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| List of Illustrations | |
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| Preface | |
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| Introduction | |
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| Discovery, 1905-18 Maurice de Vlaminck Discovery of African Art, 1906 | |
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| Andreacute | |
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| Derain Early Encounter with African Art, 1906 | |
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| Henri Matisse First Encounter with African Art, 1906 | |
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| Pablo Picasso Discovery of African Art, 1906-7 | |
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| Gertrude Stein Matisse and Picasso and African Art, 1906-7 | |
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| Guillaume Apollinaire On Museums, 1909 | |
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| Gelett Burgess The Wild Men of Paris, 1910 | |
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| Roger Fry The Art of the Bushmen, 1910 | |
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| Franz Marc Letter to Auguste Macke, 1911 | |
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| August Macke Masks, 1912 | |
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| Emil Nolde The Artistic Expressions of Primitive Peoples, 1912 | |
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| Elie Faure | |
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| The Tropics, 1912 | |
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| Andreacute | |
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| Warnod Decorative Arts and Artistic Curiosities, 1912 | |
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| Vladimir Markov Negro Art, 1913 | |
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| Karl Scheffler Picasso and African Sculpture Exhibition, Berlin, 1913 | |
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| Emil Waldmann Picasso and African Sculpture Exhibition, Dresden, 1914 | |
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| Marius de Zayas Statuary in Wood by African Savages: The Root of Modern Art, 1914 | |
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| Charles H. Caffin Root of Art in Negro Carvings, 1914 | |
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| Kazimir Malevich The Art of the Savage and Its Principles, 1915 | |
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| Carl Einstein African Sculpture, 1915 | |
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| Marius de Zayas African Negro Art and Modern Art, 1916 | |
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| Hermann Bahr Expressionism, 1916 | |
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| Edgar L. Hewett America's Archaelogical Heritage, 1916 | |
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| Guillaume Apollinaire Concerning the Art of the Blacks, 1917 | |
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| Tristan Tzara Note 6 on African Art, 1917 | |
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| Josef Capek Negro Sculpture, 1918 | |
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| New Attitudes and Awareness, 1919-40 T. S. Eliot War-Paint and Feathers, 1919 | |
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| Henri Clouzot and Andreacute | |
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| Level Savage Art, 1919 | |
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| Paul Guillaume A New Aesthetic, 1919 | |
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| Florent Fels (editor) Opinions on Negro Art, 1920 | |
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| Andreacute | |
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| Salmon Negro Art, 1920 | |
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| Roger Fry Negro Sculpture at the Chelsea Book Club, 1920 | |
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| Feacute;lix Feacute;neacute;on (editor) Will Arts from Remote Places Be Admitted into the Louvre? 1920 | |
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| Walter Pach The Art of the American Indian, 1920 | |
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| Marsden Hartley Red Man Ceremonials, 1920 | |
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| Carlo Anti The Sculpture of the African Negroes, 1923 | |
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| Florent Fels Negro Art at the Pavillon de Marsan, 1923 | |
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| Alain Locke Note on African Art, 1924 | |
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| Henri Clouzot and Andreacute | |
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| Level The Lesson of an Exhibition, 1925 | |
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| Alain Locke Legacy of the Ancestral Arts, 1925 | |
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| Georges Salles Reflections on Negro Art, 1927 | |
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| Christian Zervos Oceanic Works of Art and Today's Problems, 1929 | |
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| Paul Eacute;luard Savage Art, 1929 | |
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| Waldemar George The Twilight of the Idols, 1930 | |
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| G. H. Luquet Primitive Art, 1930 | |
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| Georges Bataille Primitive Art, 1930 | |
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| John Sloan and Oliver LaFarge Introduction to American Indian Art, 1931 | |
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| Eckart von Sydow The Meaning of Primitive Art, 1932 | |
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| Romare Bearden The Negro Artist and Modern Art, 1934 | |
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| James Johnson Sweeney The Art of Negro Africa, 1935 | |
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| Alain Locke African Art, 1935 | |
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| John D. Graham Primitive Art and Picasso, 1937 | |
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| James A. Porter The Negro Artist and Racial Bias, 1937 | |
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| The Ascendance of Primitivism, 1941-83 Frederic H. Douglas and Reneacute | |
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| d'Harnoncourt Indian Art of the United States, 1941 | |
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| Henry Moore Primitive Art, 1941 | |
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| Adolph Gottlieb and Mark Rothko The Portrait and the Modern Artist, 1943 | |
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| Ralph Linton and Paul S. Wingert Arts of the South Seas, 1946 | |
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| Barnett Newman Art of the South Seas, 1946 | |
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| Barnett Newman Foreword, Northwest Coast Indian Painting, 1946 | |
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| D. H. Kahnweiler Negro Art and Cubism, 1948 | |
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| Jean Dubuffet Anticultural Positions, 1951 | |
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| Jean Laude French Painting and Negro Art, 1968 | |
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| The Muse | |