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| The Suliote Mother | |
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| The Lady of The Castle | |
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| To Wordsworth | |
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| Casabianca | |
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| The Grave of a Poetess | |
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| The Image In Lava | |
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| The Indian With His Dead Child | |
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| The Rock of Cader Idris | |
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| Advertisement | |
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| Sappho's Song | |
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| "Preface" to The Venetian Bracelet, The Lost Pleiad, A History of the Lyre, and Other Poems | |
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| The Nameless Grave | |
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| The Factory | |
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| Carthage | |
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| Felicia Hemans | |
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| Rydal Water and Grasmere Lake | |
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| Infanticide in Madagascar | |
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| The Cry of the Children | |
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| Sonnets From the Portuguese: III | |
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| Sonnets From the Portuguese: XXII | |
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| Sonnets From the Portuguese: XXIX | |
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| Sonnets From the Portuguess: XLIII | |
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| The Runaway Slave at Pilgrim's Point | |
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| Aurora Leigh: First Book | |
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| Aurora Leigh: Second Book | |
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| Aurora Leigh: Fifth Book | |
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| A Curse for a Nation | |
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| A Musical Instrument | |
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| From Voice From the Factories | |
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| The Creole Girl | |
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| The Poet's Choice | |
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| Rubaiyat of Omar Khayyam | |
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| Mariana | |
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| Supposed Confessions of a Second-Rate Sensitive Mind | |
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| The Poet | |
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| The Poet's Mind | |
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| The Mystic | |
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| The Kraken | |
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| The Lady of Shalott | |
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| To ---, With the Following Poem [The Palace of Art] | |
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| The Palace of Art | |
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| The Hesperides | |
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| The Lotos-Eaters | |
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| The Two Voices | |
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| St Simeon Stylites | |
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| Ulysses | |
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| Tiresias | |
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| The Epic [Morte d'Arthur] | |
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| Morte d'Arthur | |
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| "Break, break, break" | |
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| Locksley Hall | |
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| The Vision of Sin | |
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| In Memoriam A.H.H. | |
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| The Charge of the Light Brigade | |
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| Maud | |
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| Tithonus | |
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| Crossing the Bar | |
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| My Last Duchess | |
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| Soliloquy of the Spanish Cloister | |
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| Johannes Agricola in Meditation | |
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| Porphyria's Lover | |
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| Pictor Ignotus | |
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| The Lost Leader | |
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| The Bishop Orders His Tom at Saint Praxed's Church | |
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| The Laboratory | |
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| Love Among the Ruins | |
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| Fra Lippo Lippi | |
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| A Toccata of Galuppi's | |
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| By the Fire-Side | |
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| An Epistle Containing the Strange Medical Experience of Karshish, The Arab Physician | |
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| "Childe Roland to the Dark Tower Came" | |
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| The Statue and the Bust | |
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| How It Strikes a Contemporary | |
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| The Last Ride Together | |
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| Bishop Blougram's Apology | |
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| Andrea del Sarto | |
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| Saul | |
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| Cleon | |
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| Abt Vogler | |
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| Rabbi Ben Ezra | |
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| Caliban upon Setebos; or, Natural Theology in the Island | |
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| The Owl and the Pussy-Cat | |
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| The Dong with a Luminous Nose | |
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| How Pleasant to Know Mr. Lear | |
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| The Missionary | |
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| Master and Pupil | |
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| On the Death of Emily Jane Bronte | |
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| On the Death of Anne Bronte | |
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| Reason | |
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| "The house was still - the room was still" | |
