600) | |
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Choral and Vocal Music | |
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Mass | |
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Motet | |
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Madrigal | |
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Instrumental Music | |
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The Reformation | |
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Featured Composers | |
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Josquin des Prez | |
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Giovanni Pierluigi da Palestrina | |
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Giovanni Gabrieli | |
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Summary | |
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Music of the Baroque Period (1600-1750) | |
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Goals for Listening | |
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Musical Characteristics | |
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Texture | |
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Major-Minor Tonal System | |
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Continuo | |
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Word Painting | |
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Other Musical Characteristics | |
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Instruments | |
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Musical Forms and Genres | |
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Opera | |
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Orchestral Works | |
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Chamber Music | |
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Keyboard Works | |
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Choral Music | |
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Featured Composers | |
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Johann Sebastian Bach | |
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George Frideric Handel | |
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Other Notable Composers | |
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Summary | |
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Music of the Classic Period (1750-1820) | |
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Goals for Listening | |
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Musical Characteristics | |
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Instruments | |
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Genres | |
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Instrumental | |
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Vocal, Choral, and Opera | |
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Forms | |
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Sonata Form | |
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Theme and Variations | |
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Minuet and Trio | |
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Rondo | |
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Featured Composers | |
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Franz Joseph Haydn | |
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Wolfgang Amadeus Mozart | |
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Ludwig van Beethoven | |
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Summary | |
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Music of the Romantic Period (Nineteenth Century) | |
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Goals for Listening | |
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Musical Characteristics | |
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Forms and Genres | |
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Instrumental Forms and Genres | |
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Opera and Ballet | |
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Keyboard Forms and Genres | |
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Songs | |
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Featured Composers | |
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Johannes Brahms | |
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Fr�d�ric Chopin | |
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Felix Mendelssohn | |
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Franz Schubert | |
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Pyotr I'yich Tchaikovsky | |
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Giuseppe Verdi | |
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Richard Wagner | |
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Other Notable Composers | |
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Summary | |
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Music of the Twentieth Century | |
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Goals for Listening | |
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General Characteristics | |
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Stylistic Developments and Featured Composers | |
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Impressionism: Claude Debussy | |
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Experimental Music: Igor Stravinsky | |
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Atonal Music and Serialism: Arnold Schoenberg | |
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Electronic Music: Edgard Var�se | |
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Chance Music: John Cage | |
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Nationalism: B�la Bart�k | |
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Nationalism: Charles Ives and Aaron Copland | |
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Additional American Composers | |
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Amy Cheney Beach | |
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Ruth Crawford | |
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Ellen Taaffe Zwilich | |
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Ulysses Kay | |
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Henry Cowell | |
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George Gershwin | |
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William Grant Still | |
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Neoclassical Music | |
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Minimalism | |
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Traditional Sounds | |
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Summary | |
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A List of Recommended DVDs and Videos Supporting the Philosophy of The World of Music | |
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Classification of Instruments according to Methods of Tone Production | |
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Glossary | |
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Bibliography | |
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Credits | |
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Index | |