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The Enlightenment and The Classical ERA | |
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Music in the Age of Enlightenment: Opera | |
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Hasse, CLEOFIDE, "Digli ch'io son fedele." | |
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Gay, The Beggar's Opera, dialogue and songs from Act I | |
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Pergolesi, La Serva Padrona, "Lo conosco." | |
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Rousseau, Le Devin Du Village, "? jamais Colin." | |
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Gluck, Orfeo Ed Euridice, "Deh placatevi," "Misero giovane," "Ahim?! Dove trascorsi?" "Che faro senza Euridice." | |
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Music in the Age of Enlightenment: Orchestral Music | |
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Sammartini, Symphony No. 3, 1st mvt | |
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Stamitz, Symphony in E-flat major, 1st mvt | |
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Music in the Age of Enlightenment: Keyboard Music | |
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Scarlatti, ESSERCIZI, Sonata No. 26 | |
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C. P. E. Bach, FANTASIA in C minor | |
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J. C. Bach, Piano Sonata, 1st mvt | |
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Joseph Haydn: Instrumental Music | |
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Haydn, Symphony No. 6, 1st mvt | |
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Haydn, Op. 33, No. 3, "The Bird" Quartet, 1st mvt | |
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Joseph Haydn: Late Symphonies and Vocal Music | |
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Haydn, Symphony No. 94, The "Surprise," 2nd mvt | |
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Haydn, Symphony No. 99, 1st mvt | |
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Haydn, The Creation, "The Heavens Are Telling." | |
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Wolfgang Amadeus Mozart: Instrumental Music | |
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Mozart, Symphony No. 40, 1st mvt | |
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Mozart, Symphony No. 41, "Jupiter," 4th mvt | |
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Mozart, Piano Concerto in A major, 1st mvt | |
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Wolfgang Amadeus Mozart: Vocal Music | |
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Mozart, Le Nozze Di Figaro, "Se vuol ballare," "Porgi, amor," "Voi, che sapete," "Vostre dunque." | |
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Mozart, Requiem Mass, "Confutatis," "Lacrimosa." | |
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The Early Music of Beethoven | |
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Beethoven, Piano Sonata in C minor ("Path?tique"), 1st mvt | |
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Beethoven, Piano Concerto No. 1, 3rd mvt | |
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Beethoven's Middle Period: 1802-1814 | |
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Beethoven, Symphony No. 3 (EROICA), 2nd mvt | |
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After the Congress of Vienna: Beethoven's Late Music | |
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Beethoven, String Quartet in B-flat major, 5th mvt | |
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Beethoven, Missa Solemnis, Kyrie | |
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Romanticism | |
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Franz Schubert | |
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Schubert, Erlk?Nig | |
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Schubert, Ganymed | |
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Schubert, N?He Des Geliebten | |
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Music in Paris Under Louis Philippe: Berlioz and Chopin | |
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Berlioz, Symphonie Fantastique, 4th mvt | |
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Berlioz, "Absence" from Les Nuits D'?T? | |
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Chopin, Nocturne in D-flat major | |
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Leipzig and the Gewandhaus: Mendelssohn and the Schumanns | |
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Mendelssohn, Piano Trio in D minor, 1st mvt | |
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Robert Schumann, Symphony No. 1, 2nd mvt | |
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Clara Schumann, Liebst Du Um Sch?Nheit | |
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German Opera in the Nineteenth Century: Weber and Wagner | |
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Weber, Der Freisch?Tz, Wolf's Glen Scene. Wagner, DAS RHEINGOLD, Entrance of the Gods into Valhalla | |
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Opera in Italy: Rossini and Verdi | |
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Rossini, The Barber Of Seville, Act 1, No. 1 | |
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Verdi, Otello, Act IV, Sc. 3. | |
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Nationalism and Virtuosity: Franz Liszt | |
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Liszt, Hungarian Rhapsody No. 15 (R?k?czy March) | |
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Vienna in the Late Nineteenth Century: Brahms and Bruckner | |
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Brahms, Symphony No. 3, 1st mvt | |
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Brahms, Feldeinsamkeit. Bruckner, Christus Factus Est | |
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Music and Ballet in Nineteenth-Century Russia: Mussorgsky and Tchaikovsky | |
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Mussorgsky, Sunless, "Within Four Walls." | |
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Tchaikovsky, Nutcracker, Act 1, No. 8 | |
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Vienna at the Turn of the Twentieth Century: Gustav and Alma Mahler | |
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Gustav Mahler, Symphony No. 5, 4th mvt | |
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Gustav Mahler, "Um Mittnernacht." Alma Mahler, "Die stille Stadt." | |
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England at the End of the Romantic Period: Elgar and Vaughan Williams | |
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Elgar, ENIGMA Variations, theme and 9th variation ("Nimrod") | |
