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Illustrations | |
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Note for the Second Revised Edition | |
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Preface to the First Edition | |
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Acknowledgments | |
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Chronology | |
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Taps At Reveille, 21 December 1940 | |
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The Romantic Egotist, 1896-1913 | |
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Backgrounds and Childhood (1896-1908) | |
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A Summit Avenue Boyhood (1908-1911) | |
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The Newman School (1911-1913) | |
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Spires and Gargoyles, 1913-1917 | |
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A Princeton Freshman (1913-1914) | |
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Sophomore Year (1914-1915) | |
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Junior Year (1915-1916) | |
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Another Junior Year (1916-1917) | |
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The Last of the Belles, 1917-1920 | |
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The Army and "The Romantic Egotist" (1917-1918) | |
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Zelda Sayre (1918) | |
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New York: Failure and Heartbreak (Spring 1919) | |
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Return to St. Paul (Summer 1919) | |
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The Emergence of a Professional (Fall 1919) | |
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Zelda Recaptured (Winter 1919-1920) | |
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Early Success, 1920-1925 | |
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A Famous First Novel (April 1920) | |
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This Side of Paradise (April 1920) | |
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A Jazz-Age Marriage (Spring 1920) | |
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Westport (Summer 1920) | |
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New York and First Trip Abroad (Fall 1920-Summer 1921) | |
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St. Paul and Revising The Beautiful and Damned (Summer 1921) | |
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Birth of Scottie (Fall 1921) | |
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The Beautiful and Damned (March 1922) | |
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Writing The Vegetable (Spring-Summer 1922) | |
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Great Neck and Ring Lardner (Fall 1922-Fall 1923) | |
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Alcohol and the Failure of The Vegetable (1923) | |
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"How to Live on $36,000 a Year" (Winter 1923-Spring 1924) | |
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Second Trip Abroad: Valescure and Betrayal (Summer 1924) | |
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Rome and Capri (Fall 1924-Spring 1925) | |
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The Great Gatsby (April 1925) | |
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The Drunkard's Holiday, 1925-1931 | |
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Paris and Ernest Hemingway (Spring 1925) | |
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Paris and Antibes (Spring-Summer 1925) | |
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Paris and Planning a Fourth Novel (Fall 1925-Spring 1926) | |
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Juan-les-Pins (Spring-Fall 1926) | |
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Hollywood and "Ellerslie" (January 1927-Spring 1928) | |
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Third Trip Abroad: A Summer in Paris (1928) | |
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Fourth Trip Abroad (Spring 1929) | |
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Paris and Cannes (Summer 1929) | |
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Paris: Zelda's Collapse (Fall 1929-Spring 1930) | |
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Prangins (Summer-Fall 1930) | |
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Switzerland and Recovery (Fall 1930-Summer 1931) | |
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The Long Way Out, 1931-1934 | |
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Montgomery and Hollywood: Relapse (Fall-Winter 1931) | |
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"La Paix" and Save Me the Waltz (Spring-Fall 1932) | |
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Work on Tender Is the Night (Summer 1932) | |
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Competition and Scandalabra (1932-1933) | |
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A Novel of Deterioration (1933-1934) | |
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Publication of Tender Is the Night (April 1934) | |
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Reception of Tender Is the Night (1934) | |
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Baltimore (1934) | |
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In the Darkest Hour, 1934-1937 | |
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False Starts (1934) | |
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North Carolina (1935) | |
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The Crack-Up (1935-1936) | |
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Debts (1936-1937) | |
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The Last of the Novelists, 1937-1940 | |
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Hollywood (Summer 1937) | |
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Sheilah Graham and M-G-M (Summer-Winter 1937) | |
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Screenwriting (1937-1938) | |
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College of One (1938-1939) | |
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Free-lancing in Hollywood (1939) | |
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Planning The Love of the Last Tycoon (Fall 1939) | |
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Debts and Esquire Stories (1940) | |
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Writing The Love of the Last Tycoon (1940) | |
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Endings (1940) | |
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Consequences | |
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Afterword: The Colonial Ancestors of Francis Scott Key Fitzgerald | |
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Summary Movie Treatment for Tender Is the Night by F. Scott Fitzgerald and Charles Warren | |
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From Fitzgerald's Ledger | |
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F. Scott Fitzgerald's Publications, Zelda Fitzgerald's Publications, Principal Works about Fitzgerald | |
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Literary Works Published 1913-1940 | |
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Notes | |
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Index | |