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From Traveling Show to Vaudeville Theatrical Spectacle in America, 1830-1910

ISBN-10: 0801887488
ISBN-13: 9780801887482
Edition: 2003
Authors: Robert M. Lewis
List price: $40.00 Buy it from $19.83
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Description: Before phonographs and moving pictures, live performances dominated American popular entertainment. Carnivals, circuses, dioramas, magicians, mechanical marvels, musicians, and theatrical troupes -- all visited rural fairgrounds, small-town opera  More...

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Book details

List price: $40.00
Copyright year: 2003
Publisher: Johns Hopkins University Press
Publication date: 10/4/2007
Binding: Paperback
Pages: 400
Size: 6.00" wide x 9.25" long x 1.00" tall
Weight: 1.188
Language: English

Before phonographs and moving pictures, live performances dominated American popular entertainment. Carnivals, circuses, dioramas, magicians, mechanical marvels, musicians, and theatrical troupes -- all visited rural fairgrounds, small-town opera houses, and big-city palaces around the country, giving millions of people an escape from their everyday lives for a dime or a quarter. In From Traveling Show to Vaudeville, Robert M. Lewis has assembled a remarkable collection of nineteenth- and early twentieth-century primary sources that document America's age of theatrical spectacle. In eight parts, Lewis explores, in turn, dime museums, minstrelsy, circuses, melodramas, burlesque shows, Wild West shows, amusement parks, and vaudeville. Included in this compendium are biographies, programs, ephemera produced by theatrical entrepreneurs to lure audiences to their shows, photographs, scripts, and song lyrics as well as newspaper accounts, reviews, and interviews with such figures as P. T. Barnum and Buffalo Bill Cody. Lewis also gives us reminiscences about and reactions to various shows by members of audiences, including such prominent writers as Mark Twain, William Dean Howells, Nathaniel Hawthorne, Carl Sandburg, Walt Whitman, Louisa May Alcott, Charles Dickens, O. Henry, and Maxim Gorky. Each section also includes a concise introduction that places the genre of spectacle into its historical and cultural context and suggests major interpretive themes. The book closes with a bibliographic essay that identifies relevant scholarly works. Many of the pieces collected here have not been published since their first appearance, making From Traveling Show to Vaudeville an indispensable resource for historians of popular culture, theater, and nineteenth-century American society.

Robert M. Lewis is a lecturer in American history at the University of Birmingham in the United Kingdom.

Introduction: From Celebration to Show Business
The Dime Museum
Early Museum Shows Selling and Seeing Curiosities Commentary Dog Days of the Museum
Minstrelsy
Routines: Songs, Speeches, Dialogue, and Farce Commentary: Rise and Fall of ""Slave"" Creativity Reminiscences Musical Comedy: Harrigan's Mulligan Guard Confessions of an African American Minstrel
The Circus
The Circus Debated The Early Circus Big Business The Audience
Melodrama
A Plea for an American Drama Classic Melodram

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