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| Preface to the Second Edition | |
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| Foreword | |
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| Preface to the First Edition | |
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| Introduction | |
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| Architecture and the Significance of the Surface | |
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| The Work of Sussman/Prejza & Company | |
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| Dimensional Color: Theoretical Background | |
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| A Theory of Form | |
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| The Paradox of Color | |
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| Color Constancy | |
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| Physiological Optics | |
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| Color Systems | |
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| Dimensional Color | |
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| Color-Space and Time | |
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| The Experiments: The Window Problem | |
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| Single Colors | |
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| Two Colors | |
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| Sequences of Perceptual Mixtures | |
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| Color Stereopsis: A Spatial Interaction | |
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| Complementary Hues and the Visual Deletion of Boundaries | |
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| Space-Frame Experiments | |
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| Red/Blue | |
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| Figure/Ground | |
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| Size and Placement | |
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| Size/Color | |
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| Volume/Void | |
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| Aspen: A Large-Scale Illusion | |
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| The Geometry of Brightness and the Perception of Form | |
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| Constellation of Cubes: 90 Degree Angles Repeated | |
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| The Relativity of Form to Color | |
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| Free Study in Form and Color | |
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| Interior Dimensions Perceived | |
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| Configuration, Pattern, and Dimension | |
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| Chiaro e Scuro Inverted | |
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| The Pyramid Problem: A Visual Ratio | |
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| Color and Visual Organization | |
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| Gestalt Principles of Form Affected by Color | |
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| The Multiple: A Creative Game | |
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| The Multiple: Devising a System | |
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| The Multiple as Module: Toward the Design of Buildings' Surfaces | |
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| Modular Patterns: Walls | |
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| Modular Pattern as Repeat | |
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| The Module as Unit in Film Animation | |
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| Pattern-Making: From Sequence to Consequence | |
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| Unit to Module to Field | |
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| Patterns as Projections in Space | |
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| Color and Symmetry, with A.L. Loeb | |
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| Fourfold Symmetry Adapted | |
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| Three-Dimensional Symmetry | |
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| Pattern and Additive Mixture | |
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| Color and Light | |
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| Modules for Reflected Color | |
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| A Scale of Shadows | |
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| One, Two, and Many | |
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| Color by Reflection: Projected Light | |
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| Additive Color as Virtual Light | |
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| Richard Anuszkiewicz/Paintings | |
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| Julian Stanczak/Paintings | |
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| Color Structure | |
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| The Work of Robert Slutzky | |
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| To Infinity: Lois Swirnoff | |
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| Facture: Fiber Structure | |
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| Modular Assemblage | |
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| Color and Form: Conform or Transform? | |
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| Visual Education | |
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| Conclusion | |
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| Notes | |
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| Bibliography | |
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| Credits | |
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| Index | |