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| The Lonely Lady | |
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| "Is this my tomb, this humble stone" | |
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| "Obscure and little seem my way" | |
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| "Riches I hold in light esteem" | |
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| To Imagination | |
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| Plead For Me | |
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| Remembrance | |
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| The Prisoner | |
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| "No coward soul is mine" | |
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| Stanzas - "Often rebuked, yet always back returning" | |
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| A Farewell to Alexandria | |
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| "Long neglect has worn away" | |
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| "The night is darkening round me" | |
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| "What winter floods, what showers of spring" | |
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| "She dried her tears, and they did smile" | |
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| The Waters | |
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| The Ploughshare of Old England | |
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| Song of the Red Indian | |
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| Song of the Ugly Maiden | |
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| A Song For The Workers | |
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| Duty - that's to say complying | |
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| Qui Laborat, Orat | |
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| The Latest Decalogue | |
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| "Say not the struggle nought availeth" | |
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| The Voice of the Poor | |
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| A Lament For the Potato | |
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| Tristan and Isolde | |
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| To a Gipsy Child by the Sea-Shore | |
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| The Strayed Reveller | |
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| Resignation | |
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| The Forsaken Merman | |
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| To Marguerite - Continued | |
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| Stanzas in Memory of the Author of "Obermann" | |
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| Empedocles on Etna | |
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| Memorial Verses | |
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| Dover Beach | |
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| The Buried Life | |
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| Stanzas from the Grande Chartreuse | |
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| The Scholar-Gipsy | |
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| Thyrsis | |
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| The Blessed Damozel | |
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| My Sister's Sleep | |
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| Jenny | |
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| Nuptial Sleep | |
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| The Portrait | |
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| Silent Noon | |
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| Willowwood | |
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| The Soul's Sphere | |
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| The Landmark | |
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| Autumn Idleness | |
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| The Hill Summit | |
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| Old and New Art | |
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| Soul's Beauty | |
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| Body's Beauty | |
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| |
| A Superscription | |
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| The One Hope | |
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| |
| The Serving Maid | |
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| Woman's Rights | |
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| |
| The Lust of the Eyes | |
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| Worn Out | |
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| At Last | |
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| Love and Hate | |
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| |
| Goblin Market | |
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| |
| A Birthday | |
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| After Death | |
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| |
| An Apple Gathering | |
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| Echo | |
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| |
| "No, Thank you, John" | |
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| Song | |
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| Uphill | |
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| |
| A Better Resurrection | |
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| |
| "The Iniquity of the Fathers Upon the Children" | |
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| |
| Monna Innominata: 1 | |
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| Monna Innominata: 2 | |
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| Monna Innominata: 3 | |
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| Monna Innominata: 4 | |
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| Monna Innominata: 5 | |
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| Monna Innominata: 6 | |
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| Monna Innominata: 7 | |
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| Monna Innominata: 8 | |
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| Monna Innominata: 9 | |
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| Monna Innominata: 10 | |
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| Monna Innominata: 11 | |
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| Monna Innominata: 12 | |
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| Monna Innominata: 13 | |
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| |
| Monna Innominata: 14 | |
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| |
| "For Thine Own Sake, O My God" | |
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| |
| |
| In an Artist's Studio | |
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| |
| Jabberwocky | |
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| |
| The Walrus and the Carpenter | |
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| |
| The Defense of Guenevere | |
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| |
| The Haystack in the Floods | |
