World, the Text, and the Critic

ISBN-10: 0674961870
ISBN-13: 9780674961876
Edition: 1983
Authors: Edward W. Said
List price: $34.00 Buy it from $5.88
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Description: This extraordinarily wide-ranging work represents a new departure for contemporary literary theory. Author of Beginnings and the controversial Orientalism, Edward Said demonstrates that modern critical discourse has been impressively strengthened by  More...

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Book details

List price: $34.00
Copyright year: 1983
Publisher: Harvard University Press
Publication date: 9/15/1984
Binding: Paperback
Pages: 336
Size: 6.25" wide x 9.00" long x 1.00" tall
Weight: 1.100
Language: English

This extraordinarily wide-ranging work represents a new departure for contemporary literary theory. Author of Beginnings and the controversial Orientalism, Edward Said demonstrates that modern critical discourse has been impressively strengthened by the writings of Jacques Derrida and Michel Foucault, for example, and by such influences as Marxism, structuralism, linguistics, and psychoanalysis. He argues, however, that the various methods and schools have had a crippling effect through their tendency to force works of literature to meet the requirements of a theory or system, ignoring the complex affiliations binding the texts to the world. The critic must maintain a distance both from critical systems and from the dogmas and orthodoxies of the dominant culture, Said contends. He advocates freedom of consciousness and responsiveness to history, to the exigencies of the text, to political, social, and human values, to the heterogeneity of human experience. These characteristics are brilliantly exemplified in his own analyses of individual authors and works. Combining the principles and practice of criticism, the book offers illuminating investigations of a number of writersSwift, Conrad, Lukacs, Renan, and many others-and of concepts such as repetition, originality, worldliness, and the roles of audiences, authors, and speakers. It asks daring questions, investigates problems of urgent significance, and gives a subtle yet powerful new meaning to the enterprise of criticism in modern society.

Introduction: Secular Criticism
The World, the Text, and the Critic
Swift's Tory Anarchy
Swift as Intellectual
Conrad: The Presentation of Narrative
On Repetition
On Originality
roads Taken and Not Taken in Contemporary Criticism
Reflections on AMerican ""Left"" Literary Criticism
Criticism Between Culture and System
Traveling Theory
Raymond Schwab and the Romance of Ideas
Islam, Philolgy, and French Culture: Renan and Massignon
Conclusion: Religious Critic

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