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| List of Illustrations | |
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| Acknowledgments | |
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| Introduction | |
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| Zanzibar History, Slavery, and Abolition | |
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| Culture and Community in Urban Zanzibar | |
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| Ethnicity, Identity, and Belonging | |
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| Being and Becoming an Arab: Citizenship, Consumption, and Race | |
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| Methodology | |
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| Dressing Up: Clothing, Class, and Gender in Post-Abolition Zanzibar | |
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| Dress, Class, and Ethnicity in the Nineteenth Century | |
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| Dressing Up: New Identities and New Clothes | |
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| Islam, Veiling, and Respectability | |
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| Gender, Politics, and Cultural Change | |
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| Conclusion | |
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| "The Land Is Ours! Why Should We Pay Rent?": Land, Law, and Housing in Colonial Ng'ambo | |
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| From Kiungani to Ng'ambo | |
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| Hut Tax, Ground Rent, and Resistance to World War I | |
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| Transformations in Urban Land Tenure and the Early Years of Ground Rent in Ng'ambo | |
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| Growing Tensions over Ground Rent | |
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| The Ground Rent Strike of 1928 | |
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| The Music of Siti binti Saad: Creating Community, Crafting Identity, and Negotiating Power through Taarab | |
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| Taarab and the Creation of a Zanzibari Identity | |
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| Background on the Band and the Role of Religion in Their Rise to Fame | |
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| The Creative Context of Siti's Songs | |
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| Continuity and Change in the Constellations of Colonial Power | |
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| Gender and the Colonial Courts | |
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| "When you wanted me I stayed with you / Now you do not want me I have no need for you": Love, Sex, and Rejection between the Wars | |
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| Conclusion | |
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| Colonial Politics, Masculinity, and Football | |
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| The Early Years of Football in Zanzibar | |
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| The Politics of Sport in Colonial Zanzibar | |
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| Ethnicity, Nationalism, Masculinity, and Community: The Multiple Meanings of Football in Island Life | |
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| Conclusion | |
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| Conclusion | |
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| Notes | |
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| Glossary | |
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| Bibliography | |
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| Index | |