Sight Singing Complete

Name: Sight Singing Complete
Price: 8.03 USD
Availability: InStock
ISBN: 9780073127064

ISBN-10: 007312706X

ISBN-13: 9780073127064

Edition: 7th 2007 (Revised)

Authors: Maureen A. Carr, Bruce Benward

List price: $158.33

30 day, 100% satisfaction guarantee!

Marketplace

3 new & used from $8.03

what's this?

Rush Rewards U
Members Receive:

You have reached 400 XP and carrot coins. That is the daily max!

This volume has been designed for the sight singing component of the Freshman and Sophomore music major curriculum and presents the essential components of this sometimes difficult skill. This systematic approach employs literature, drawing most examples from actual pieces instead of devising contrived melodies.

Book details

List price: $158.33
Edition: 7th
Copyright year: 2007
Publisher: McGraw-Hill Companies, The
Publication date: 6/30/2006
Binding: Comb Bound
Pages: 368
Size: 8.50" wide x 10.50" long x 0.50" tall
Weight: 1.628
Language: English

Bruce Benward has been widely regarded as one of the most gifted music theory pedagogues since his textbooks first appeared in the 1960s, and has exerted a wide influence on the teaching of music theory both through his writings and through the generation of teachers that he taught. He recently retired from the University of Wisconsin at Madison.



Unit 1



Rhythm-Simple Meter: One-, Two-, and Three-Beat Values



Diatonic Models and Melodic Fragments for Interval Singing: M2nd and m2nd C. Melodies (Major): M2 and m2 D. Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2 E. Ensembles-Two Voices: M2 and m2


Unit 2



Rhythm-Compound Meter: Triple Division of the Beat



Diatonic Models and Melodic Fragments for Interval Singing: P5, P4, M3, m3, M2, and m2



Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2



Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2



Ensembles-Two Voices: P5, P4, M3, and m3 within the Tonic Triad and M2 and m3


Unit 3



Rhythm-Simple Meter: Duple Division of the Beat



Diatonic Models and Melodic Fragments for Interval Singing: P8, P5, P4, M3, m3, M2, and m2



Melodies (Major): P5, P4, M3, and m3 within the Tonic Triad and M2 and m2



Melodies (Minor)



Ensembles-Two Voices: P5, P4, M3, and m3 within the Tonic Triad and M2 and m2


Unit 4



Rhythm-Simple Meter: Quadruple Subdivision of the Beat



Diatonic Models and Melodic Fragments for Interval Singing: m10, P8, P5, P4, M3, m3, M2, and m2



Melodies (Major and Minor): P5, P4, M3, m3, M2, and m2



Melodies (Major and Minor): P5, P4, M3, m3, M2, and m2



Ensembles


Unit 5



Rhythm-Simple Meter: Irregular Division of the Beat (the Triplet)



Diatonic Models and Melodic Fragments for Interval Singing-New Intervals: M6 and m6



Melodies (Major and Minor): New Intervals: M6 and m6



Melodies (Major and Minor): New Intervals: M6 and m6



Ensembles


Unit 6



Rhythm-Simple Meter: More Difficult-Quadruple Subdivision of the Beat



Diatonic Models and Melodic Fragments for Interval Singing-Review: M6 and m6



Melodies (Major and Minor): M6 and m6



Melodies (Major and Minor): M6 and m6



Ensembles


Unit 7



Rhythm-Review of Simple Meter with Emphasis on Irregular Division of the Beat: The Triplet



Diatonic Models and Melodic Fragments for Interval Singing-New Interval: M7



Melodies (Major and Minor): New Intervals: M6 and m6



Melodies (Major and Minor): New Intervals: M6 and m6



Ensembles


Unit 8



Rhythm-Review of Simple Meter and Compound Meter



Diatonic Models and Melodic Fragments for Interval Singing-New Interval: M7



Melodies (Major and Minor): m7



Melodies (Major and Minor): m7



Ensembles


Unit 9



Rhythm-Compound Meter: Subdivision of the Beat



Diatonic Models and Melodic Fragments for Interval Singing-New Intervals: A4 and d5



Melodies (Major and Minor): Chromatic Alterations, Modulating and Nonmodulating



Melodies (Major and Minor): Chromatic Alterations, Modulating and Nonmodulating



Ensembles


Unit 10



Rhythm-Simple Meter: Mixed Meters and Irregular Division of the Beat



Diatonic and Chromatic Models and Melodic Fragments for Interval Singing-Review: A4 and d5



Melodies with Chromatic Alterations



Melodies with Chromatic Alterations: Modulating



Ensembles


Unit 11



Rhythm-Compound Meter and Simple Meter: Irregular Divisions of the Beat (the Quartolet in Compound Meter, and the Triplet in Simple Meter)



Diatonic and Chromatic Models and Melodic Fragments for Interval Singing-New Intervals: d7 and A2



Melodies with Unusual Modal Characteristics



Melodies-Chromatic Alterations: Modulating and Nonmodulating



Ensembles


Unit 12



Rhythm-Compound Meter and Simple Meter: Subdivision of the Beat into Eight Parts



Diatonic and Chromatic Models and Melodic Fragments for Interval Study-New Intervals: A6 and d3



Melodies with Unusual Modal Characteri