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Acknowledgments | |
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Introduction | |
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Setting the Stage: Identifying an American Folk Music Heritage, 1900-1930 | |
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Creating the Cult of Authenticity: The Lomaxes and Lead Belly | |
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Mastering the Cult of Authenticity: Leonard Chess, Willie Dixon, and the Strange Career of Muddy Waters | |
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Searching for Folk Music's Institutional Niche: Alan Lomax, Charles Seeger, B. A. Botkin, and Richard Dorson | |
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Performing the Folk: Pete Seeger and Bob Dylan Coda | |
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Notes | |
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Bibliography | |
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Discography Index | |
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Illustrations Front cover of Folk Songs of the Kentucky Mountains, 1917 | |
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Front cover of Twenty Kentucky Mountain Songs, 1920 | |
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Front cover of Carl Sandburg's | |
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American Songbag, 1927 | |
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Recording equipment in the back of John Lomax's car, probably late 1930s | |
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Prison Compound No. 1, Angola, La., 1934 | |
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Lead Belly in prison, Angola, La., July 1934 | |
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Lead Belly in | |
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Negro Folk Songs as Sung by Lead Belly, 1936 | |
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Lead Belly, 1942 | |
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Muddy Waters, ca. 1960s | |
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Leonard Chess, ca. 1960s, ca. 1960s | |
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Fathers and Sonsalbum cover, 1969 | |
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Franklin Roosevelt with local musicians, Warm Springs, Ga., January 1933 | |
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Charles Seeger with his family at their home in Washington, D.C., ca. 1937 | |
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with guitar, ca. 1940 | |
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at typewriter, 1941 | |
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Pete Seeger and Bob Dylan, 1963 | |
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Pete Seeger at Newport Folk Festival workshop, 1964 | |
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Bob Dylan goes electric, Newport Folk Festival, 1965 | |