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Introduction | |
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Translator's Preface | |
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Preface to the First Edition of 1810 | |
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Introduction | |
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Physiological Colours | |
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Effects of Light and Darkness on the Eye | |
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Effects of Black and White Objects on the Eye | |
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Grey Surfaces and Objects | |
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Dazzling Colourless Objects | |
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Coloured Objects | |
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Coloured Shadows | |
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Faint Lights | |
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Subjective Halos | |
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Pathological Colours--Appendix | |
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Physical Colours | |
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Dioptrical Colours | |
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Dioptrical Colours of the First Class | |
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Dioptrical Colours of the Second Class--Refraction | |
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Subjective Experiments | |
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Refraction without the Appearance of Colour | |
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Conditions of the Appearance of Colour | |
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Conditions under which the Appearance of Colour increases | |
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Explanation of the foregoing Phenomena | |
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Decrease of the Appearance of Colour | |
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Grey Objects Displayed by Refraction | |
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Coloured Objects Displaced by Refraction | |
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Achromatism and Hyperchromatism | |
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Advantages of Subjective Experiments--Transition to the Objective | |
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Objective Experiments | |
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Refraction without the Appearance of Colour | |
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Conditions of the Appearance of Colour | |
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Conditions of the Increase of Colour | |
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Explanation of the foregoing Phenomena | |
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Decrease of the Appearance of Colour | |
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Grey Objects | |
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Coloured Objects | |
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Achromatism and Hyperchromatism | |
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Combination of Subjective and Objective Experiments | |
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Transition | |
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Catoprical Colours | |
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Paroptical Colours | |
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Epoptical Colours | |
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Chemical Colours | |
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Chemical Contrast | |
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White | |
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Black | |
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First Excitation of Colour | |
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Augmentation of Colour | |
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Culmination | |
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Fluctuation | |
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Passage through the Whole Scale | |
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Inversion | |
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Fixation | |
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Intermixture, Real | |
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Intermixture, Apparent | |
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Communication, Actual | |
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Communication, Apparent | |
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Extraction | |
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Nomenclature | |
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Minerals | |
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Plants | |
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Worms, Insects, Fishes | |
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Birds | |
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Mammalia and Human Beings | |
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Physical and Chemical Effects of the Transmission of Light through Coloured Mediums | |
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Chemical Effect in Dioptrical Achromatism | |
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General Characteristics | |
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The Facility with which Colour appears | |
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The Definite Nature of Colour | |
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Combination of the Two Principles | |
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Augmentation to Red | |
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Junction of the Two Augmented Extremes | |
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Completeness the Result of Variety in Colour | |
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Harmony of the Complete State | |
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Facility with which Colour may be made to rend either to the plus or minus side | |
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Evanescence of Colour | |
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Permanence of Colour | |
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Relation to Other Pursuits | |
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Relation to Philosophy | |
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Relation to Mathematics | |
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Relation to the Technical Operations of the Dyer | |
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Relation to Physiology and Pathology | |
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Relation to Natural History | |
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Relation to General Physics | |
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Relation to the Theory of Music | |
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Concluding Observations on Terminology | |
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Effect of Colour with Reference to Moral Associations | |
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Yellow | |
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Red-Yellow | |
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Yellow-Red | |
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Blue | |
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Red-Blue | |
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Blue-Red | |
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Red | |
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Green | |
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Completeness and Harmony | |
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Characteristic Combinations | |
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Yellow and Blue | |
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Yellow and Red | |
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Blue and Red | |
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Yellow-Red and Blue-Red | |
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Combination Non-Characteristic | |
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Relation of the Combinatons to Light and Dark | |
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Considerations derived from the Evidence of Experience and History | |
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Aesthetic Influence | |
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Chiaro-Scuro | |
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Tendency to Colour | |
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Keeping | |
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Colouring | |
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Colour in General Nature | |
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Colour of Particular Objects | |
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Characteristic Colouring | |
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Harmonius Colouring | |
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Genuine Tone | |
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False Tone | |
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Weak Colouring | |
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The Motley | |
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Dread of Theory | |
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Ultimate Aim | |
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Grounds | |
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Pigments | |
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Allegorical, Symbolical, Mystical Application of Colour | |
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Concluding Observations | |