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| Medieval and Renaissance Composition | |
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| Introduction | |
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| Examples of Plainchant | |
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| Kyrie from Mass XIII | |
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| Tone for the Benedicamus Domino | |
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| Hymn to St | |
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| John the Baptist | |
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| Hymn for Lauds, December 25 | |
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| Antiphon for Vespers, 3rd Sunday of Advent | |
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| Gloria Patri for the Introit of the Mass | |
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| Hildegard of Bingen | |
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| Excerpts from Ordo Virtutum (morality play) | |
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| Guillaume de Machaut | |
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| De bon espoir | |
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| Puisque la douce rosee | |
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| Speravi (isorhythmic motet) | |
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| Guillaume Dufay | |
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| Communio from Missa Sancti Jacobi (fauxbourdon) | |
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| Josquin Desprez | |
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| Tu pauperum refugium (motet) | |
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| Bais�s moy (double canon) | |
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| Giovanni Pierluigi da Palestrina | |
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| Sanctus and Benedictus from Missa Aeterna Christi Munera | |
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| Roland de Lassus | |
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| Three Duos | |
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| 2-Beatus homo | |
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| 5-Expectatio justorum | |
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| 12-Sicut rosa | |
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| Examples of Stock Basses (late sixteenth century) | |
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| Claude Gervaise | |
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| Pavane Passamaize | |
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| Jacomo Gorzanis | |
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| Passamezzo and Saltarello (dance pair) | |
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| Greensleeves | |
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| Thomas Morley | |
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| Now is the Month of Maying (ballet) | |
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| Carlo Gesualdo | |
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| Moro lasso al mio duolo (madrigal) | |
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| Baroque Compositions | |
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| Introduction | |
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| Claudio Monteverdi, 1567-1643 | |
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| "Cruda Amarilli" from The Fifth Book of Madrigals | |
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| Giacomo Carissimi, 1605�74 | |
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| The Daughter�s Lament from Jephte | |
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| Arcangelo Corelli, 1653-1713 | |
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| Adagio and Allegro from Violin Sonata, Op. 5, No. 1 | |
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| Allemanda from Trio Sonata, Op. 4, No. 11 | |
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| tHenry Purcell, ca. 1659-1695 | |
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| Dido�s Lament from Dido and Aeneas | |
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| Johann Caspar Ferdinand Fischer, ca. 1665�1746 | |
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| Prelude and Fugue No. 6 in E Phrygian from Ariadne musica | |
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| Fran�ois Couperin, 1668-1733 | |
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| Les Moissonneurs from Pi�ces de Clavecin, Ordre VI | |
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| Notebook for Anna Magdalena Bach (1725) | |
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| Four Pieces | |
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| March | |
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| Minuet | |
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| Aria | |
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| Polonaise | |
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| George Frideric Handel, 1685-1759 | |
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| Concerto Grosso in B minor, Op. 6, No. 12 (in score) | |
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| Largo | |
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| Allegro | |
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| Chaconne in G Major from Trois Le�ons | |
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| Recitative: "Thy rebuke hath broken his heart" from Messiah | |
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| Aria: "Where�er you walk" from Semele | |
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| Johann Sebastian Bach, 1685-1750 | |
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| Allemande from French Suite No. 6 in E major | |
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| Gavottes I and II from English Suite No. 3 in G minor | |
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| Bourr�e I and II from Suite No. 3 in C major for Violoncello Solo | |
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| Sarabande and Double from Partita No. 1 in B minor for Violin Solo | |
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| Two Inventions | |
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| No. 4 in D minor | |
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| No. 12 in A major | |
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| Preludes and Fugues from The Well-Tempered Clavier | |
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| from Book I | |
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| Prelude 1 in C major | |
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| Fugue 2 in C minor | |
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| Fugue 11 in F major | |
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| Fugue 16 in G minor | |
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| Fugue 21 in B-flat major | |
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| from Book II | |
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| Fugue 16 in G minor | |
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| Contrapunctus VII from The Art of Fugue | |
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| Four Canons from The Musical Offering | |
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| Crucifixus from Mass in B minor | |
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| O Gott, du frommer Gott (chorale variation) | |
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| Three Chorale Preludes | |
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| Gott, durch deine G�te from Orgelb�chlein | |
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| Durch Adam�s Fall ist ganz verderbt from Orgelb�chlein | |
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| Wachet auf, ruft uns die Stimme from Sch�bler Chorales | |
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| Domenico Scarlatti, 1685-1757 | |
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| Sonata in D major, K. 96 (Longo 465) | |
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| Classical Compositions | |
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| Introduction | |
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| Joseph Haydn, 1732-1809 | |
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| Piano Sonata No. 36 in C-sharp minor, first movement | |