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Opera in Milan After Verdi: Puccini, Toscanini, and Verismo | |
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Puccini, Madama Butterfly, "Dovunque al mondo." | |
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Paris of the Belle ?poque: Debussy, Faur?, and Lili Boulanger | |
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Debussy, F?Tes Galantes I, "En sourdine." | |
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Debussy, Images I, "Reflets dans l'eau." | |
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Debussy, Nocturnes, "Nuages." | |
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Faur?, Dans la for?t de septembre | |
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Boulanger, Clairi?res Dans Le Ciel, "Elle est gravement gaie." | |
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The Early Twentieth Century | |
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Richard Strauss in Berlin | |
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Strauss, Salome, concluding scene | |
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Music in Russia During the Silver Age: Igor Stravinsky | |
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Stravinsky, The Rite Of Spring, "Procession of the Sage," "The Sage," "Dance of the Earth." | |
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Atonality: Schoenberg and Scriabin | |
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Schoenberg, Piano Piece, Op. 11, No. 1 | |
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Schoenberg, Pierrot Lunaire, "Nacht." | |
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Scriabin, Piano Prelude, Op. 74, No. 5. | |
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French Music at the Time of World War I: Ravel and Satie | |
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Ravel, Le Tombeau De Couperin, "Rigaudon." Satie, Sarabande No. 2. | |
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Music in Paris After World War I: Stravinsky and the Six | |
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Stravinsky, Octet, 1st mvt | |
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Milhaud, Saudades De Brazil, "Botofago." | |
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Vienna in the Aftermath of War: Twelve-Tone Methods. Schoenberg, String Quartet No. 4, 1st mvt | |
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Webern, Symphony, 2nd mvt | |
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Musical Theater in Germany in the 1920s: Berg and Weill | |
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Berg, Wozzeck, Act 3, Sc. 2. Weill, The Threepenny Opera, "Ballad of Mack the Knife." | |
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B?la Bart?k and Hungarian Folk Music | |
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Bart?k, Eight Hungarian Folk Songs, "Fekete f?d." Bart?k, Concerto for Orchestra, 1st mvt | |
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Early Jazz | |
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Joplin, "Maple Leaf Rag." | |
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Paul Hindemith and Music in Nazi Germany | |
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Hindemith, Mathis Der Maler, Sc. 6, Entrance 3 | |
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Music in Soviet Russia: Prokofiev and Shostakovich | |
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Prokofiev, Piano Sonata No. 7, 3rd mvt. Shostakovich, Piano Concerto No. 1, 1st mvt | |
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Self-Reliance in American Music: Ives, Seeger, Nancarrow | |
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Ives, "Feldeinsamkeit." Ives, "Charlie Rutlage." Ives, The Unanswered Question | |
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Seeger, String Quartet, 2nd mvt | |
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American Composers Return from Europe: Copland and Barber | |
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Copland, Piano Variations | |
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Copland, Appalacian Spring, "Variations on a Shaker Hymn." | |
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Barber, Hermit Songs, "Sea-Snatch." | |
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Tin Pan Alley and the Broadway Musical | |
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Gershwin, "The Man I Love." | |
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Rodgers and Hammerstein, Oklahoma! "I Cain't Say No." | |
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Bernstein, West Side Story, "Cool." | |
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Contemporary Music | |
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Reflections on War: Britten, Penderecki, and Others | |
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Britten, War Requiem, Agnus Dei | |
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Penderecki, Threnody For The Victims Of Hiroshima | |
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Twelve-Tone Music and Serialism After World War II | |
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Babbitt, Composition for Piano No. 1 | |
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Stravinsky, AGON, Bransle Double | |
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Boulez, Le Marteau Sans Ma?Tre, "L'artisanat furieux." | |
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Alternatives to Serialism: Chance, Electronics, Textures | |
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Cage, Music of Changes, Part 1 | |
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Var?se, Po?Me ?Lectronique | |
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Messiaen, "Mode de valeurs et d'intensit?s." | |
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Music in the 1960s and 1970s: Live Processes, Minimalism, Metric Modulations | |
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Berio, Circles, "Stinging Gold Swarms." | |
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Crumb, Ancient Voices of Children, "?De donde vienes?" Carter, String Quartet No. 2, Introduction and 1st mvt. Reich, Clapping Music | |
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Returning to the Known: Music of the Recent Past | |
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Ligeti, Hungarian Rock | |
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Adams, Nixon In China, "News." | |
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Tower, Fanfare For The Uncommon Woman | |
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P?rt, Berlin Mass, Credo | |