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Acknowledgments | |
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Introduction | |
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Poems | |
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Work Song | |
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Sculpture Garden | |
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John Keats | |
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Light Years | |
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Ontario | |
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Document | |
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Then | |
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Willow | |
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Poetics Statement | |
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Recording Devices: Mark Levine's Poetics of Evidence | |
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Poems | |
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I won't go in today | |
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There comes a time to rusticate the numbers | |
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I never wish to sing again as I used to | |
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O verb, o void | |
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No noise subtracts it | |
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It could be a bird that says summer | |
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The first greeting on a bright sift | |
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Brown is the flat gestation of a maze | |
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What is this witness, the watching ages | |
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Grey airs, grey stirs | |
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Reticulation of a premise | |
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Bitter seed-scarred semblance-psyche | |
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The thing you do you keep or claim | |
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Lifting whither, cycle of the sift | |
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One might start here | |
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Poetics Statement | |
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A Space for Desire and the Mutable Self: Karen Volkman's Experimentations with the Lyric | |
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Poems | |
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[Chapt. ex ex ex eye vee: in which scott has a birthday] | |
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[When you touch down upon this earth, little reindeers] | |
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[My lover my phlebotomist. his elastic fingers encircle my arm] | |
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[You'd want to go to the reunion: see] | |
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[So the theatre dimmed and reclined. cramped balcony rubbed against my leg] | |
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[Strange flower in my hands. porphyry shell. clipped wool] | |
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[Listen mother, he punched the air: I am not your son dying] | |
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[Darling can you kill me: with your mickeymouse pillows] | |
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[When dementia begins: almost makes sense like hambuger translations] | |
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[Autumn set us heavily to task: unrooted the dahlias] | |
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[Between scott's asshole and his mouth I could not say which I preferred: perfect similes] | |
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[Ode] | |
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[Who won't praise green. each minute to caress each minute blade of spring. green slice us open] | |
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Poetics Statement: The Flesh Failures | |
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Here Is the Door Marked heaven: D. A. Powell | |
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Poems | |
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Beginning with a Phrase from Simone Weil | |
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Revival | |
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To Be Written in No Other Country | |
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Plain Song | |
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Chateau If | |
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In Defense of Nothing | |
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Untitled Amherst Specter | |
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Last Century Thoughts in Snow Tonight | |
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Poetics Statement: Extract from a Letter to Steve Farmer | |
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Peter Gizzi's City: The Political Quotidian | |
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Poem | |
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Gentle Now, Don't Add to Heartache | |
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Poetics Statement | |
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All Together/Now: Writing the Space of Collectivities in the Poetry of Juliana Spahr | |
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Poems | |
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Baader Meinhof Three-Person'd God | |
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At the Atelier Teleology | |
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Poem (We always send it to the wrong address) | |
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Chreia | |
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Whiteread Walk | |
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Whiteread Walk | |
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Ceriserie | |
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Year Zero | |
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Poetics Statement: Once Against (Into the Poetics of Superinformation) | |
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The Pleasures of not Merely Circulating: Joshua Clover's Political Imagination | |
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Poems | |
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Defacement | |
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Famous Negro Athletes | |
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Fish Story | |
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Nocturne | |
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Night Cap | |
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The Hideout | |
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Poetics Statement | |
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Mixed-up Medium: Kevin Young's Turn-of-the-Century American Triptych | |
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Poems | |
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A little | |
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Untitled | |
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Poetics Statement: Sound Making Notes | |
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Improvisational Insurrection: The Sound Poetry of Tracie Morris | |
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Poems | |
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From Commons | |
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From "Lamenta" | |
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From "Works" | |
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Poetics Statement: Convolutions: the Precision, the Wild | |
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Making Common the Commons: Myung Mi Kim's Ideal Subject | |
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Poems | |
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From Conference | |
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From Paramour: "A Month of Valentines" | |
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From Knot | |
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Poetics Statement: I Have to Check My e-mail | |
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The Poetics of Radical Constraint and Unhooked Bedazzlement in the Writing of Stacy Doris | |
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Poem | |
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The Debtor in the Convex Mirror | |
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Poetics Statement | |
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Susan Wheeler's Open Source Poetics | |
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Poems | |
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From $00/Line/Steel/Train | |
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From Capitalization | |
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From Hoyt Lakes / Shut Down | |
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Poetics Statement: Notes toward an Anti-capitalist Poetics II | |
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Mark Nowak: Radical Documentary Praxis [Redux] | |
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Poem | |
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"Page One" from The Day | |
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Poetics Statement: Being Boring | |
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Affect and Autism: Kenneth Goldsmith's Reconstitution of Signal and Noise | |
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Contributors | |
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Index | |
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Audio CD Track List | |