Tent

ISBN-10: 1400097010

ISBN-13: 9781400097012

Edition: N/A

Authors: Margaret Atwood
List price: $14.00 Buy it from $3.94
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Description: A delightfully pointed m?lange of fictional pieces from one of the world’s most acclaimed and incisive authors,The Tentis a sparkling addition to Margaret Atwood’s always masterful work. Here Atwood pushes form once again, with meditations on warlords, pet heaven, and aging homemakers. She gives a sly pep talk to the ambitious young; writes about the disconcerting experience of looking at old photos of ourselves; and examines the boons and banes of orphanhood. Accompanied by her own playful illustrations, Atwood’s droll humor and keen insight make each piece full of clarity and grace. Prescient and personal, delectable and tart,The Tentreflects one of our wittiest authors at her best.

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Book details

List price: $14.00
Publisher: Knopf Doubleday Publishing Group
Publication date: 5/8/2007
Binding: Paperback
Pages: 176
Size: 5.18" wide x 7.99" long x 0.39" tall
Weight: 0.616
Language: English

Born November 18, 1939, in Ottawa, Canada, Margaret Atwood spent her early years in the northern Quebec wilderness. Settling in Toronto in 1946, she continued to spend summers in the northern woods. This experience provided much of the thematic material for her verse. She began her writing career as a poet, short story writer, cartoonist, and reviewer for her high school paper. She received a B.A. from Victoria College, University of Toronto in 1961 and an M.A. from Radcliff College in 1962. Atwood's first book of verse, Double Persephone, was published in 1961 and was awarded the E. J. Pratt Medal. She has published numerous books of poetry, novels, story collections, critical work, juvenile work, and radio and teleplays. Her works include The Journals of Susanna Moodie (1970), Power Politics (1971), Cat's Eye (1986), The Robber Bride (1993), Morning in the Buried House (1995), and Alias Grace (1996). Many of her works focus on women's issues. Atwood is also the author of the MaddAdam trilogy which includes Oryx and Crake, The Year of the Flood, MaddAdam. She has won numerous awards for her poetry and fiction including the Prince of Asturias award for Literature, the Booker Prize, the Governor General's Award in 1966 for The Circle Game and in 1986 for The Handmaid's Tale, which also won the very first Arthur C. Clarke Award in 1987.

Life Stories
Why the hunger for these? If it is a hunger. Maybe it's more like bossiness. Maybe we just want to be in charge, of the life, no matter who lived it.
It helps if there are photos. No more choices for the people in them - pick this one, dump that one. The livers of the lives in question had their chances, most of which they blew. They should have spotted the photographer in the bushes, they �shouldn't have chewed with their mouths open, they �shouldn't have worn the strapless top, they �shouldn't have yawned, they �shouldn't have laughed: so unattractive, the candid denture. So that's what she looked like, we say, connecting the snapshot to the year of the torrid affair. Face like a half-�eaten pizza, and is that him, gaping down her front? What did he see in her, besides cheap lunch? He was already going bald. What was all the fuss about?
I'm working on my own life story. I �don't mean I'm putting it together; no, I'm taking it apart. It's mostly a question of editing. If you'd wanted the narrative line you should have asked earlier, when I still knew everything and was more than willing to tell. That was before I discovered the virtues of scissors, the virtues of matches.
I was born, I would have begun, once. But snip, snip, away go mother and father, white ribbons of paper blown by the wind, with grandparents tossed out for good measure. I spent my childhood. Enough of that as well. Goodbye dirty little dresses, goodbye scuffed shoes that caused me such anguish, goodbye well-�thumbed tears and scabby knees, and sadness worn at the edges.
Adolescence can be discarded too, with its salty tanned skin, its fecklessness and bad romance and leakages of seasonal blood. What was it like to breathe so heavily, as if drugged, while rubbing up against strange leather coats in alleyways? I �can't remember.
Once you get started it's fun. So much free space opens up. Rip, crumple, up in flames, out the window. I was born, I grew up, I studied, I loved, I married, I procreated, I said, I wrote, all gone now. I went, I saw, I did. Farewell crumbling turrets of historic interest, farewell icebergs and war monuments, all those young stone men with eyes upturned, and risky voyages teeming with germs, and dubious hotels, and doorways opening both in and out. Farewell friends and lovers, you've slipped from view, erased, defaced: I know you once had hairdos and told jokes, but I �can't recall them. Into the ground with you, my tender fur-�brained cats and dogs, and horses and mice as well: I adored you, dozens of you, but what were your names?
I'm getting somewhere now, I'm feeling lighter. I'm coming unstuck from scrapbooks, from albums, from diaries and journals, from space, from time. Only a paragraph left, only a sentence or two, only a whisper.
I was born.
I was.
I.
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