Brazilian Popular Music and Citizenship

ISBN-10: 082234906X
ISBN-13: 9780822349068
Edition: 2011
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Description: Covering more than one hundred years of history, this multidisciplinary collection of essays explores the vital connections between popular music and citizenship in Brazil. While popular music has served as an effective resource for communities to  More...

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Book details

List price: $27.95
Copyright year: 2011
Publisher: Duke University Press
Publication date: 5/9/2011
Binding: Paperback
Pages: 376
Size: 6.50" wide x 9.50" long x 1.00" tall
Weight: 1.144
Language: English

Covering more than one hundred years of history, this multidisciplinary collection of essays explores the vital connections between popular music and citizenship in Brazil. While popular music has served as an effective resource for communities to stake claims to political, social, and cultural rights in Brazil, it has also been appropriated by the state in its efforts to manage and control a socially, racially, and geographically diverse nation. The question of citizenship has also been a recurrent theme in the work of many of Brazilrs"s most important musicians. These essays explore popular music in relation to national identity, social class, racial formations, community organizing, political protest, and emergent forms of distribution and consumption. Contributors examine the cultural politics of samba in the 1930s, the trajectory of middle-class musical sensibility associated with MPB (Muacute;sica Popular Brasileira), rock and re-democratization in the 1980s, music and black identity in Bahia, hip hop and community organizing in Satilde;o Paulo, and the repression ofbailefunk in Rio in the 1990s. Among other topics, they consider the use of music by the Landless Workersrs" Movement, the performance of identity by Japanese-Brazilians, the mangue beat movement of Recife, and the emergence of new regional styles that circulate outside of conventional distribution channels such aslambadatilde;oandtecnobrega. Taken together, the essays reveal the important connections between citizenship, national belonging, and Brazilian popular music.

John K. Nelson is professor emeritus of history at the University of North Carolina at Chapel Hill.Christopher Dunn holds a joint appointment in the Department of Spanish and Portuguese and the African and African Diaspora Studies Program at Tulane University. An affiliate of the Roger Thayer Stone Center for Latin American Studies and codirector of the Brazilian Studies Council at Tulane, he is coeditor of Brazilian Popular Music and Globalization.

Acknowledgments
Introduction. Music as Practice of Citizenship in Brazil
Dissonant Voices under a Regime of Order-Unity: Popular Music and Work in the Estado Novo
Orpheonic Chant and the Construction of Childhood in Brazilian Elementary Education
Farewell to MPB
From Mr. Citizen to Defective Android: Tom Z� and Citizenship in Brazil
Rude Poetics of the 1980s: The Politics and Aesthetics of Os Tit�s
"We Live Daily in Two Countries": Audiotopias of Postdictatorship Brazil
Soundtracking Landlessness: Music and Rurality in the Movimento dos Trabalhadores Rurais Sem Terra
Zhen Brasil's Japanese Brazilian Groove
Embodying the Favela: Representation, Mediation, and Citizenship in the Music of Bezerra da Silva
Hip-Hop in S�o Paulo: Identity, Community Formation, and Social Action
"Conquistando Espa�o": Hip-Hop Occupations of S�o Paulo
Funk Music Made in Brazil: Media and Moral Panic
Technobrega, Forr�, Lambad�o: The Parallel Music of Brazil
"Tradition as Adventure": Black Music, New Afro-Descendant Subjects, and Pluralization of Modernity in Salvador da Bahia
Modernity, Agency, and Sexuality in the Pagode Baiano
Candeal and Carlinhos Brown: Social and Musical Contexts of an Afro-Brazilian Community
Of Mud Huts and Modernity: The Performance of Civic Progress at Arcoverde's S�o Jo�o Festival
Mangue Beat Music and the Coding of Citizenship in Sound
Works Cited
Contributors
Index

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