Howard Zinn on War

ISBN-10: 1609801334
ISBN-13: 9781609801335
Edition: 2nd 2011
List price: $18.95 Buy it from $6.85
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Description: Howard Zinn began work on his first book for his friends at Seven Stories Press in 1996, a big volume collecting all his shorter writings organized by subject. The themes he chose reflected his lifelong concerns: war, history, law, class, means and  More...

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Book details

List price: $18.95
Edition: 2nd
Copyright year: 2011
Publisher: Seven Stories Press
Publication date: 6/14/2011
Binding: Paperback
Pages: 272
Size: 5.25" wide x 8.00" long x 0.75" tall
Weight: 0.506
Language: English

Howard Zinn began work on his first book for his friends at Seven Stories Press in 1996, a big volume collecting all his shorter writings organized by subject. The themes he chose reflected his lifelong concerns: war, history, law, class, means and ends, and race. Throughout his life Zinn had returned again and again to these subjects, continually probing and questioning yet rarely reversing his convictions or the vision that informed them. The result was The Zinn Reader. Five years later, starting with Howard Zinn on History, updated editions of sections of that mammoth tome were published in inexpensive stand-alone editions. This second edition of Howard Zinn on History brings together twenty-seven short writings on activism, electoral politics, the Holocaust, Marxism, the Iraq War, and the role of the historian, as well as portraits of Eugene Debs, John Reed, and Jack London, effectively showing how Zinn's approach to history evolved over nearly half a century, and at the same time sharing his fundamental thinking that social movementspeople getting together for peace and social justicecan change the course of history. That core belief never changed. Chosen by Zinn himself as the shorter writings on history he believed to have enduring valueoriginally appearing in newspapers like the Boston Globe or the New York Times; in magazines like Z, the New Left, the Progressive, or the Nation; or in his book Failure to Quitthese essays appear here as examples of the kind of passionate engagement he believed all historians, and indeed all citizens of whatever profession, need to have, standing in sharp contrast to the notion of "objective" or "neutral" history espoused by some. "It is time that we scholars begin to earn our keep in this world," he writes in "The Uses of Scholarship." And in "Freedom Schools," about his experiences teaching in Mississippi during the remarkable "Freedom Summer" of 1964, he adds: "Education can, and should, be dangerous."

A committed radical historian and activist, Howard Zinn approaches the study of the past from the point of view of those whom he feels have been exploited by the powerful. Zinn was born in Brooklyn, New York in 1922. After working in local shipyards during his teens, he joined the U.S. Army Air Force, where he saw combat as a bombardier in World War II. He received a Ph.D. in history from Columbia University in 1958 and was a postdoctoral fellow in East Asian studies at Harvard University. While teaching at Spelman College in Atlanta, Georgia, Zinn joined the civil rights movement and wrote The Southern Mystique (1964) and SNCC: The New Abolitionists (1964). He also became an outspoken critic of the Vietnam War, writing Vietnam: The Logic of Withdrawal (1967) and visiting Hanoi to receive the first American prisoners released by the North Vietnamese. Zinn's best-known and most-praised work, as well as his most controversial, is A People's History of the United States (1980). It explores American history under the thesis that most historians have favored those in power, leaving another story untold. Zinn discusses such topics as Native American views of Columbus and the socialist and anarchist opposition to World War I in examining his theory that historical change is most often due to "mass movements of ordinary people." Zinn's other books include You Can't Be Neutral on a Moving Train: A Personal History of Our Times (1995) and Artists in Times of War (2004). He has also written the plays Emma (1976), Daughter of Venus (1985), and Marx in Soho (1999).

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