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Preface | |
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Antiquity and the Middle Ages | |
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Music in Ancient Greece | |
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Music in Greek Society | |
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The Nature of Greek Music | |
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Music in Greek Philosophy | |
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Greek Music Theory | |
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Summary | |
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Key Terms | |
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Antiquity to the Middle Ages: Music in Rome, Jerusalem, and the Early Christian World | |
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Rome | |
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Jerusalem and the Rise of Early Christian Music | |
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Summary | |
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Key Terms | |
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Music in the Monastery and Convent | |
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The Monastery of St. Gall, Switzerland | |
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The Canonical Hours: The Work of the Lord | |
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Regorian Chant in the Monastery | |
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Gregorian Chant for Vespers | |
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Gregorian Chant for the Mass | |
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Summary | |
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Key Terms | |
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Music Theory in the Monastery: John of St. Gall and Guido of Arezzo | |
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The Eight Church Modes | |
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Chant Notation | |
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Musical Staff and Pitch Names | |
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Hexachords | |
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The Guidonian Hand | |
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Summary | |
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Key Terms | |
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Later Medieval Chant: Tropes, Sequences, and the Liturgical Drama of Hildegard of Bingen | |
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Tropes | |
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Sequences | |
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Music in the Convent: The Chant and Liturgical Drama of Hildegard of Bingen | |
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Summary | |
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Key Terms | |
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Troubadours and Trouveres | |
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The Court of Eleanor of Aquitaine | |
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Trouveres | |
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Summary | |
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Key Terms | |
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Early Polyphony | |
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Organum in Music Theory Sources | |
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Organum in Practical Sources | |
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Summary | |
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Key Terms | |
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Music in Medieval Paris: Polyphony at Notre Dame | |
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Notre Dame of Paris | |
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Leoninus and the Magnus liber organi | |
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Perotinus the Great | |
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Summary | |
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Key Terms | |
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Music in the Cathedral Close and University: Conductus and Motet | |
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Conductus | |
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Motet | |
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Summary | |
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Key Terms | |
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In the Parisian Master's Study: Music Theory of the Ars Antiqua and Ars Nova | |
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Franco of Cologne and the Art of Measured Song | |
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Jean des Murs and Philippe de Vitry: The Ars Nova | |
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Summary | |
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Key Terms | |
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Music at the Court of the French Kings | |
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The Roman de Fauvel | |
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Philippe de Vitry | |
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Royal Dances | |
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Musical Instruments at Court and in Church | |
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Summary | |
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Key Terms | |
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Fourteenth-Century Music in Reims: Guillaume de Machaut | |
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Machaut, the Black Death, and the Hundred Years' War | |
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Machaut and the Formes fixes | |
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Machaut and the Mass of Our Lady | |
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Summary | |
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Key Terms | |
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Avignon, Symbolic Scores, and the Ars Subtilior | |
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Papal Avignon | |
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Baude Cordier and Symbolic Scores | |
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Philippus de Caserta: The Ars Subtilior | |
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Summary | |
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Key Terms | |
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From Medieval Manuscript to Modern Performance | |
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The Late Middle Ages and Early Renaissance | |
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Music in Florence, 1350-1450 | |
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Trecento Music and the Squarcialupi Codex | |
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Francesco Landini | |
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Summary | |
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Key Terms | |
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Music at the Cathedral of Florence | |
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Summary | |
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Key Terms | |
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Music in England | |
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Rondellus and Rota | |
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English Faburden and Continental Fauxbourdon | |
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King Henry V: The Old Hall Manuscript and the Carol | |
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John Dunstaple and the Contenance Angloise | |
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Summary | |
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Key Terms | |
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Music at the Court of Burgundy | |
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Gilles Binchois and the Burgundian Chanson | |
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Guillaume Dufay: A Lament and a Mass for the Christian Soldier | |
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Summary | |
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Key Terms | |
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Music at the French Royal Court | |
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Johannes Ockeghem and Musical Canons | |
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A Musical Joke for the French King | |
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Philippe Basiron and the Paraphrase Motet | |
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Antoine Busnoys and the Imitative Chanson | |
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Summary | |
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Key Terms | |
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Music in the Low Countries | |
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Jacob Obrecht and the Multiple Cantus Firmus Mass | |
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Musical Instruments | |
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The Basse Danse | |
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Summary | |
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Key Terms | |
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The Late Renaissance | |
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Musical Humanism and the Renaissance | |
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Popular Music in Florence, 1475-1540: Carnival Song and Lauda, Frottola, and Early Madrigal | |
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The Carnival Song and the Lauda | |
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The Frottola | |
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The Early Madrigal in Florence | |
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Summary | |
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Key Terms | |
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Josquin Des Prez and Music in Ferrara | |
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Josquin des Prez | |
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Josquin's Music for Duke Hercules of Ferrara | |
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Josquin and an Artist's Temperament | |
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Summary | |
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Key Terms | |
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Music Printing in the Renaissance | |
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Music in Renaissance Paris | |
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The Parisian Chanson | |
