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Introduction To Theory and Criticism | |
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Gorgias of Leontini (ca. 483-376 B.C.E.) | |
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From Encomium of Helen | |
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Plato (ca. 427-ca. 347 B.C.E.) | |
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Republic | |
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From Book II | |
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From Book III | |
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From Book VII | |
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From Book X | |
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From Phaedrus | |
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Aristotle (384-322 B.C.E.) | |
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Poetics | |
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On Rhetoric | |
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Book I | |
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From Chapter 2 | |
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From Chapter 3 | |
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Book II | |
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From Chapter 1 | |
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Book III | |
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From Chapter 2 | |
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Horace (65-8 B.C.E.) | |
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Ars Poetica | |
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Longinus (first century C.E.) | |
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From On Sublimity | |
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Augustine of Hippo (354-430) | |
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On Christian Teaching | |
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From Book One | |
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From Book Two | |
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From Book Three | |
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Moses Maimonides (1135-1204) | |
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The Guide of the Perplexed | |
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[Introduction to the First Part] | |
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Thomas Aquinas (1225-1274) | |
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Summa Theologica | |
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From Question I | |
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Dante Alighieri (1265-1321) | |
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Il Convivio | |
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Book Two | |
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Chapter 1 | |
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From The Letter to Can Grande | |
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Giovanni Boccaccio (1313-1375) | |
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Genealogy of the Gentile Gods | |
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Book 14 | |
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V. Other Cavillers at the Poets and Their Imputations | |
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VII. The Definition of Poetry, Its Origin, and Function | |
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XII. The Obscurity of Poetry Is Not Just Cause For Condemning It | |
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Christine De Pizan (ca. 1365-ca. 1429) | |
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*From Christine's Reaction to Jean de Montrueil's Treatise on the Roman de la Rose | |
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The Book of the City of Ladies | |
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From Part One | |
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From Part Two | |
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Joachim Du Bellay (ca. 1522-1560) | |
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The Defense and Enrichment of the French Language | |
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First Book | |
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Chapters 1-7 | |
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Second Book | |
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Chapters 3-4 | |
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Giacopo Mazzoni (1548-1598) | |
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On the Defense of the Comedy of Dante | |
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From Introduction and Summary | |
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Sir Philip Sidney (1554-1586) | |
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From The Defence of Poesy | |
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Pierre Corneille (1606-1684) | |
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Of the Three Unities of Action, Time, and Place | |
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John Dryden (1631-1700) | |
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From An Essay of Dramatic Poesy | |
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Aphra Behn (1640-1689) | |
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The Dutch Lover | |
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Epistle to the Reader | |
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Preface to The Lucky Chance | |
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Giambattista Vico (1668-1744) | |
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From New Science | |
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Joseph Addison (1672-1719) | |
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The Spectator, No. 62 | |
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[True and False Wit] | |
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The Spectator, No. 412 | |
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[On the Sublime] | |
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Alexander Pope (1688-1744) | |
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From An Essay on Criticism | |
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Samuel Johnson (1709-1784) | |
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The Rambler, No. 4 | |
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[On Fiction] | |
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The History of Rasselas, Prince of Abyssinia | |
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Chapter X. Imlac's History Continued. A Dissertation upon Poetry | |
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From Preface to Shakespeare | |
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Lives of the English Poets | |
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From Cowley | |
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[On Metaphysical Wit] | |
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David Hume (1711-1776) | |
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Of the Standard of Taste | |
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Immanuel Kant (1724-1804) | |
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Critique of the Power of Judgment | |
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From Introduction | |
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From First Book. Analytic of the Beautiful | |
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From Second Book. Analytic of the Sublime | |
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Edmund Burke (1729-1797) | |
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A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful | |
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From Part I. Sections I-VIII | |
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From Part III. Section XXVII | |
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Gotthold Ephraim Lessing (1729-1781) | |
