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| The Process of Appreciation | |
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| Art and Appreciation What is Art? Experiencing Art | |
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| Tim Paul, Wolf The Power of Art | |
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| Hale Woodruff, Interchange and Dissipation from The Art of the Negro mural series Content: A Bridge Connecting Form, Subject, and Context | |
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| Ways of Seeing: Formalism and Contextualism Toward a Comprehensive | |
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| Experience of Art Van Gogh's | |
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| Night Cafe: An Appreciation | |
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| The Language of Form: The Visual Elements The Visual Elements Line Shape | |
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| Bill Reid, The Spirit of the Haida Gwaii | |
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| Henri Matisse, The Flowing Hair Space Texture Light and Color | |
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| Two Works of Art: Focus on Visual Elements | |
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| Interaction Box: Learning the Visual Elements | |
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| The Language of Form: Composition to Style | |
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| The Importance of Good Composition | |
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| The Principles of Composition Unity Variety | |
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| Balance Emphasis Rhythm, Repetition, and Pattern Proportion and Scale | |
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| The Art of Album Cover Design | |
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| Form and Content: An Inseparable Pair From Form and Content to Style | |
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| Style and Meaning in the Everyday World | |
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| Interaction Box: Form, Content, and Style in Popular | |
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| Art Fashion: Case Studies in Style | |
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| The French Revolution in Fashion | |
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| The Influence of Context: Different Ways of Seeing | |
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| Ways of Seeing | |
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| Ways of Seeing Nature Across Time: The Middle Ages and the Renaissance | |
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| Interaction Box: Responding | |
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| Contextually: Art as Social and Cultural | |
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| Creation Viewing Nature Across | |
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| Social Strata: The Picturesque as an Upper-Class Way of Seeing Seeing Nature | |
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| Across Cultures: Far Eastern and Western Ways of Seeing | |
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| Hokusai's View from Kajikazawa in Kai Province | |
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| Ansel Adams: Photographer of the Landscape Seeing Nature in the Twenty-First | |
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| Century: Sublimity and Technology | |
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| The Two-Dimensional Arts: Form and Context | |
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| Drawing and Painting: Foundations of the Two-Dimensional Arts | |
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| The Two-Dimensional Arts: A Definition Drawing and Painting: Fundamental Media | |
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| Dry and Wet Media Interaction Box: Appreciating Different Media | |
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| Media and Artistic Intent Drawing: Focus on Line, Shape, and Value | |
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| Appreciating Drawings: Form and Context | |
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| Painting: Focus on Color and Texture | |
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| In the Tradition of the Chinese | |
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| Masters: I-Hsiung Ju Paints a Picture | |
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| Two Paintings: Form and Context Drawing and Painting: Different Functions and Status | |
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| An Interview with Peter Ratner on Computer-Generated Art | |
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| Graphic Art and Design: From Print Media to Mass Media | |
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| Graphic Art and Design: Differences and Commonalities | |
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| The Graphic Art of Printmaking: A Brief History Technique Boxes 6-A and 6-B: Woodblock Printing and Engraving | |
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| Technique Box 6-C: Etching | |
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| Technique Box 6-D: Aquatint | |
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| Karyn Young's | |
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| The Making of a Print | |
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| The Modern Period: The Rise of the Mass Media | |
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| Technique Box 6-E: Lithography | |
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| Kauml;the Kollwitz: Hamm | |
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| Technique Box 6-F: Screenprinting | |
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| The Evolution of Modern Advertising Toward a Critical | |
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| Appreciation of Advertising Design Society's Mirror | |
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| Interaction Box: How Are Men and Women Represented in Graphic Art and Design? | |
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| Photography and Moving Pictures: From Prehistory to Present Photography's Historical | |