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| Preface | |
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| Acknowledgments | |
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| Playing the Pictures: Music and the Silent Film (1895-1925) | |
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| Plain Talk to Theater Managers and Operators (1909) | |
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| Incidental Music for Edison Pictures (1909) | |
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| Jackass Music (1911) | |
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| from What and How to Play for Pictures (1913) | |
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| Music for the Picture (1911) | |
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| The Art of Exhibition: Rothapfel on Motion Picture Music (1914) | |
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| From Musical Accompaniment of Moving Pictures (1920) | |
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| from Musical Presentation of Motion Pictures (1921) | |
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| from Encyclopaedia of Music for Pictures (1925) | |
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| Two Thematic Music Cue Sheets: The Thief of Bagdad (1924) and Dame Chance (1926) | |
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| Music and Motion Pictures (1926) | |
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| Publishers Win Movie Music Suit (1924) | |
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| All Singing, Dancing, and Talking: Music in the Early Sound Film (1926-1934) | |
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| New Musical Marvels in the Movies (1926) | |
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| Musicians to Fight Sound-Film Devices (1928) | |
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| The Truth about Voice Doubling (1929) | |
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| Westward the Course of Tin-Pan Alley (1929) | |
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| What's Wrong with Musical Pictures? (1930) | |
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| Present Day Musical Films and How They Are Made Possible (1931) | |
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| Alfred Hitchcock on Music in Films (1934) | |
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| Carpet, Wallpaper, and Earmuffs: The Hollywood Score (1935-1959) | |
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| Composers in Movieland (1935) | |
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| The Aesthetics of the Sound Film (1935) | |
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| Scoring the Film (1937) | |
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| Some Experiences in Film Music (1940) | |
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| What Is a Filmusical? (1937) | |
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| Music in the Films (1941) | |
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| Music or Sound Effects? (1947) | |
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| The New Musical Resources (1947) | |
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| Movie Music Goes on Record (1952) | |
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| The Man with the Golden Arm (1956) | |
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| Forbidden Planet (1956) | |
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| Interview with Stanley Donen (1977) | |
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| One Thing's for Sure, R 'n' R is Boffo B.O. (1958) | |
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| The Recession Soundtrack: From Albums to Auteurs, Songs to Serialism (1960-1977) | |
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| Film Themes Link Movie, Disk Trades (1960) | |
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| Mancini Debunks Album Values (1961) | |
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| Herrmann Says Hollywood Tone Deaf as to Film Scores (1964) | |
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| The New Sound on the Soundtracks (1967) | |
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| Movies: Tuning in to the Sound of New Music (1968) | |
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| Towards an Interior Music (1997) | |
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| Keeping Score on Schifrin: Lalo Schifrin and the Art of Film Music (1969) | |
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| BBC Interview with Jerry Goldsmith (1969) | |
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| The Jazz Composers in Hollywood: A Symposium (1972) | |
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| Stinky Kid Hits the Bigtime (1974) | |
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| The Annotated Friedkin (1974) | |
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| Whatever Became of Movie Music? (1974) | |
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| The Postmodern Soundtrack: Film Music in the Video and Digital Age (1978-Present) | |
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| Selling a Hit Soundtrack (1979) | |
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| Interview with John Williams (1997) | |
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| Scoring with Synthesizers (1982) | |
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| Rock Movideo (1985) | |
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| How Rock is Changing Hollywood's Tune (1989) | |
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| From Boingo to Batman (1990) | |
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| Interviews from The Celluloid Jukebox (1995) | |
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| Composing with a Very Wide Palette: Howard Shore in Conversation (1999) | |
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| Hollywood Sound (2005) | |
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| Index | |