Snopes

ISBN-10: 0679600922
ISBN-13: 9780679600923
Edition: 2012
List price: $28.00 Buy it from $9.83
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Description: Here, for the first time published in a single volume as Faulkner always hoped they would be, are the three novels that compose the famous Snopes trilogy, a saga that stands as perhaps the greatest feat of Faulkner's imagination.The Hamlet, the  More...

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Book details

List price: $28.00
Copyright year: 2012
Publisher: Random House Publishing Group
Publication date: 3/15/1994
Binding: Hardcover
Pages: 1072
Size: 5.75" wide x 8.25" long x 1.75" tall
Weight: 2.134
Language: English

Here, for the first time published in a single volume as Faulkner always hoped they would be, are the three novels that compose the famous Snopes trilogy, a saga that stands as perhaps the greatest feat of Faulkner's imagination.The Hamlet, the first book of the series chronicling the advent and rise of the grasping Snopes family in mythical Yoknapatawpha County, in a work that Cleanth Brooks called "one of the richest novels in the Faulkner canon." It recounts how the wily, cunning Flem Snopes uses an exploiter's mentality to dominate the rural community of Frenchman's Bend--and claim the voluptuous Eula Varner as his bride.The Town, the second novel, records Flem's ruthless struggle to take over the county seat of Jefferson, Mississippi. The book is rich in typically Faulknerian episodes of humor and profundity and explores love, both sacred and profane. Finally,The Mansiontells of Mink Snopes, whose archaic sense of honor brings about the downfall of his cousin Flem. "For all his concern with the South, Faulkner was actually seeking out the nature of man," noted Ralph Ellison. "Thus we must turn to him for that continuity of moral purpose which made for the greatness of our classics." This volume includes a new introduction to the trilogy by acclaimed novelist George Garrett, author ofDeath of the FoxandThe Succession. "The insidious horror of Snopesism is its lack of any kind of integrity--its pliability, its parasitic vitality as of some low-grade, thoroughly stubborn organism--and its almost selfless ability to keep up pressure as if it were a kind of elemental force. These are Flem's special qualities. The difficulty of fighting Flem and Snopesism in general is that it is like fighting a kind of gangrene or some sort of loathsome mold. The quality of honor--even a mean and rancorous 'honor'--would immediately make it vulnerable.... It is because he lacks honor that Flem is really invulnerable.... It will therefore be only the madman, the outlaw, or the passionate man who can strike him down.... Flem is a kind of monster who has betrayed everyone, first in his lust for pure money-power, and later in what Faulkner regards as a more loathsome lust, a desire for respectability." --Cleanth Brooks

Born in an old Mississippi family, William Faulkner made his home in Oxford, seat of the University of Mississippi. After the fifth grade he went to school only off and on-lived, read, and wrote much as he pleased. In 1918, refusing to enlist with the "Yankees," he joined the Canadian Air Force, and was transferred to the British Royal Air Force. After the war he studied a little at the University, did house painting, worked as a night superintendent at a power plant, went to New Orleans and became a friend of Sherwood Anderson, then to Europe and back home to Oxford. By this time he had written two novels. The Sound and the Fury followed in 1929. Financial success came with Sanctuary in 1931, which he assisted in filming. Faulkner 's novels are intense in their character portrayals of disintegrating Southern aristocrats, poor whites, and African Americans. A complex stream-of-consciousness rhetoric often involves Faulkner in lengthy sentences of anguished power. Most of his tales are set in the mythical Yoknapatawpha County, Mississippi, and are characterized by the use of many recurring characters from families of different social levels spanning more than a century. His best subjects are the old, dying South and the newer materialistic South. As I Lay Dying (1930), is a grotesquely tragicomic story about a family of poor southern whites. With Absalom, Absalom! (1936); the difficult parts of his famous short novel "The Bear" (published in Go Down, Moses, 1942); and the allegorical A Fable (1954), a non-Yoknapatawpha novel set in France during World War I; Faulkner returned to an innovative and difficult style that most readers have trouble with. Yet, interspersed among such works are collections of easily read stories originally published in popular magazines. There seems to be a growing sentiment among critics that the Snopes trilogy-The Hamlet (1940), The Town (1957), and The Mansion (1959)-for the most part an example of Faulkner's "moderate" style, could well be among his most important works. Faulkner was awarded the 1949 Nobel Prize for literature "for his powerful and artistically independent contribution to the new American novel," but it would appear now that he also deserved to win that honor for his contribution to world literature. When reporting his death, the Boston Globe quoted Faulkner's having once told an interviewer: "Since man is mortal, the only immortality for him is to leave something behind him that is immortal since it will always move. That is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must some day pass." In addition to the Nobel Prize, Faulkner received the Howells Medal of the American Academy of Arts and Letters in 1950, and in 1951 he was given the National Book Award for his Collected Stories Collected Stories. For his novel A Fable he received the National Book Award for the second time, as well as the Pulitzer Prize in 1955. The Reivers (1962) was awarded the Pulitzer Prize in 1963. In 1957 and 1958, he was the University of Virginia's first writer-in-residence, and in January 1959 he accepted an appointment as consultant on contemporary literature to the Alderman Library of that university. Although Faulkner was not without honors in his lifetime and has received world recognition since then, it is surprising to learn that, when Malcolm Cowley edited The Portable Faulkner in 1946, he found that almost all of Faulkner's books were out of print. By arranging selections from the works to form a continuous chronicle, Cowley deserves much of the credit for making readers aware of the way in which Faulkner was creating a fictive world on a scale grander than that of any novelist since Balzac. William Faulkner died in Oxford, Mississippi, in 1962.

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