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| Preface | |
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| Introduction: Reading Close Up, 1927-1933 | |
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| Enthusiasms and Execrations | |
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| Introduction | |
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| As Is (July 1927) | |
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| British Solecisms | |
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| Emak Bakia | |
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| An Interview: Anita Loos | |
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| A New Cinema, Magic and the Avant Garde | |
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| The French Cinema | |
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| The Aframerican Cinema | |
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| The Negro Actor and the American Movies | |
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| From Silence to Sound | |
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| Introduction | |
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| The Sound Film: A Statement from U.S.S.R. | |
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| The Sound Film: Salvation of Cinema | |
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| Why 'Talkies' Are Unsound | |
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| As Is (October 1929) | |
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| The Contribution of H.D. | |
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| Introduction | |
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| The Cinema and the Classics | |
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| Beauty | |
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| Restraint | |
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| The Mask and the Movietone | |
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| Conrad Veidt: The Student of Prague | |
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| Expiation | |
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| Joan of Arc | |
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| Russian Films | |
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| An Appreciation | |
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| Continuous Performance: Dorothy Richardson | |
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| Introduction | |
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| Continuous Performance [unnumbered and untitled] (July 1927) | |
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| Musical Accompaniment | |
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| Captions | |
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| A Thousand Pities | |
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| There's No Place Like Home | |
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| The Increasing Congregation | |
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| The Front Rows | |
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| [Animal impudens ...] (March 1928) | |
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| The Thoroughly Popular Film | |
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| The Cinema in the Slums | |
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| Slow Motion | |
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| The Cinema in Arcady | |
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| Pictures and Films | |
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| Almost Persuaded | |
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| Dialogue in Dixie | |
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| A Tear for Lycidas | |
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| Narcissus | |
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| This Spoon-fed Generation? | |
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| The Film Gone Male | |
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| [untitled] (June 1933) | |
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| Dawn's Left Hand, reviewed | |
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| Borderline and the Pool Films | |
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| Introduction | |
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| Borderline: A POOL Film with Paul Robeson H.D. | |
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| As Is (November 1930) | |
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| Cinema and Psychoanalysis | |
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| Introduction | |
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| Mind-growth or Mind-mechanization? The Cinema in Education | |
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| Film Psychology | |
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| Freud on the Films | |
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| The Film in Its Relation to the Unconscious | |
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| Dreams and Films | |
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| Kitsch | |
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| Cinema Culture | |
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| Introduction | |
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| The Independent Cinema Congress | |
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| Russian Cutting | |
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| 'This Montage Business' | |
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| First Steps Towards a Workers' Film Movement | |
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| Films for Children | |
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| What Can I Do? | |
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| How I Would Start a Film Club | |
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| A Note on Household Economy | |
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| Towards a Co-operative Cinema: The Work of the Academy, Oxford Street | |
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| Modern Witch-trials | |
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| Acts under the Acts | |
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| Fade | |
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| What Shall You Do in the War? | |
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| The Contents of Close Up, 1927-1933 | |
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| Notes on the Contributors and Correspondents | |
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| Publishing History and POOL Books | |
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| A Chronology of Close Up in Context | |
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| Notes | |
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| Index | |