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| Piano Sonata No. 37 in D major, third movement | |
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| Piano Sonata No. 3 in C major, third movement | |
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| String Quartet in G minor, Op. 74, No. 3, second movement | |
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| Symphony No. 101 in D major, third and fourth movements (in score) | |
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| Muzio Clementi, 1752-1832 | |
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| Sonatina in G major, Op. 36, No. 2, first movement | |
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| Wolfgang Amadeus Mozart, 1756-1791 | |
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| Theme with Variations from Piano Sonata in D major, K. 284 | |
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| Piano Sonata in B-flat major, K. 333 | |
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| Allegro | |
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| Andante cantabile | |
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| Allegretto grazioso | |
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| Sonata for Piano and Violin in B-flat major, K. 378, first movement | |
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| Menuet and Trio from Serenade in C minor, K. 388 (in score) | |
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| Fantasia in C minor, K. 475 | |
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| "L� ci darem la mano" from Don Giovanni, K. 527 | |
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| The Bird-Catcher�s Song from The Magic Flute, K. 620 | |
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| Clarinet Concerto in A major, K. 622, first movement (in score) | |
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| Kyrie from Requiem, K. 626 | |
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| Ludwig van Beethoven, 1770-1827 | |
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| Piano Sonata No. 1 in F minor, Op. 2, No. 1, first and third movements | |
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| Piano Sonata No. 4 in E flat major, Op. 7, second movement | |
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| Piano Sonata No. 5 in C minor, Op. 10, No. 1, second movement | |
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| Piano Sonata No. 8 in C minor, Op. 13 ("Path�tique") | |
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| Grave | |
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| Allegro di molto e con brio | |
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| Adagio cantabile | |
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| Allegro | |
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| Piano Sonata No. 9 in E major, Op. 14, No. 1, second movement | |
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| Piano Sonata No. 15 in D major, Op. 28, third movement | |
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| Piano Sonata No. 21 in C major ("Waldstein"), Op. 53, first movement | |
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| String Quartet in F minor, Op. 95, first movement | |
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| Piano Sonata No. 30 in E major, Op. 109, first movement | |
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| Romantic Compositions | |
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| Introduction | |
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| Carl Friedrich Zelter, 1758�1832 | |
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| "Der K�nig in Thule" | |
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| Franz Schubert, 1797-1828 | |
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| Four Lieder | |
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| "Erster Verlust" | |
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| "Thr�nenregen" from Die sch�ne M�llerin | |
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| "Erlk�nig" | |
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| "Der Doppelg�nger" | |
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| Two Piano Pieces | |
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| Waltz in A flat major, Op. 9, No. 2 | |
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| Moment Musical in A flat major, Op. 94, No. 6 | |
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| Fanny Mendelssohn Hensel, 1805�1847 | |
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| "O Herbst" (a cappella chorus) | |
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| Felix Mendelssohn, 1809-1847 | |
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| Song Without Words, Op. 19b, No. 1 | |
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| Robert Schumann, 1810-1856 | |
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| Two Pieces from Phantasiest�cke, Op. 12 | |
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| "Des Abends" | |
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| "Warum?" | |
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| "Ich grolle nicht" from Dichterliebe, Op. 48 | |
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| Six Pieces from Album for the Young, Op. 68 | |
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| 1--Melody | |
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| 3--Humming Song | |
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| 6--Poor Orphan Child | |
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| 8--Wild Rider | |
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| 14--Little Etude | |
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| 17--Little Morning Wanderer | |
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| Fr�d�ric Chopin, 1810-1849 | |
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| Six Preludes from Op. 28 | |
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| No. 1 in C major | |
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| No. 4 in E minor | |
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| No. 6 in B minor | |
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| No. 9 in E major | |
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| No. 17 in A-flat major | |
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| No. 20 in C minor | |
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| Four Mazurkas | |
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| No. 5 in B flat major, Op. 7, No. 1 | |
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| No. 6 in A minor, Op. 7, No. 2 | |
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| No. 37 in A flat major, Op. 59, No. 2 | |
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| No. 49 in F minor, Op. posth. 68, No. 4 | |
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| Nocturne in D flat major, Op. 27, No. 2 | |
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| Richard Wagner, 1813-1883 | |
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| Prelude to Act I from Tristan und Isolde | |
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| Giuseppe Verdi, 1813�1901 | |
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| Recitative and Duet (Rigoletto-Sparafucile) from Rigoletto | |
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| Clara Schumann, 1819�1896 | |
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| Andante espressivo from Quatre Pi�ces fugitives, Op. 15 | |
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| C�sar Franck, 1822�1890 | |
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| Moderato from Chorale No. 1 in E major for organ | |
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| Johannes Brahms, 1833-1897 | |
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| "Wie Melodien zieht es mir," Op. 105, No. 1 | |
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| Nos. 1, 2, 9, and 10 from Waltzes, Op. 39 | |
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| Two Intermezzos | |
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| Intermezzo in A minor, Op. 76, No. 7 | |
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| Intermezzo in A major, Op. 118, No. 2 | |
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| Sonata in F minor for Clarinet and Piano, Op. 120, No. 1, first movement | |
