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Music for Ear Training

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ISBN-10: 0495565717

ISBN-13: 9780495565710

Edition: 3rd 2009 (Revised)

Authors: Michael Horvit, Timothy Koozin, Robert Nelson

List price: $198.95
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Description:

When it comes to improving ear training and listening skills, choose the standard in ear training instruction: Horvit/Koozin/Nelson MUSIC FOR EAR TRAINING: CD-ROM AND WORKBOOK, Third Edition. Taking a hybrid approach, the workbook and CD deliver a wealth of practical material designed to help you quickly improve your listening and ear training skills. The dual-format CD-ROM provides an easy-to-use interface for listening with varied general MIDI instrumental sounds. The dictation repertoire includes basic rudiments (intervals, chords, and scales), melodies, four-part harmonic settings, and varied textures from musical literature.
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Book details

List price: $198.95
Edition: 3rd
Copyright year: 2009
Publisher: Wadsworth
Publication date: 1/18/2008
Binding: Comb Bound 
Pages: 560
Size: 9.25" wide x 10.75" long x 1.00" tall
Weight: 2.640
Language: English

Michael Horvit is Professor Emeritus of Composition and Theory at the Moores School of Music, University of Houston. His works range from solo instrumental and vocal pieces to large symphonic and choral compositions and operas, all widely performed in the United States, Europe, Japan, and Israel. He has published with C.F. Peters, MorningStar, Recital Publications, Shawnee Press, E.C. Schirmer, Southern, and Transcontinental, and has CDs with the Albany label. Horvit's awards include the Martha Baird Rockefeller Award as well as the National Endowment for the Arts.

Timothy Koozin is known internationally as a specialist in music instructional technology. Dr. Koozin is editor of the electronic journal, MUSIC THEORY ONLINE. His writings appear in PERSPECTIVES OF NEW MUSIC, CONTEMPORARY MUSIC REVIEW, MUSIC THEORY ONLINE, COLLEGE MUSIC SYMPOSIUM, NOTES AND COMPUTERS IN MUSIC RESEARCH. He teaches courses in music theory, analysis, and music technology at the University of Houston, Moores School of Music.

Intervals, Triads, and Scales
Rhythmic Dictation: Simple Meters
Melodic Dictation: Fifths, Sixths, and Octaves
Rhythmic Dictation: Beat Subdivision by 2
Rhythmic Dictation: Beat Subdivision by 4: Anacrusis
Rhythmic Dictation: Dots and Ties
Melodic Dictation: The Supertonic Triad
Rhythmic Dictation: Compound Meter
Rhythmic Dictation: Triplets
Examples from Literature
Rhythmic Dictation: Syncopation
Melodic Dictation: Scalar Variants, Modal Borrowing, and Decorative Chromaticism
Melodic Dictation: Secondary Dominants
Examples from Music Literature
Melodic Dictation: Modulation to Closely Related Keys
Rhythmic Dictation: Quintuple Meter
Examples from Music Literature
Rhythm: Irregular Meters
Pitch: Diatonic Modes
Pitch: Changing Clefs
Part Music
Rhythm: Changing Meters
Pitch: Pandiatonicism
Rhythm: Syncopation Including Irregular and Mixed Meters
Pitch: Extended and Altered Tertian Harmony
Pitch: Exotic Scales
Rhythm: Complex Divisions of the Beat
Melodic Dictation: Quartal Harmony
Rhythm: Polyrhythms and Polymeters
Music Dictation: Polyharmony and Polytonality
Melodic Dictation: Interval Music
Melodic Dictation: Serial Music