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From Laoco�n | |
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Friedrich Von Schiller (1759-1805) | |
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On the Aesthetic Education of Man | |
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Second Letter | |
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Sixth Letter | |
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Ninth Letter | |
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Mary Wollstonecraft (1759-1797) | |
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A Vindication of the Rights of Woman | |
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From Chapter II. The Prevailing Opinion of a Sexual Character Discussed | |
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Germaine Necker De Sta�l (1766-1817) | |
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From Essay on Fictions | |
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On Literature Considered in Its Relationship to Social Institutions | |
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On Women Writers (2.4) | |
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Friedrich Schleiermacher (1768-1834) | |
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Hermeneutics | |
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Outline of the 1819 Lectures | |
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Introduction | |
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Part Two. The Technical Interpretation | |
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Georg Wilhelm Friedrich Hegel (1770-1831) | |
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Phenomenology of Spirit | |
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[The Master-Slave Dialectic] | |
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Lectures on Fine Art | |
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From Introduction | |
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William Wordsworth (1770-1850) | |
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Preface to Lyrical Ballads, with Pastoral and Other Poems (1802) | |
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Samuel Taylor Coleridge (1772-1834) | |
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Biographia Literaria | |
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Part I | |
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From Chapter 1 | |
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From Chapter 4 | |
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From Chapter 13 | |
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Part II | |
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Chapter 14 | |
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Percy Bysshe Shelley (1792-1822) | |
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From A Defence of Poetry | |
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Ralph Waldo Emerson (1803-1882) | |
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From The American Scholar | |
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The Poet | |
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Edgar Allan Poe (1809-1849) | |
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The Philosophy of Composition | |
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Karl Marx (1818-1883) and Friedrich Engels (1820-1895) | |
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From Economic and Philosophic Manuscripts of 1844 | |
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From The German Ideology | |
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From The Communist Manifesto | |
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From Grundrisse | |
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From Preface to A Contribution to the Critique of Political Economy | |
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Capital, Volume 1 | |
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From Chapter 1. Commodities | |
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From Chapter 10. The Working-Day | |
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From Letter from Friedrich Engels to Joseph Bloch | |
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Charles Baudelaire (1821-1867) | |
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The Painter of Modern Life | |
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From I. Beauty, Fashion, and Happiness | |
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From III. The Artist, Man of the World, Man of the Crowd, and Child | |
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IV. Modernity | |
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From IX. The Dandy | |
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XI. In Praise of Cosmetics | |
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Matthew Arnold (1822-1888) | |
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The Function of Criticism at the Present Time | |
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Culture and Anarchy | |
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From Chapter 1. Sweetness and Light | |
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Walter Pater (1839-1894) | |
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Studies in the History of the Renaissance | |
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Preface | |
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Conclusion | |
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St�Phane Mallarm� (1842-1898) | |
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Crisis in Poetry | |
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Henry James (1843-1916) | |
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The Art of Fiction | |
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Friedrich Nietzsche (1844-1900) | |
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On Truth and Lying in a Non-Moral Sense | |
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From The Birth of Tragedy | |
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Oscar Wilde (1854-1900) | |
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Preface to The Picture of Dorian Gray | |
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*From The Decay of Lying: An Observation | |
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From The Critic as Artist | |
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Sigmund Freud (1856-1939) | |
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The Interpretation of Dreams | |
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From Chapter V. The Material and Sources of Dreams | |
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From Chapter VI. The Dream-Work | |
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From The "Uncanny" | |
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Fetishism | |
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Ferdinand De Saussure (1857-1913) | |
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Course in General Linguistics | |
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Introduction | |
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From Chapter III. The Object of Linguistics | |
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Part One. General Principles | |
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Chapter I. Nature of the Linguistic Sign | |
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Part Two. Synchronic Linguistics | |
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Chapter IV. Linguistic Value | |
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Chapter V. Syntagmatic and Associative Relations | |
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W. E. B. Du Bois (1868-1963) | |
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Criteria of Negro Art | |
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Leon Trotsky (1879-1940) | |
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Literature and Revolution | |
