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Preface | |
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Precursors of the Renaissance | |
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The Thirteenth Century | |
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The Context | |
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Politics | |
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Box: Guelphs and Ghibellines | |
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The Guilds | |
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The Stylistic Background | |
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Box: Early Christianity and the Life of Christ | |
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Vasari's Lives and the "Framing" of the Renaissance | |
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Cimabue | |
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Box: Tempera Painting and the Bottega | |
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Saints Dominic and Francis: Mendicant Friars | |
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Box: Typology | |
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Nicola and Giovanni Pisano | |
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Duccio di Buoninsegna: The Rucellai Madonna | |
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Siena and Florence in 1300 | |
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Box: Dante Alighieri | |
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Giotto: The Santa Maria Novella Crucifix | |
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Trecento Precursors | |
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Giotto di Bondone | |
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The Ognissanti Madonna | |
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Box: Giovanni Boccaccio | |
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Box: Fresco Painting | |
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The Arena Chapel | |
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Box: The Emergence of Humanism | |
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Controversy Box: Giotto and the Assisi Frescoes | |
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Sienese Painting in the Fourteenth Century | |
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Duccio's Maesta | |
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Simone Martini | |
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Ambrogio Lorenzetti: Allegories of Good and Bad Government | |
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1348: The Black Death | |
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Controversy Box: The Impact of the Black Death | |
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Andrea da Firenze: Way of Salvation | |
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Andrea di Cione (Orcagna) | |
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The Strozzi Altarpiece | |
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The Or San Michele Tabernacle | |
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The Quattrocento | |
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Architecture and Sculpture in Florence: 1400-1430 | |
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Box: The Catasto of 1427 | |
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The Competition of 1401 | |
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Box: Bronze Casting | |
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Ghiberti's Commentarii | |
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Public Sculpture: The Exterior of Florence Cathedral | |
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Donatello's Marble David | |
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Donatello's John the Evangelist | |
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The Architecture of Brunelleschi | |
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The Dome | |
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The Hospital of the Innocents | |
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Box: The Medici in the Fifteenth Century | |
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The Church of San Lorenzo | |
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Box: The Orders of Architecture | |
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The Church of Santo Spirito | |
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Late Work: Santa Maria degli Angeli and the Ideal of the Circular Plan | |
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Controversy Box: Brunelleschi's Sources | |
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Or San Michele: The Exterior Niches | |
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Painting in Florence: 1400-1430 | |
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Lorenzo Monaco's Coronation of the Virgin | |
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Gentile da Fabriano's Adoration of the Magi: 1423 | |
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Masaccio | |
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The Pisa Altarpiece: The Virgin and Child | |
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Box: Brunelleschi's Perspective System | |
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The Trinity | |
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The Brancacci Chapel Frescoes | |
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The Disposition of the Scenes | |
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Temptation and Expulsion of Adam and Eve | |
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The Tribute Money | |
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Controversy Box: The Restoration of the Brancacci Chapel Frescoes | |
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The Frescoes on the Altar Wall | |
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Painting in Florence: 1430-1460 | |
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Box: Women in the Italian Renaissance | |
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Leon Battista Alberti: On Painting | |
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Fra Angelico | |
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Filippo Lippi | |
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Box: Pius II | |
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Box: Jan van Eyck and the Renaissance in the Netherlands | |
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Painting in Florence, II: 1430-1460 | |
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Paolo Uccello | |
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Box: Condottieri | |
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Box: The Dignity of Man in the Renaissance | |
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Domenico Veneziano | |
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Andrea del Castagno | |
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Sculpture and Architecture in Florence: 1430s-1460s | |
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Bruni's Humanist Tomb | |
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Alberti's Self-Portrait Plaque: An Iconographic Puzzle | |
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Box: The Renaissance Medal | |
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Donatello in the Mid-Fifteenth Century | |
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Ghiberti's East Doors | |
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Box: Pisanello's Medal of John VIII Palaeologus | |
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Palace Architecture | |
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The Medici Palace: 1444-1460 | |
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The Rucellai Palace: 1450s | |
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Box: Alberti's Architectural Metaphor | |
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The Facade of Santa Maria Novella | |
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Developments in Siena, Rimini, and Pienza: 1400-1460 | |
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Siena | |
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Sassetta | |
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Box: San Bernardino of Siena | |
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Jacopo della Quercia | |
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The Ilaria del Carretto Tomb Monument | |
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The Fonte Gaia | |
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The Baptismal Font | |
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The San Petronio Portal | |
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Rimini | |
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The Tempio Malatestiano | |
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Medals of Sigismondo and Isotta | |
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Pienza | |
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Developments in Umbria, the Marches, and Naples: 1400s-1460s | |
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Box: Vitruvius | |
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Alfonso I of Naples | |
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Pisanello's Medal of Alfonso | |
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The Aragonese Arch | |
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Piero della Francesca | |
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The Baptism of Christ | |
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The Madonna del Parto | |
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Box: The Cartoon | |
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The Arezzo Frescoes | |
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Box: The Legend of the True Cross | |
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The Montefeltro Court in Urbino | |
