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| Foreword | |
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| Preface | |
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| Lessons of Madness | |
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| From the Collapse of a World to the Search for Insanity | |
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| Folly Speaks | |
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| Auguste: In the Beginning Was Shame | |
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| The Twofold Tradition of Folly: Speaking of, Speaking to | |
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| When Folly Is Speaking to No One, to Whom Is It Speaking? A Social Link in the Making | |
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| Adam, Holzminden: The Return of the Real | |
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| Gilda: Madness Speaks to the "Leftovers" of the Analyst's History | |
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| The Analyst Speaks | |
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| The Analyst's Situation | |
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| After Some Others | |
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| The Analyst as "Annalist" of Inaudible Histories | |
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| Exiting Madness: A Demand for Truth | |
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| Gilda: On the Threshold of Time | |
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| The Army of the Dead | |
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| Auguste Comte: An Excess of Subjectivity to Confront a "Superpositivity" | |
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| From the Principle of Objectivation to the Birth of a Subject | |
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| From the Lesion in the Brain to the Lesion in the Other | |
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| Neurology and Psychoanalysis: A Contemporary Issue | |
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| Objectivation/Positivity: A New Paradigm for Psychoanalysis | |
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| The "Superpositivity" of Madness | |
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| The Subject at Stake | |
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| The Logic of Catastrophic Zones: Lesions in Otherness | |
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| The "Children" of Phineas Gage | |
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| "A Death in the Family": The Neurologist Comes to the Aid of the Psychoanalyst | |
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| War and Peace in Psychoanalysis | |
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| A Problematic Causality | |
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| Transference in Neurologists | |
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| The Horrified Other | |
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| On the Borders of Language: The Analyst's Dissociated Impressions | |
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| Henry: Casus Belli in Analysis | |
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| Genesis of the Symbolon against the Background of War | |
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| Showing What Cannot Be Said | |
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| The Festival of the Mad Rises from the Ashes | |
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| Canton, China, July 1985: The Silence of an Admirable Mother | |
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| The Analyst in Clown Costume | |
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| Truce, Truth, Trust: "Join the Dance" | |
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| "Whereof One Cannot Speak ..." | |
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| Conclusion of Part I: From Scientific Revolutions to Therapeutic Revolutions | |
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| What Scientists Are Risking | |
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| Descartes' Error? | |
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| Proferam: From the Real to Inscription | |
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| Descartes' Dreams | |
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| From Madness to the Method | |
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| Lessons from the Front | |
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| "On the Road" | |
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| Geographical Transfers: Finding Someone to Speak to | |
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| Transfers, Journeys, Exiles | |
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| Austen Riggs Center, Winter 1978--Summer 1979 | |
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| The Ghost Road | |
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| The Soldier's Tale | |
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| Symptoms as Old as the War | |
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| From Shell Shock to Traumatic Neurosis: "God Only Knows" | |
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| "Men Learn from History Only that Men Learn Nothing from History" | |
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| The Half-Pay Veterans of War Psychiatry | |
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| Peace Psychoanalysis, War Psychoanalysis | |
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| Thomas W. Salmon and Some Others | |
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| Getting Out of Hell | |
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| The Salmon Principles | |
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| Koan: "Let Me Die, or I'll Perish" | |
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| Proximity: Constructing Space in a Boundless Space | |
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| Getting in Touch | |
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| The Challenging First Interview: Close to the Uncanny | |
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| After the Battle | |
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| The "Unsung Battle": In Touch with Facts Stricken with Nonexistence | |
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| Only Psychoanalysis Can Find the Trace of the Breaking Point | |
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| The Mirror of History | |
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| Madness, Trauma: The Same Combat | |
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| The Memory of Freedom | |
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| The Political and Transferential Outcomes of Trauma | |
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| Interferences: The Birth of a "Transitional Subject" | |
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| The Children of War | |
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| The Mother of Vinegar: Making Use of Coincidences | |
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| Children on the Firing Line | |
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| They Have Good Reason to Be Crazy | |
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| They Know Too Much for Their Age | |
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| Therapon | |
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| Betrayed by One's Own | |
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| Proximity to Combat | |
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| Psychoanalysis Upside Down | |
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| The Man without Qualities | |
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| Immediacy: The Coordinates of Time When Time Stands Still | |
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| Beyond the Causality Principle | |
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| The Mad Tea Party: Speaking to Time | |
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| Urgency | |
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| The First Crisis, the Nth Crisis | |
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| A Minor Character | |
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| A Time that Does Not Pass | |
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| Joseph: Presence of the Thing | |
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| Inferno: Appearance of the Real Other | |
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| A Summons from beyond the Grave | |
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| Rough Music in the Face of the Confiscation of Time | |
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| Fighting the Ghosts | |
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| Satori: An Omnipresent Danger | |
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| Potential Simultaneity According to Schrodinger | |
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| Here and Now: An Interpretation in Search of a Subject to Interpret | |
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| Ghosts of All Nations: Unite! | |
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| The Child with White Hair | |
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| Mayday! The Measure of Time | |
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| The Transmission of a Catastrophic Immediacy: An American Gilda | |
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| The Devil to Pay in the Badlands: A Brazilian Epic of Battle against the Real Other | |
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| Don Quixote's Lady | |
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| The Thing and Words | |
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| Expectancy: The Trustworthiness of the Other | |
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| Yes: An Initial Affirmation | |
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| Trauma Speaking to Trauma | |
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| Blue Flower: Freedom of Speech | |
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| The Children of Terezin | |
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| The Plural Body: The Authority of the Lady | |
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| The Plural Body with Ancestors | |
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| We Do Not Choose the Mouth that Says, "Yes, I Am Waiting for You" | |
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| Who Is Waiting for Whom? | |
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| The Tunnel Awaiting Louise and Her Analyst | |
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| Dreams that Say No | |
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| Dreaming in a Totalitarian Situation | |
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| A Dream of Wittgenstein's | |
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| The Psychiatry of the Nazi War | |
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| The Subject of "Historical Truth" | |
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| Edwige, Sunken Red: A Cruel Truth | |
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| The Theater of Cruelty | |
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| Telling Secrets | |
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| And What about Simplicity? | |
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| A Simple Conclusion: Frozen Time, Frozen Words | |
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| "What Is Well Thought Out Can Be Clearly Expressed" | |
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| Hearing Frozen Words | |
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| References | |
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| Index | |