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| The Basics of Reading Music | |
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| Major Scales and Key Signatures | |
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| Intervals | |
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| Minor Scales and Key Signatures | |
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| Triads and Figured Bass | |
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| Melody and Counterpoint | |
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| The Basics of Diatonic Harmony | |
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| Part-Writing with Root Position Chords | |
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| Root Movement by Fifth | |
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| Root Movement by Second | |
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| Root Movement by Third | |
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| Review of Harmony: Root Position Triads | |
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| The Cadential Six-Four Chord | |
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| First Inversion Chords | |
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| The Leading Tone Triad and Other First Inversion Practices | |
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| Additional Six-Four Chords | |
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| Introduction to Simple Non-Harmonic Tones | |
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| Appoggiaturas, Escape Tones, Pedal Tones | |
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| Suspensions, Retardations, Anticipations | |
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| Introduction to Seventh Chords | |
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| Dominant and Leading Tone Seventh Chords | |
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| Additional Seventh Chords | |
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| Diatonic Modulation | |
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| Review of Seventh Chords, Non-Harmonic Tones, And Modulation | |
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| Introduction to Secondary Dominants | |
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| Secondary Dominants of the Dominant | |
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| Secondary Dominants of the Supertonic | |
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| Secondary Dominants of the Subdominant | |
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| Secondary Dominants of the Mediant and Submediant | |
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| Chromatic Modulation | |
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| Borrowed Chords | |
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| Neapolitan Triads and Other Altered Chords | |
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| Additional Modulation Techniques | |
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| Introduction to Augmented Sixth Chords | |
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| Augmented Sixth Chords in Context | |
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| Review of Chromatic Harmony | |
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| Enharmonic Modulation with German Sixths | |
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| Enharmonic Modulation with Fully-Diminished Seventh Chords | |
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| Introduction to Modes | |
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| Impressionist Techniques | |
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| Jazz Theory | |
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| Techniques of Non-Tonal Music | |
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| Pitch Class Set Theory | |
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| Non-Tertian Harmonic Techniques | |
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| Serialism | |
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| Minimalism and Rhythmic Techniques | |
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| Avant-Garde and Electronic Music | |
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| Review of Contemporary Techniques | |
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| Practice Box Answers | |
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| Composer Index | |
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| General Index | |