Sight Singing Complete

ISBN-10: 007312706X

ISBN-13: 9780073127064

Edition: 7th 2007 (Revised)

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Description:

This volume has been designed for the sight singing component of the Freshman and Sophomore music major curriculum and presents the essential components of this sometimes difficult skill. This systematic approach employs literature, drawing most examples from actual pieces instead of devising contrived melodies.
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Book details

List price: $158.33
Edition: 7th
Copyright year: 2007
Publisher: McGraw-Hill Companies, The
Publication date: 6/30/2006
Binding: Comb Bound 
Pages: 368
Size: 8.50" wide x 10.50" long x 0.50" tall
Weight: 1.628
Language: English

Bruce Benward has been widely regarded as one of the most gifted music theory pedagogues since his textbooks first appeared in the 1960s, and has exerted a wide influence on the teaching of music theory both through his writings and through the generation of teachers that he taught. He recently retired from the University of Wisconsin at Madison.

Unit 1
Rhythm-Simple Meter: One-, Two-, and Three-Beat Values
Diatonic Models and Melodic Fragments for Interval Singing: M2nd and m2nd C. Melodies (Major): M2 and m2 D. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2 E. Ensembles-Two Voices: M2 and m2
Unit 2
Rhythm-Compound Meter: Triple Division of the Beat
Diatonic Models and Melodic Fragments for Interval Singing: P5, P4, M3, m3, M2, and m2
Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2
Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2
Ensembles-Two Voices: P5, P4, M3, and m3 within the Tonic Triad and M2 and m3
Unit 3
Rhythm-Simple Meter: Duple Division of the Beat
Diatonic Models and Melodic Fragments for Interval Singing: P8, P5, P4, M3, m3, M2, and m2
Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2
Melodies (Minor)
Ensembles-Two Voices: P5, P4, M3, and m3 within the Tonic Triad and M2 and m2
Unit 4
Rhythm-Simple Meter: Quadruple Subdivision of the Beat
Diatonic Models and Melodic Fragments for Interval Singing: m10, P8, P5, P4, M3, m3, M2, and m2
Melodies (Major and Minor): P5, P4, M3, m3, M2, and m2
Melodies (Major and Minor): P5, P4, M3, m3, M2, and m2
Ensembles
Unit 5
Rhythm-Simple Meter: Irregular Division of the Beat (the Triplet)
Diatonic Models and Melodic Fragments for Interval Singing-New Intervals: M6 and m6
Melodies (Major and Minor): New Intervals: M6 and m6
Melodies (Major and Minor): New Intervals: M6 and m6
Ensembles
Unit 6
Rhythm-Simple Meter: More Difficult-Quadruple Subdivision of the Beat
Diatonic Models and Melodic Fragments for Interval Singing-Review: M6 and m6
Melodies (Major and Minor): M6 and m6
Melodies (Major and Minor): M6 and m6
Ensembles
Unit 7
Rhythm-Review of Simple Meter with Emphasis on Irregular Division of the Beat: The Triplet
Diatonic Models and Melodic Fragments for Interval Singing-New Interval: M7
Melodies (Major and Minor): New Intervals: M6 and m6
Melodies (Major and Minor): New Intervals: M6 and m6
Ensembles
Unit 8
Rhythm-Review of Simple Meter and Compound Meter
Diatonic Models and Melodic Fragments for Interval Singing-New Interval: M7
Melodies (Major and Minor): m7
Melodies (Major and Minor): m7
Ensembles
Unit 9
Rhythm-Compound Meter: Subdivision of the Beat
Diatonic Models and Melodic Fragments for Interval Singing-New Intervals: A4 and d5
Melodies (Major and Minor): Chromatic Alterations, Modulating and Nonmodulating
Melodies (Major and Minor): Chromatic Alterations, Modulating and Nonmodulating
Ensembles
Unit 10
Rhythm-Simple Meter: Mixed Meters and Irregular Division of the Beat
Diatonic and Chromatic Models and Melodic Fragments for Interval Singing-Review: A4 and d5
Melodies with Chromatic Alterations
Melodies with Chromatic Alterations: Modulating
Ensembles
Unit 11
Rhythm-Compound Meter and Simple Meter: Irregular Divisions of the Beat (the Quartolet in Compound Meter, and the Triplet in Simple Meter)
Diatonic and Chromatic Models and Melodic Fragments for Interval Singing-New Intervals: d7 and A2
Melodies with Unusual Modal Characteristics
Melodies-Chromatic Alterations: Modulating and Nonmodulating
Ensembles
Unit 12
Rhythm-Compound Meter and Simple Meter: Subdivision of the Beat into Eight Parts
Diatonic and Chromatic Models and Melodic Fragments for Interval Study-New Intervals: A6 and d3
Melodies with Unusual Modal Characteri
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