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The Formalist School of Poetry and Marxism | |
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Virginia Woolf (1882-1941) | |
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A Room of One's Own | |
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[Shakespeare's Sister] | |
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[Chloe Liked Olivia] | |
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[Androgny] | |
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Gy�rgy Luk�cs (1885-1971) | |
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*The Historical Novel | |
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From Chapter 1. The Classical Form of The Historical Novel | |
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Boris Eichenbaum (1886-1959) | |
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From The Theory of the "Formal Method" | |
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T. S. Eliot (1888-1965) | |
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Tradition and the Individual Talent | |
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The Metaphysical Poets | |
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John Crowe Ransom (1888-1974) | |
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Criticism, Inc | |
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Martin Heidegger (1889-1976) | |
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Language | |
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Antonio Gramsci (1891-1937) | |
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The Formation of the Intellectuals | |
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Zora Neale Hurston (1891-1960) | |
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Characteristics of Negro Expression | |
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What White Publishers Won't Print | |
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*Erich Auerbach (1892-1957) | |
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Mimesis: The Representation of Reality in Western Literature | |
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Chapter 1. Odysseus's Scar | |
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Walter Benjamin (1892-1940) | |
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The Work of Art in the Age of its Technological Reproducibility | |
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Mikhail M. Bakhtin (1895-1975) | |
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From Discourse in the Novel | |
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Max Horkheimer (1895-1973) and Theodor W. Adorno (1903-1969) | |
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Dialectic of Enlightenment | |
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From The Culture Industry: Enlightenment as Mass Deception | |
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Edmund Wilson (1895-1972) | |
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*The Historical Interpretation of Literature | |
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Roman Jakobson (1896-1982) | |
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From Linguistics and Poetics | |
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Two Aspects of Language and Two Types of Aphasic Disturbances | |
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V. The Metaphoric and Metonymic Poles | |
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Jacques Lacan (1901-1981) | |
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The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience | |
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From The Agency of the Letter in the Unconscious | |
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The Signification of the Phallus | |
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Langston Hughes (1902-1967) | |
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The Negro Artist and the Racial Mountain | |
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Jean-Paul Sartre (1905-1980) | |
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What Is Literature? | |
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Why Write? | |
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Cleanth Brooks (1906-1994) | |
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The Well Wrought Urn | |
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Chapter 11. The Heresy of Paraphrase | |
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William K. Wimsatt Jr. (1907-1975) and Monroe C. Beardsley (1915-1985) | |
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The Intentional Fallacy | |
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The Affective Fallacy | |
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Simone De Beauvoir (1908-1986) | |
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The Second Sex | |
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Chapter XI. Myth and Reality | |
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Claude L�vi-Strauss (b. 1908) | |
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Tristes Tropiques | |
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Chapter 28. A Writing Lesson | |
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J. L. Austin (1911-1960) | |
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Performative Utterances | |
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Northrop Frye (1912-1991) | |
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The Archetypes of Literature | |
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Roland Barthes (1915-1980) | |
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Mythologies | |
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Photography and Electoral Appeal | |
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The Death of the Author | |
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From Work to Text | |
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Louis Althusser (1918-1990) | |
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From Ideology and Ideological State Apparatuses | |
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Paul De Man (1919-1983) | |
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Semiology and Rhetoric | |
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*C. D. Narasimhaiah (1919-2005) | |
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Towards the Formulation of a Common Poetic for Indian Literatures Today | |
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Irving Howe (1920-1993) | |
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History and the Novel | |
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Hans Robert Jauss (b. 1921) | |
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From Literary History as a Challenge to Literary Theory | |
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Raymond Williams (1921-1988) | |
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*Base and Superstructure in Marxist Cultural Theory | |
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Frantz Fanon (1925-1961) | |
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The Wretched of the Earth | |
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From On National Culture | |
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Gilles Deleuze (1925-1995) and F�lix Guattari (1930-1992) | |
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Kafka: Toward a Minor Literature | |
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From Chapter 3. What Is a Minor Literature? | |
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A Thousand Plateaus: Capitalism and Schizophrenia | |
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From Introduction: Rhizome | |
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Jean-Fran�ois Lyotard (1925-1998) | |
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Defining the Postmodern | |
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Michel Foucault (1926-1984) | |
