Delmore Schwartz was born on December 8, 1913 in Brooklyn, NY. He later attended the University of Wisconsin, New York University and Harvard University. Schwartz's many talents included writing poems and short stories, literary criticism, and being considered one of the most influential Jewish writers during World War II. He was an editor for the Partisan Review and The New Republic and a professor at many universities including Harvard and Syracuse. Schwartz wrote In Dreams Begin Responsibilities, a collection of his poems and short stories. His criticisms were collected in the book, The Imitation of Life. Delmore Schwartz died on July 11, 1966 in New York City.
James Atlas is the founding editor of the Lipper/Viking Penguin Lives Series. A longtime contributor to The New Yorker, he was an editor at The New York Times Magazine for many years. His work has appeared in The New York Times Book Review, The New York Review of Books, The London Review of Books, The Atlantic Monthly, Partisan Review, and many other journals. He is the author of Delmore Schwartz: The Life of an American Poet, which was nominated for a National Book Award.
A self-styled "democratic socialist," founder and editor of the radical journal Dissent, and a regular contributor to The New Republic, Howe was professor of English at Hunter College. His first book, Sherwood Anderson (1951), made a substantial impression on his contemporaries and firmly established his reputation as a critic. He wrote several volumes of essays on literary topics---some of these with an emphasis on political commitments---all informed by a sensitive critical intellect. He felt that the fundamental problem with modern culture is that we look for meaning of life outside of it, rather than engaging with social and cultural issues as concerned citizens, active members of civil… society. Howe insisted that moderation threatens our social order as much as radicalism because it is "passive, indifferent and atomized." His valuable introduction to The Idea of the Modern in Literature and the Arts (1971) reveals an uncomfortable awareness of the difficulties of modernism and a deep dissatisfaction with the limited role of the contemporary critic. By contrast, Howe wanted criticism to form our tastes, to come to the defense of literacy, and to confirm the ideal of individual imagination. Another of Howe's works, World of Our Fathers (1976), is a look at the lives of Jewish immigrants in New York during the early years of the century.