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Pin-Up Grrrls Feminism, Sexuality, Popular Culture

ISBN-10: 0822337460
ISBN-13: 9780822337461
Edition: 2006
List price: $27.95 Buy it from $9.38
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Description: Subverting stereotypical images of women, a new generation of feminist artists is remaking the pin-up, much as Annie Sprinkle, Cindy Sherman, and others did in the 1970s and 1980s. As shocking as contemporary feminist pin-ups are intended to be,  More...

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Book details

List price: $27.95
Copyright year: 2006
Publisher: Duke University Press
Publication date: 5/31/2006
Binding: Paperback
Pages: 464
Size: 6.00" wide x 9.00" long x 1.00" tall
Weight: 1.496
Language: English

Subverting stereotypical images of women, a new generation of feminist artists is remaking the pin-up, much as Annie Sprinkle, Cindy Sherman, and others did in the 1970s and 1980s. As shocking as contemporary feminist pin-ups are intended to be, perhaps more surprising is that the pin-up has been appropriated by women for their own empowerment since its inception more than a century ago. "Pin-Up Grrrls" tells the history of the pin-up from its birth, revealing how its development is intimately connected to the history of feminism. Maria Elena Buszek documents the genre's 150-year history with more than 100 illustrations, many never before published. Beginning with the pin-up's origins in mid-nineteenth-century "carte-de-visite "photographs of burlesque performers, Buszek explores how female sex symbols, including Adah Isaacs Menken and Lydia Thompson, fought to exert control over their own images. Buszek analyzes the evolution of the pin-up through the advent of the New Woman, the suffrage movement, fanzine photographs of early film stars, the Varga Girl illustrations that appeared in "Esquire" during World War II, the early years of "Playboy" magazine, and the recent revival of the genre in appropriations by third-wave feminist artists. A fascinating combination of art history and cultural history, "Pin-Up Grrrls" is the story of how women have publicly defined and represented their sexuality since the 1860s.

Acknowledgments
Introduction: Defining/Defending the "Feminist Pin-Up"
Representing "Awarishness": The Theatrical Origins of the Feminist Pin-Up Girl
New Women for the New Century: Feminism and the Pin-Up at the Fin de Siecle
The Return of Theatrical Feminism: Early-Twentieth-Century Pin-Ups on the Stage, Street, and Screen
Celebrating the "Kind of Girl Who Dominates": Film Fanzines and the Feminist Pin-Up
New Frontiers: Sex, Women, and World War II
Pop Goes the Pin-Up: New Roles and Readings in the Postwar Era
Our Bodies/Ourselves: Pin-Ups in the Wake of Women's Liberation
From Womyn to Grrrls: The Postmodern Feminist Pin-Up
Conclusion/Commencement
Notes
Bibliography
Index

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