Poetry in Theory An Anthology, 1900-2000

ISBN-10: 0631225544
ISBN-13: 9780631225546
Edition: 2004
Authors: Jon Cook
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Description: 'Poetry in Theory' brings together a collection of texts, some well-known, some obscure, which variously define and dispute the identity of modern poetry from the beginning of the 20th century through to the present day.

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Book details

List price: $61.95
Copyright year: 2004
Publisher: John Wiley & Sons, Incorporated
Publication date: 8/6/2004
Binding: Paperback
Pages: 666
Size: 7.00" wide x 9.75" long x 1.25" tall
Weight: 2.508
Language: English

'Poetry in Theory' brings together a collection of texts, some well-known, some obscure, which variously define and dispute the identity of modern poetry from the beginning of the 20th century through to the present day.

Acknowledgments
Introduction
1900-1920
The Symbolism of Poetry (1900)
Three Letters (1903, 1907, 1925)
Creative Writers and Day-dreaming (1908)
Romanticism and Classicism (1911)
Technical Manifesto of Futurist Literature (1912)
Poet Yeats (1912)
Robert Frost (1914)
Poetry as a Spoken Art (1917)
The New Spirit and the Poets (1917)
A Retrospect (1918)
Note on Poetry (1919)
On Poetry and On Contemporary Poetry (1919, 1920)
Tradition and the Individual Talent and Reflections on Contemporary Poetry (1919)
Preface to New Poems (1920)
Prologue to Kora in Hell (1920)
The Chinese Written Character as the Medium for Poetry (1920)
1920-1940
Modern Poetry (1925)
General Aims and Theories (1925)
The Negro Artist and the Racial Mountain (1926)
How Are Verses Made? (1926)
Science and Poetry (1926)
A Survey of Modernist Poetry (1927)
Seven Types of Ambiguity (1930)
The Poetic Process (1931)
Poetry's Evidence and The Automatic Message (1932, 1933)
New Bearings in English Poetry (1932)
Play and Theory of the Duende (1933)
Poetry and Grammar (1935)
Poets with History and Poets without History (1935)
Modernism (1938)
The Figure a Poem Makes (1939)
Poetry and Abstract Thought (1939)
1940-1960
Three Lectures on Poetry (1941, 1944, 1946)
The Noble Rider and the Sound of Words (1942)
The End of the Line (1942)
Poetry and Knowledge (1945)
Projective Verse (1950)
A Statement for Poetry (1950)
Is There Any Poetic Writing? (1953)
The Concrete Universal (1954)
Excerpts from Seminars and Papers (1954, 1955, 1957)
What is Modern Poetry and The Reek of the Human (1955)?
Mallarme's Experience (1955)
The Pleasure Principle and Writing Poems (1957, 1964)
On Lyric Poetry and Society (1957)
Closing Statement: Linguistics and Poetics (1960)
1960-1980
What I See in The Maximus Poems (1961)
Personism: A Manifesto (1961)
When the Mode of the Music Changes and Abstraction in Poetry (1961, 1962)
The Poet and the City (1962)
Hunting Is Not Those Heads on the Wall and State/Meant (1964, 1965)
A Sense of Measure (1964)
The Invisible Avant-Garde (1968)
Closure and Anti-closure in Modern Poetry (1968)
Poetic Language, Poetics of Language (1969)
Intentional Structure of the Romantic Image (1970)
The Muse of History (1974)
The Ethics of Linguistics (1974)
A Modest Proposal (1976)
Continuity in Language (1978)
Poetry as "Menace" and "Atonement" (1978)
1980-2000
The Poe-etic Effect (1980)
The Dollar Value of Poetry (1983)
On Hope (1983)
Blood, Bread, and Poetry (1984)
Prologue: The Deed of Writing (1987)
"Even under the Rine of Terror..." (1988)
Che cos'e la poesia? (1988)
The Homosexual Lyric (1990)
Avant-Garde or Endgame? (1991)
The Woman Poet: Her Dilemma (1995)
The Redress of Poetry (1995)
Introduction, Soul Says (1995)
Chronology
Select Bibliography
Thematic Index
Index

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