Chiefs, the Cubs

ISBN-10: 9708120111
ISBN-13: 9789708120111
Edition: N/A
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Description: These stories contain the trademarks that later would denote Mario Vargas Llosas masterpieces and make him a pioneer of Latin American Literature; they are shocking and surprising, and contain his unmistakable style. Through the teenage protagonists  More...

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Book details

Publisher: Santillana USA Publishing Company, Incorporated
Publication date: 3/1/2007
Binding: Paperback
Pages: 208
Size: 5.00" wide x 7.50" long x 0.50" tall
Weight: 0.198
Language: English

These stories contain the trademarks that later would denote Mario Vargas Llosas masterpieces and make him a pioneer of Latin American Literature; they are shocking and surprising, and contain his unmistakable style. Through the teenage protagonists of both works, he ponders upon tyranny and violence of a society in which one cannot let down the expectations of others. With an exceptional narrative talent, Vargas Llosa gives life to a diverse world.

Vargas Llosa, who received his doctorate from the University of Madrid and has lived in London and Paris, now resides in Peru. In addition to novels, he has also written extensively on the modern novel, especially the works of Garcia Marquez and Flaubert, and recently premiered two successful plays. Vargas Llosa's first novel, The City and the Dogs (The Time of the Hero), (1966), brought both scandal and fame to its author. A thousand copies were ceremoniously burned in Peru, where Vargas Llosa was denounced as an enemy of the state, but the novel was published in Spain to high critical acclaim. The Green House (1968), based on memories of experiences in the jungle, contains five interrelated stories fragmented through the five parts of the novel and covering a span of 45 years. Space, time, character, and action are broken and juxtaposed in a marvelous display of novelistic technique. Implicit are critiques of Peru's religious and military establishments. In Conversation in the Cathedral (1969), La Catedral being a bar, Vargas Llosa used the conversation between the son of a wealthy man and his father's mulatto chauffeur as a base for a series of juxtaposed pieces of other conversations, again exposing a corrupt society and revealing humanity's weaknesses and desperate condition. Captain Pantoja and the Special Service (1973) is Vargas Llosa's first openly comic novel, but it also uses overlapping simultaneous plots and a sardonic approach to the role of the military in Latin American public (and private) life. The humor does not hide the dark underside of a jungle where the unexpected is always waiting. Aunt Julia and the Scriptwriter (1977) is openly autobiographical, dealing in barely disguised form with his first marriage. It again uses a favorite technique of juxtaposing two distinct narrative threads to satirize the commercialism and hypocrisy of society. In The War of the End of the World (1984), Vargas Llosa used a popular messianic revolt in the Brazilian backlands at the turn of the century to explore relations between fiction and so-called reality, one of his favorite critical themes. This may well be the first major novel on Brazil by a Spanish American writer.

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