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Clemente's Medal of Federico da Montefeltro | |
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Piero's State Portraits | |
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The Flagellation of Christ | |
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The Madonna and Child with Saints | |
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Controversy Box: The Question of the Egg | |
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Federico's Dynastic Iconography | |
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Sculpture and Architecture in Florence after 1450 | |
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Sculpture | |
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Donatello | |
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Mary Magdalen | |
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The Bronze John the Baptist | |
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Judith and Holofernes | |
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Desiderio da Settignano | |
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Antonio del Pollaiuolo's Hercules and Antaeus | |
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Andrea del Verrocchio | |
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David | |
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Doubting Thomas | |
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The Tomb of Piero and Giovanni de' Medici | |
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Putto with a Dolphin | |
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Colleoni | |
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Architecture | |
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The Strozzi Palace | |
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Giuliano da Sangallo | |
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The Medici Villa: Poggio a Caiano | |
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Santa Maria delle Carceri | |
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Painting in Florence after 1450 | |
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Benozzo Gozzoli: The Medici Chapel Frescoes | |
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Pollaiuolo | |
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Botticelli | |
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Box: The Platonic Academy | |
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Filippino Lippi: Vision of Saint Bernard | |
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Ghirlandaio | |
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Fifteenth-Century Developments in Verona, Ferrara, and Mantua | |
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Pisanello in Verona | |
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Pisanello and the Este of Ferrara | |
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Box: The Este of Ferrara | |
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Developments in Mantua | |
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The Sala Pisanello Frescoes | |
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Box: The Gonzaga of Mantua | |
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Alberti in Mantua | |
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Andrea Mantegna | |
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Mantegna and the Gonzaga of Mantua | |
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Developments in Late Fifteenth-and Early Sixteenth-Century Venice | |
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Jacopo Bellini | |
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Box: The Venetian Scuole | |
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Gentile Bellini | |
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Carpaccio's Miracle at the Rialto | |
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Antonello da Messina | |
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Giovanni Bellini | |
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Box: Ovid and the Renaissance | |
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The Cinquecento | |
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Leonardo and Bramante: Late Fifteenth-and Early Sixteenth-Century Developments in Florence and Milan | |
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Leonardo da Vinci: Florence | |
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Leonardo and Bramante in Milan | |
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Politics and Humanist Patronage | |
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Lodovico and Bramante | |
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Lodovico and Leonardo | |
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Leonardo's Later Work | |
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Controversy Box: Freud, Leonardo, and Art History: A Methodological Squabble | |
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Michelangelo and Raphael: The Late Fifteenth Century to 1505 | |
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Michelangelo: Florence and Rome | |
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Controversy Box: Michelangelo and the "Marble Breast" | |
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Raphael: Urbino, Perugia, and Florence | |
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Box: Literary Figures at the Court of Guidobaldo da Montefeltro | |
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Brammante, Michelangelo, Raphael: Developments in Rome to 1520 | |
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Bramante in Rome | |
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The Patronage of Julius II | |
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Box: The Evolution of Saint Peter's | |
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Michelangelo: The Tomb of Julius II | |
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The Sistine Ceiling | |
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Raphael: The Stanza della Segnatura | |
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Disputation over the Sacrament (or Disputa) | |
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School of Athens | |
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Raphael After 1511 | |
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Galatea | |
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Fire in the Borgo | |
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Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi | |
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Transfiguration | |
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Domestic Architecture | |
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The Villa Madama | |
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The Farnese Palace | |
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Venice in the Sixteenth Century | |
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Giorgione da Castelfranco | |
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Enthroned Madonna with Saints Liberalis and Francis | |
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Tempest | |
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Fete Champetre | |
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Sleeping Venus | |
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Portrait of an Old Woman (Col Tempo) | |
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Titian | |
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Sacred and Profane Love | |
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Assumption of the Virgin | |
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The Pesaro Altarpiece | |
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Meeting of Bacchus and Ariadne | |
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Venus of Urbino | |
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Danae | |
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Pope Paul III | |
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Pieta | |
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Later Sixteenth-Century Developments and Mannerist Trends | |
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Tintoretto: Last Supper | |
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Veronese: Apotheosis of Venice | |
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Palladio: Developments in Architecture | |
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Michelangelo after 1520 and the Transition to Mannerism | |
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Box: Machiavelli | |
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Michelangelo: The Medici Chapel | |
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Victory | |
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Last Judgment | |
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Michelangelo's Later Architecture | |
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The Vestibule of the Laurentian Library | |
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The Campidoglio | |
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Towards Mannerism | |
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Correggio and Parmigianino | |
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Giulio Romano | |
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Pontormo | |
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Florence under Cosimo I de' Medici | |
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Timeline | |
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Glossary of Art-Historical and Stylistic Terms | |
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Select Bibliography | |
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Notes | |
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Picture Credits | |
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Index | |