| The Triumph and Failure of American Painting | p. 9 |
| Brushes. Sticks and Stains: Addressing some Cultural Issues in New York and Paris after World War II | p. 15 |
| Hollywood's Imperialism and Coca-colonization | p. 65 |
| The Cold War in France | p. 75 |
| Explosive Issues: Sex, Women, and the Bomb | p. 91 |
| African American Artists Return to Paris | p. 105 |
| Jazz in Saint-Germain-des-Pres | p. 122 |
| From Elle to Mademoiselle | p. 139 |
| In the Heat of the Cold War: Options of Spanish Art in Post-War Europe | p. 169 |
| Renaissance Forces | p. 179 |
| Note on the Otages, Paintings by Fautrier | p. 216 |
| Fautrier, the Enraged | p. 218 |
| Art and Fashion: "The Paris Renaissance" | p. 231 |
| The Bikini Syndrome: Intellectual Activity and the Bomb | p. 247 |
| American Art in the 20th Century | p. 264 |
| Of the Entire World | p. 274 |
| Painting and the Epoch | p. 277 |
| Review of the Exhibition Painting in France, 1939-1940 | p. 282 |
| Review of Exhibitions of Jean Dubuffet and Jackson Pollock | p. 294 |
| This is the Spring of 1946 | p. 297 |
| The Last Man was an Artist | p. 301 |
| The Sublime is Now | p. 305 |
| A "Now Look": The Battle for Abstraction | p. 325 |
| Not Right, Not Left, But a Vital Center | p. 330 |
| Art Bout against Cultural Art | p. 350 |
| The Decline of Cubean | p. 364 |
| Hotmann of the American Light | p. 376 |
| The Satuation at the Moment | p. 398 |
| Paris-New York: An Abstract Dialogue | p. 403 |
| What is Modern Art around 1948? | p. 417 |
| Modern Art and the American Public | p. 418 |
| Modern of Contemporary Worlds or Meanings? | p. 426 |
| Challenge and Promise: Modern Art and Modern Society | p. 430 |
| The Degradation of Art in America | p. 434 |
| A Statement on Modern Art | p. 442 |
| Letter to America | p. 466 |
| Miss McCarthy against Mr. McCarthy: "Who does Threaten the Freedom of the Culture?" | p. 471 |
| America's Cultural Responsibilities Abroad | p. 476 |
| An American in Paris | p. 503 |
| Advancing French Art Arrives in New York | p. 504 |
| The European View of American Art | p. 512 |
| Jackson Pollock is with Us | p. 528 |
| Success and Excess of Abstraction | p. 539 |
| Confrontation between Vehemences | p. 540 |
| A Revolution, Tachism | p. 554 |
| Becoming of an Art Autre | p. 562 |
| In the Heat of the Cold War | p. 575 |
| Art and Politics | p. 582 |
| The New Phase | p. 592 |
| Abstract Painters in the 3rd Biennale | p. 594 |
| The Triumph of Spain in Venice | p. 606 |
| The End of Utopia | p. 611 |
| Some Aspects of Infantilism in American Art | p. 636 |
| Symposium: Is the French Avant-Garde Overrated? | p. 639 |
| A French Viewpoint: Paris Critic Finds a Nomadic Element in Recent American Painting | p. 641 |
| American Type Painting | p. 644 |
| American Culture for Expert | p. 661 |
| The School of Paris is doing Fine | p. 664 |
| The Younger American Painters of Today | p. 666 |
| The Situation of Young Painting in Paris | p. 672 |
| The Triumphal Gesture in a Consumerist World: Emptiness and the Politics of Irony and Rock n'Roll | p. 681 |
| Introduction to a Critique of Urban Geography | p. 690 |
| A User's Guide to De'tournement | p. 695 |
| The Proletarian without Make up | p. 703 |
| Shall they Dance The Future of Museums and Research Centers | p. 717 |
| Bibliographic Selection | p. 730 |
| List of Works | p. 742 |
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