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| |
| The Triumph of Time | |
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| |
| Itylus | |
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| Anactoria | |
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| |
| Hymn to Proserpine | |
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| The Leper | |
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| |
| The Garden of Proserpine | |
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| |
| A Forsaken Garden | |
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| |
| At A Month's End | |
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| |
| Ave Atque Vale | |
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| |
| Circe | |
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| |
| A Castaway | |
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| |
| Mother and Daughter Sonnets: VI | |
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| |
| |
| Mother and Daughter Sonnets: VII | |
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| |
| Mother and Daughter Sonnets: IX | |
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| |
| Mother and Daughter Sonnets: XII | |
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| |
| Mother and Daughter Sonnets: XIII | |
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| |
| Mother and Daughter Sonnets: XIV | |
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| |
| Mother and Daughter Sonnets: XV | |
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| |
| |
| Mother and Daughter Sonnets: XVI | |
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| |
| Mother and Daughter Sonnets: XVII | |
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| |
| |
| Hap | |
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| |
| |
| Neutral Tones | |
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| |
| |
| A Broken Appointment | |
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| |
| |
| The Darkling Thrush | |
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| |
| The Self-Unseeing | |
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| |
| In Tenebris | |
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| |
| The Minute Before Meeting | |
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| |
| Night in the Old Home | |
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| |
| The Something that Saved Him | |
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| Afterwards | |
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| |
| A Young Man's Exhortation | |
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| |
| |
| Snow in the Suburbs | |
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| |
| In a Wood | |
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| |
| |
| The Wreck of the Deutschland | |
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| |
| God's Grandeur | |
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| |
| |
| The Windhover | |
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| |
| |
| Felix Randal | |
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| |
| |
| "As kingfishers catch fire, dragonflies draw flame" | |
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| |
| |
| The Leaden Echo and the Golden Echo | |
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| |
| |
| Carrion Comfort | |
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| |
| |
| "No worst, there is none" | |
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| |
| |
| Tom's Garland | |
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| |
| |
| Harry Ploughman | |
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| |
| |
| Preface | |
| |
| |
| |
| La Gioconda | |
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| |
| |
| The Birth of Venus | |
| |
| |
| |
| "Death, men say, is like a sea" | |
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| |
| |
| "Ah, Eros doth not always smite" | |
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| |
| |
| "Sometimes I do despatch my heart" | |
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| |
| |
| "Solitary Death, make me thine own" | |
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| |
| |
| Love's Sour Leisure | |
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| |
| |
| "It was deep April, and the morn" | |
| |
| |
| |
| An Aeolian Harp | |
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| |
| |
| A Letter from a Girl to Her Own Old Age | |
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| |
| |
| In February | |
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| |
| |
| A Father of Women | |
| |
| |
| |
| The Threshing Machine | |
| |
| |
| |
| Reflections: (I) In Ireland | |
| |
| |
| |
| Reflections: (II) In "Othello" | |
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| |
| |
| Reflections: (III) In Two Poets | |
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| |
| |
| Requiescat | |
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| |
| |
| Helas! | |
| |
| |
| |
| Impressions: le jardin | |
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| |
| |
| Impressions: la mer | |
| |
| |
| |
| Symphony in Yellow | |
| |
| |
| |
| Gentlemen-Rankers | |
| |
| |
| |
| In the Neolithic Age | |
| |
| |
| |
| Recessional | |
| |
| |
| |
| The White Man's Burden | |
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| |
| |
| If | |
| |
| |
| |
| The Dark Angel | |
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| |
| |
| Summer Storm | |
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| |
| |
| Dead | |
| |
| |
| |
| The End | |
| |
| |
| |
| Nihilism | |
| |
| |
| |
| The Darkness | |
| |
| |
| |
| In a Workhouse | |
| |
| |
| |
| Bagley Wood | |
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| |
| |
| The Destroyer of a Soul | |
| |
| |
| |
| The Precept of Silence | |
| |
| |
| |
| A Proselyte | |
| |
| |
| |
| The Farmer's Bride | |
| |
| |
| |
| In Nunhead Cemetery | |
| |
| |
| |
| The Road To Kerity | |
| |
| |
| |
| I Have Been Through The Gates | |
| |
| |
| |
| The Cenotaph | |
| |
| |
| |
| V.R.I.: i. January 22nd, 1901 | |
| |
| |
| |
| V.R.I.: ii. February 2nd, 1901 | |
| |
| |
| |
| Poetic Theory | |
| |
| |
| |
| Tennyson - Poems, Chiefly Lyrical - 1830 | |
| |
| |
| |
| On Some of the Characteristics of Modern Poetry | |
| |
| |
| |
| On the Ancient and Modern Influence of Poetry | |
| |
| |
| |
| "What is Poetry?" | |
| |
| |
| |
| "Introductory Essay" ["Essay on Shelley"] | |
| |
| |
| |
| Recent English Poetry: A Review of Several Volumes of Poems by Alexander Smith, Matthew Arnold, and Others | |
| |
| |
| |
| Preface to the First Edition of Poems | |
| |
| |
| |
| Of the Pathetic Fallacy | |
| |
| |
| |
| The Function of Criticism at the Present Time | |
| |
| |
| |
| Wordsworth, Tennyson, and Browning; or, Pure, Ornate, and Grotesque Art in English Poetry | |
| |
| |
| |
| The Fleshly School of Poetry; Mr. D.G. Rossetti | |
| |
| |
| |
| The Stealthy School Of Criticism | |
| |
| |
| |
| Under The Microscope | |
| |
| |
| |
| The Renaissance: Studies in Art and Poetry | |
| |
| |
| |
| Author's Preface | |
| |
| |
| |
| Tennyson | |
| |
| |
| |
| Robert Browning | |
| |
| |
| |
| The Rhythm of Life | |
| |
| |
| |
| Index of First Lines | |
| |
| |
| Index of Authors and Titles | |