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What Is an Author? | |
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Discipline and Punish: The Birth of the Prison | |
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The Carceral | |
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The History of Sexuality, Volume 1, An Introduction | |
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Part Two: The Repressive Hypothesis | |
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Chapter 1. The Incitement to Discourse | |
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Chapter 2. The Perverse Implantation | |
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Wolfgang Iser (1926 - 2007) | |
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Interaction between Text and Reader | |
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Hayden White (b. 1928) | |
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The Historical Text as Literary Artifact | |
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Jean Baudrillard (1929-2007) | |
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From The Precession of Simulacra | |
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J�rgen Habermas (b. 1929) | |
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*The Public Sphere: An Encyclopedia Article | |
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Modernity-An Incomplete Project | |
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| |
Adrienne Rich (b. 1929) | |
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From Compulsory Heterosexuality and Lesbian Existence | |
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Chinua Achebe (b. 1930) | |
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An Image of Africa: Racism in Conrad's Heart of Darkness | |
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*Adunis (B. 1930) | |
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An Introduction to Arab Poetics | |
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From Chapter 1. Poetics and Orality in The Jahiliyya | |
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From Chapter 4. Poetics and Modernity | |
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| |
Harold Bloom (b. 1930) | |
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The Anxiety of Influence | |
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Introduction. A Meditation upon Priority, and a Synopsis | |
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Interchapter. A Manifesto for Antithetical Criticism | |
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| |
Pierre Bourdieu (b. 1930-2002) | |
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Distinction: A Social Critique of the Judgement of Taste | |
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| |
Introduction | |
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*Rules of Art: Genesis and Structure of the Literary Field | |
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Part I. From Chapter 2 | |
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Part III. From Chapter 1 | |
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Jacques Derrida (1930-2004) | |
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Of Grammatology | |
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Exergue | |
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The Exorbitant. Question of Method | |
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Dissemination | |
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Plato's Pharmacy | |
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I | |
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Pharmacia | |
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The Father of Logos | |
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From The Pharmakon | |
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The Pharmakeus | |
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II | |
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From Play: From the Pharmakon to the Letter and from Blindness to the Supplement | |
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*Specters of Marx | |
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From Chapter 1. Injunctions of Marx | |
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From Chapter 3. Wears and Tears | |
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*Zehou Li (b. 1930) | |
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Four Essays on Aesthetics: Twoard a Global View | |
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Chapter 8. The Stratification of Form and Primitive Sedimentation | |
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Richard Ohmann (b. 1931) | |
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From The Shaping of a Canon: U.S. Fiction, 1960-1975 | |
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Stuart Hall (b. 1932) | |
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Cultural Studies and Its Theoretical Legacies | |
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Barbara Herrnstein Smith (b. 1932) | |
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Contingencies of Value | |
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Chapter 3. Contingencies of Value | |
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Fredric Jameson (b. 1934) | |
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The Political Unconscious: Narrative as a Socially Symbolic Act | |
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Preface | |
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From Chapter 1. On Interpretation: Literature as a Socially Symbolic Act | |
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Postmodernism and Consumer Society | |
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Edward W. Said (1935-2003) | |
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Orientalism | |
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Introduction | |
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*Culture and Imperialism | |
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Chapter 2, Section 2, Jane Austen and Empire | |
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Monique Wittig (1935-2003) | |
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One Is Not Born a Woman | |
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*Benedict Anderson (b. 1936) | |
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Imagined Communities: Reflection on the Origin and Spread of Nationalism | |
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Chapter 3. The Origins of National Consciousness | |
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Sandra M. Gilbert (b. 1936) and Susan Gubar (b. 1944) | |
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The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination | |
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From Chapter 2. Infection in the Sentence: The Woman Writer and the Anxiety of Authorship | |
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H�l�ne Cixous (b. 1937) | |
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The Laugh of the Medusa | |
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Gerald Graff (b. 1937) | |
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Taking Cover in Coverage | |
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Stanley E. Fish (b. 1938) | |
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Interpreting the Variorum | |
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Ngugi Wa Thiong'o (b. 1938), Taban Lo Liyong (b. 1939), Henry Owuor-Anyumba (1932-1992) | |
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On the Abolition of the English Department | |
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Tzvetan Todorov (b. 1939) | |
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Structural Analysis of Narrative | |
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Paula Gunn Allen (1939-2008) | |
