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| Music Culture as a World Of Music | |
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| The Soundscape | |
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| The Music-Culture | |
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| What is Music? | |
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| Structure in Music | |
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| A Music-Culture Performance Model | |
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| The Four Components of a Music-Culture | |
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| Ecological and Sustainable Worlds of Music | |
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| Study Questions | |
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| Resources | |
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| North America/Native America | |
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| Three Different Styles | |
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| Music of the Navajos | |
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| The Native American Flute Revival | |
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| Study Questions | |
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| Resources | |
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| Africa/Ewe, Mande, Dagbamba, Shona, Baaka | |
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| Postal Workers Canceling Stamps | |
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| Agbekor: Music and Dance of the Ewe People | |
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| Drummers of the Dagbamba | |
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| Shona Mbira Music | |
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| The BaAka People Singing "Makala" | |
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| Conclusion as Discussion | |
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| Study Questions | |
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| Resources | |
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| North America/Black America | |
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| Music of Worship | |
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| Music of Work | |
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| Music of Play | |
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| Blues | |
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| A Few Final Words | |
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| Study Questions | |
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| Resources | |
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| Europe/Central and Southeastern Regions | |
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| Europe: An Overview | |
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| Social and Political Organization | |
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| The Sounds of European Music | |
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| Case Study: Podhale, Polish Tatra Region | |
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| European Regional Musics on the Global Stage: Two Case Studies | |
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| Reinterpreting Europe | |
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| Study Questions | |
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| Resources | |
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| India/South India | |
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| History, Culture and Music | |
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| Many Musics | |
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| Classical Music | |
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| A Carnatic Music Performance | |
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| Indian Music and the West | |
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| Study Questions | |
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| Resources | |
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| Asia/Music of Indonesia | |
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| Central Java | |
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| Bali | |
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| Indonesian Popular Music | |
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| Conclusion | |
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| Study Questions | |
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| Resources | |
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| East Asia/China, Taiwan, Singapore, Overseas Chinese | |
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| A Cross-Section of Chinese Music | |
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| Folk Song | |
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| Instrumental Ensemble Traditions | |
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| Opera and Ballad Traditions | |
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| Solo Instrumental Traditions | |
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| Religious Tradtions | |
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| Popular Music | |
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| Chinese Music/World Music? Study Questions | |
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| Resources | |
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| Latin America/Chile, Bolivia, Ecuador, Peru | |
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| Chilean Nueva Canci=n: Victor Jara and Inti Illimani | |
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| Bolivian K'antu | |
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| The Quichua of the Northern Andes of Ecuador | |
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| The Andean Ensemble Phenomenon: Going Abroad | |
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| Afro-Peruvian Music: A Land= | |
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| Despedida, or Farewell | |
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| Study Questions | |
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| Resources | |
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| The Arab World | |
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| The Takht Ensemble | |
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| Religion and Music in the Arab World | |
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| Music in History/Music as History | |
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| The Maghrib | |
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| The Music of Celebration: Communal Music Making at a Wedding in Morocco | |
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| Poetry and Core Values of Bedouin Culture | |
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| Homeland and Diaspora: An Unexpected Reaction | |
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| From Diaspora to Globalization.: Ofra Haza and World Beat | |
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| Concluding Remarks | |
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| Study Questions | |
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| Resources | |
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| Discovering and Documenting a World of Music | |
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| Music in Our Own Backyards | |
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| Doing Musical Ethnography | |
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| References | |
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| Glossary | |
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| Index | |