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Claudin de Sermisy | |
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Instrumental Arrangements | |
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Dance Music | |
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Summary | |
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Key Terms | |
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Renaissance Instruments And Instrumental Music | |
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Keyboard Instruments | |
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String Instruments | |
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Wind Instruments | |
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Instrumental Genres | |
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Summary | |
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Key Terms | |
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Music Theory in the Renaissance | |
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Music In Three German Cities: The Protestant-Catholic Confrontation | |
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Innsbruck: Music under Emperor Maximilian I | |
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The Reformation: Music in Augsburg | |
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Orlande de Lassus and the Court of Munich | |
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Epilogue: The Psalter in Other Protestant Countries | |
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Summary | |
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Key Terms | |
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Rome and the Music of the Counter-Reformation | |
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Giovanni Pierluigi da Palestrina | |
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Spanish Music during the Counter-Reformation | |
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Summary | |
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Key Terms | |
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Music in Elizabethan England: Early Vocal Music | |
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Henry VIII as Musician and Church Reformer | |
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Thomas Tallis and the English Psalm | |
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William Byrd and the English Anthem | |
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Summary | |
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Key Terms | |
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Music in Elizabethan England: Instrumental Music and Later Vocal Music | |
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English Keyboard Music | |
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The English Madrigal | |
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The English Lute Ayre | |
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Summary | |
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Key Terms | |
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The Later Madrigal in Ferrara and Mantua: Gesualdo and Monteverdi | |
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The Madrigal in Ferrara | |
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Carlo Gesualdo | |
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Music in Mantua: Isabella d'Este | |
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Claudio Monteverdi | |
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Summary | |
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Key Terms | |
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Baroque Music | |
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Early Baroque Music | |
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Characteristics of Early Baroque Music | |
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Summary | |
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Key Terms | |
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The Birth of Opera: Florence, Mantua, and Venice | |
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Early Opera in Florence | |
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Early Opera in Mantua: Monteverdi's Orfeo | |
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Early Opera in Venice | |
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Summary | |
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Key Terms | |
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The Concerted Style in Venice and Dresden | |
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Giovanni Gabrieli and the Concerted Motet | |
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Claudio Monteverdi and the Concerted Madrigal | |
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Barbara Strozzi and the Early Baroque Cantata | |
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The Concerted Style Moves North: Heinrich Schutz in Dresden | |
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Summary | |
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Key Terms | |
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Religious Music in Baroque Rome | |
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The Cappella Pontificia Sistina and the Stile Antico | |
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St. Peter's Basilica and the Colossal Baroque | |
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Organ Music by Girolamo Frescobaldi | |
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Sacred Opera and Oratorio: Giacomo Carissimi's Jephte | |
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The Chamber Cantata: A Christmas Cantata by Alessandro Scarlatti | |
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Summary | |
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Key Terms | |
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Instrumental Music in Italy | |
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The Violin Family | |
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Formation of the Baroque Orchestra | |
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Church and Chamber Music | |
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Salomone Rossi and the Early Baroque Sonata | |
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Arcangelo Corelli: Solo Sonata and Trio Sonata | |
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Trumpet Music by Giuseppe Torelli: The Beginnings of the Solo Concerto | |
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Antonio Vivaldi: Solo Concerto and Concerto Grosso | |
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Summary | |
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Key Terms | |
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Instrumental Music in Germany and Austria | |
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Johann Froberger and the Baroque Dance Suite | |
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Biber and Kuhnau: The Programmatic Sonata | |
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Dieterich Buxtehude and the North German Organ Tradition | |
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Johann Pachelbel and the South German Tradition | |
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Summary | |
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Key Terms | |
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Music in Paris and at the Court of Versailles: Vocal Music | |
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Ballet de cour | |
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Jean-Baptiste Lully and Tragedie lyrique | |
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Religious Music | |
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Elizabeth Jacquet de La Guerre and the Cantate francaise | |
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Summary | |
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Key Terms | |
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Music in Paris and at the Court of Versailles: Instrumental Music | |
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The Gaultiers: French Lute Music | |
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The Couperins: French Harpsichord Music | |
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Summary | |
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Key Terms | |
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From Ancient to Modern: Aspects of Baroque Music Theory | |
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Modality Yields to Tonality | |
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Chord Inversion, Functional Harmony, and the Circle of Fifths: A Closed Musical Universe | |
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Summary | |
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Key Terms | |
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Music in London: Henry Purcell | |
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Henry Purcell and Theater Music | |
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Purcell's Odes and Funeral Music for Queen Mary | |
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Summary | |
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Key Terms | |
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Music in London: George Frideric Handel | |
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Handel and the Dance Suite | |
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Handel and Opera | |
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Handel and Oratorio | |
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Summary | |
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Key Terms | |
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Johann Sebastian Bach: Instrumental Music in Weimar and Cothen | |
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Bach in Weimar: The Organ Music | |
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Bach in Cothen: Chamber and Orchestral Music | |
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Summary | |
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Key Terms | |
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Johann Sebastian Bach: Vocal Music In Leipzig | |
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The Lutheran Chorale Cantata | |
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Bach's Later Musical Projects | |
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Summary | |
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Key Terms | |
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Notes | |
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Bibliography | |
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Credits | |
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Glossary | |
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Index | |