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Kochinnenako in Academe: Three Approaches to Interpreting a Keres Indian Tale | |
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*Kojin Karatani (b. 1941) | |
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Origins of Modern Japanese Literature | |
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From Chapter 1. The Discovery of Landscape | |
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Annette Kolodny (b. 1941) | |
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Dancing through the Minefield: Some Observations on the Theory, Practice, and Politics of a Feminist Literary Criticism | |
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Julia Kristeva (b. 1941) | |
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Revolution in Poetic Language | |
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From Part I. The Semiotic and the Symbolic | |
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Laura Mulvey (b. 1941) | |
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Visual Pleasure and Narrative Cinema | |
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Gloria Anzald�a (1942-2004) | |
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Borderlands/La Frontera: The New Mestiza | |
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Chapter 7. La conciencia de la mestiza: Towards a New Consciousness | |
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Gayatri Chakravorty Spivak (b. 1942) | |
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A Critique of Postcolonial Reason | |
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From Chapter 3. History | |
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[Can the Subaltern Speak?] | |
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Terry Eagleton (b. 1943) | |
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Literary Theory: An Introduction | |
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From Chapter 1. The Rise of English | |
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Stephen Greenblatt (b. 1943) | |
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*From Resonance and Wonder | |
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Barbara Christian (1943-2000) | |
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The Race for Theory | |
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*N. Katherine Hayles (b. 1943) | |
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How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics | |
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Chapter 2. Virtual Bodies and Flickering Signifiers | |
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Donna Haraway (b. 1944) | |
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A Manifesto for Cyborgs: Science, Technology, and Socialist Feminism in the 1980s | |
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Barbara Smith (b. 1946) | |
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Toward a Black Feminist Criticism | |
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Barbara Johnson (1947-2009) | |
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From Melville's Fist: The Execution of Billy Budd | |
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*Bruno Latour | |
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Why Has Critique Run Out of Steam? From Matters of Fact to Matters of Concern | |
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*Martha C. Nussbaum (b. 1947) | |
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Cultivating Humanity: A Classical Defense of Reform in Liberal Education | |
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Chapter 3. The Narrative Imagination | |
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Bonnie Zimmerman (b. 1947) | |
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What Has Never Been: An Overview of Lesbian Feminist Literary Criticism | |
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Susan Bordo (b. 1947) | |
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Unbearable Weight: Feminism, Western Culture, and the Body | |
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Chapter 5. The Body and the Reproduction of Femininity | |
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Homi K. Bhabha (b. 1949) | |
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The Commitment to Theory | |
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*Gayle Rubin (b. 1949) | |
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From Thinking Sex: Notes for a Radical Theory of the Politics of Sexuality | |
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*Slavoj ?I?ek (b. 1949) | |
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Courtly Love, or, Woman as Thing | |
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Henry Louis Gates Jr. (b. 1950) | |
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Talking Black: Critical Signs of the Times | |
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*Franco Moretti (b. 1950) | |
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Graphs, Maps, Trees: Abstract Models for A Literary History | |
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Chapter 1. Graphs | |
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Eve Kosofsky Sedgwick (b. 1950) | |
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Between Men: English Literature and Male Homosocial Desire | |
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From Introduction | |
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Epistemology of the Closet | |
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From Introduction: Axiomatic | |
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Dick Hebdige (b. 1951) | |
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Subculture: The Meaning of Style | |
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*Chapter 6. Subculture: The Unnatural Break | |
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Steven Knapp (b. 1951) and Walter Benn Michaels (b. 1948) | |
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Against Theory | |
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Bell Hooks (b. Gloria Jean Watkins, 1952) | |
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Postmodern Blackness | |
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*Lisa Lowe (b. 1955) | |
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Work, Immigration, Gender: New Subjects of Cultural Politics | |
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*Paul Gilroy (b. 1956) | |
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The Black Atlantic: Modernity and Double Consciouness | |
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From Chapter 1. The Black Atlantic as a Counterculture of Modernity | |
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Cultural Studies in Black and White | |
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Judith Butler (b. 1956) | |
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Gender Trouble | |
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From Preface | |
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From Chapter 3. Subversive Bodily Acts | |
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*Andrew Ross (b. 1956) | |
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From The Mental Labor Problem | |
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*Lauren Berlant (b. 1957) and Michael Warner (b. 1958) | |
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Sex in Public | |
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*Michael Hardt (b. 1960) and Antonio Negri (b. 1933) | |
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Empire | |
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Part 2. From Section 4. Symptoms of Passage | |
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*Judith Halberstam (b. 1961) | |
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The Good, The Bad, and the Ugly: Men, Women, and Masculinity | |
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Selected Bibliography of Theory and Criticism | |