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Bending Genre Essays on Creative Nonfiction

ISBN-10: 1441123296
ISBN-13: 9781441123299
Edition: 2013
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Description: Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. This debate overethics, however, has sidelined  More...

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Book details

Copyright year: 2013
Publisher: Bloomsbury Academic & Professional
Publication date: 3/14/2013
Binding: Paperback
Pages: 208
Size: 5.75" wide x 8.75" long x 0.75" tall
Weight: 0.924
Language: English

Ever since the term "creative nonfiction" first came into widespread use, memoirists and journalists, essayists and fiction writers have faced off over where the border between fact and fiction lies. This debate overethics, however, has sidelined important questions of literaryform.Bending Genredoes not ask where the boundaries between genres should be drawn, but what happens when you push the line. Written for writers and students of creative writing, this collection brings together perspectives from today's leading writers of creative nonfiction, including Michael Martone, Brenda Miller, Ander Monson, John D'Agata, and David Shields. Each writer's innovative essay probes our notions of genre and investigates how creative nonfiction is shaped, modeling the forms of writing being discussed. Like creative nonfiction itself,Bending Genreis an exciting hybrid that breaks new ground. It offers a much-needed companion to any creative nonfiction textbook or craft guide.

Margot Singer is Associate Professor of Creative Writing at Denison University in Granville, Ohio. She also teaches in the low-residency MFA Program at Queens University in Charlotte, N.C., USA. She is the author of a collection of stories, The Pale of Settlement (University of Georgia Press, 2007), winner of the Flannery O'Connor Award for Short Fiction, the Glasgow Prize for Emerging Writers, and the Reform Judaism Prize for Jewish Fiction. Her stories and essays have appeared in the Kenyon Review, Conjunctions , the Gettysburg Review, Shenandoah , and elsewhere. She has received a National Endowment for the Arts Fellowship in Prose and the Thomas Carter Prize for the Essay.�

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