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| Gabriel Faur�, 1845�1924 | |
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| "Prison," Op. 83, No. 1 (1894) | |
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| Hugo Wolf, 1860-1903 | |
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| Two Songs | |
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| "Das verlassene M�gdlein" | |
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| "In der Fr�he" | |
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| Gustav Mahler, 1860-1911 | |
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| Adagietto from Symphony No. 5 (score) | |
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| Richard Strauss, 1864�1949 | |
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| "Ruhe, meine Seele," Op. 27, No. 1 | |
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| Amy Beach, 1867�1944 | |
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| "Dark is the Night," from Three Songs, Op. 11 | |
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| Modernism | |
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| Introduction | |
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| Claude Debussy, 1862-1918 | |
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| Pr�lude � "L�Apr�s-midi d�un faune" | |
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| La cath�drale engloutie, from Preludes, Book I | |
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| Feuilles mortes, from Preludes, Book II | |
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| Alexander Skryabin, 1872�1915 | |
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| No. 4 of Five Preludes, Op. 74 | |
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| Arnold Schoenberg, 1874-1951 | |
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| "Traumleben," Op. 6, No. 1 | |
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| No. 1 of Three Piano Pieces, Op. 11 | |
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| "Nacht" (passacaglia) from Pierrot lunaire, Op. 21 | |
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| Piano Piece, Op. 33a | |
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| Charles Ives, 1874-1951 | |
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| "The Cage" | |
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| Maurice Ravel, 1875-1937 | |
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| Sonatine, first movement | |
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| B�la Bart�k, 1881-1945 | |
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| Three Pieces from Mikrokosmos: Bulgarian Rhythm, Syncopation, Diminished Fifth | |
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| Music for String Instruments, Percussion, and Celesta, first movement (score) | |
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| Igor Stravinsky, 1882-1971 | |
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| Le sacre du printemps, Introduction to | |
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| Theme and Variations A, B, and C from Octet for Wind Instruments, second movement | |
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| Symphony of Psalms, first movement (vocal score) | |
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| Pas-de-Quatre and Coda from Agon | |
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| Anton Webern, 1883-1945 | |
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| Five Movements for String Quartet, Op. 5, fourth movement | |
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| "Wie bin ich froh!" No. 1 of Drei Lieder, Op. 25 | |
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| Variations for Piano, Op. 27, second movement | |
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| Edgard Var�se, 1883�1965 | |
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| Octandre, first movement | |
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| Alban Berg, 1885-1935 | |
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| "Schlafend tr�gt man mich" from Vier Lieder, Op. 2 | |
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| Lyric Suite for string quartet, first movement | |
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| Sergei Prokofiev, 1891�1953 | |
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| Two pieces from Visions fugitives, Op. 22. No. 16. No. 18 | |
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| Paul Hindemith, 1895-1963 | |
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| "A Swan" from Six Chansons | |
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| Fuga prima in C from Ludus Tonalis | |
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| Aaron Copland, 1900�1990 | |
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| Piano Variations, Theme and Variations 1�7 | |
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| Ruth Crawford Seeger, 1901-1953 | |
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| String Quartet 1931, third movement | |
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| Luigi Dallapiccola, 1904-1975 | |
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| Quartina from Quaderno musicale di Annalibera | |
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| Dmitri Shostakovich, 1906�1975 | |
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| "Ophelia�s Song" from Suite on Poems by A. Blok, Op. 127 | |
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| Miriam Gideon, 1906�1996 | |
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| "The Shooting Starres Attend Thee" from The Shooting Starres Attend Thee (song cycle) | |
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| Olivier Messiaen, 1908�1992 | |
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| Liturgie de cristal, first movement of Quatuor pour la fin du temps | |
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| Elliott Carter, b. 1908 | |
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| Canaries, No. 7 from Eight Pieces for Four Timpani | |
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| Fratribute for piano | |
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| Milton Babbitt, b. 1916 | |
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| "The Widow�s Lament in Springtime | |
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| Beyond Modernism | |
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| Introduction | |
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| Astor Piazzola, 1921�1992 | |
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| No. 6 of Six Tango Etudes, for solo flute | |
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| Gy�rgy Ligeti, 1923�2006 | |
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| Galamb Borong, from �tudes pour piano, deuxi�me livre | |
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| Gy�rgy Kurt�g, b. 1926 | |
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| Officium breve in memoriam Andreae Szerv�nsky (excerpts), Op. 28, for string quartet | |
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| Terry Riley, b. 1935 | |
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| In C. Steve Reich, b. 1936 | |
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| Clapping Music for two performers | |
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| John Harbison, b. 1938 | |
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| Variations I�VI, from Variations for clarinet in A, violin, and piano | |
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| Joan Tower, b. 1938 | |
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| Wild Purple (excerpt), for solo viola | |
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| Ellen Taaffe Zwilich, b. 1939 | |
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| String Quartet No. 2, second movement | |
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| Fred Lerdahl, b. 1943 | |
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| First String Quartet, Variations I�X | |
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| John Adams, b. 1947 | |
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| "This is Prophetic" from Nixon in China | |
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| Kaija Saariaho, b. 1952 | |
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| "Attente" from Quatre Instants | |