Structural Function of Harmony

ISBN-10: 0393004783
ISBN-13: 9780393004786
Edition: Revised 
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Book details

List price: $19.95
Publisher: W. W. Norton & Company, Incorporated
Publication date: 6/17/1969
Binding: Paperback
Pages: 224
Size: 5.00" wide x 7.75" long x 0.50" tall
Weight: 0.682
Language: English

An American of Austrian birth, Arnold Schoenberg composed initially in a highly developed romantic style but eventually turned to painting and expressionism. At first he was influenced by Richard Wagner and tried to write in a Wagnerian style. He attracted the attention of Alban Berg and Anton von Webern, with whom he created a new compositional method based on using all 12 half-steps in each octave as an organizing principle, the so-called 12-tone technique. His importance to the development of twentieth-century music is incredible, but the music he composed using this new method is not easily accessible to most concertgoers.

Acknowledgement
Preface to the Revised Edition
Editor's Preface to the First Edition
The Use of this Book for Teaching and Self-Instruction
Structural Functions of Harmony
Principles of Harmony (A Brief Recapitulation)
Part-Leading
Dissonances and Their Treatment
Root Progressions
The Minor Tonality
Establishment of Tonality
The Cadence I
The 6/4-Chord of the Cadence
The Half Cadence: Other Cadences
Substitutes and Regions
Derivation of the Substitutes
Introduction of Substitutes
Regions I
Introduction of Regions
Chromatic Procedure
Functional Limitations of Artificial Dominants
The Cadence II (enriched)
Regions in Minor
Regions II
Transformations
Transformations of the Second Degree
Transformations of Other Degrees in the Tonic Region
Restrictions
Vagrant Harmonies
Interchangeability of Major and Minor (Tonic Minor, Subdominant Minor and v-Minor Regions)
Regions III (Major)
Tonic Minor Region
Subdominant Minor Region
Five-Minor Region (v)
Indirect but Close Relations (Mediant Major, Submediant Major, Flat Mediant Major and Minor, Flat Submediant Major and Minor
Regions IV
Major
Minor
Remotely Related Intermediate Regions
Classification of Relationship
Regions in Major
Regions in Minor
Extended Tonality (Examples from Musical Literature)
Progressions for Various Compositional Purposes
Sentence
Period
Codetta
Contrasting Middle Section
Sequence
Variation of the Sequence
Pedal
Transition
Durchfuhrung (Elaboration)
Roving Harmony
The So-Called "Free Forms"
Apollonian Evaluation of a Dionysian Epoch
Glossary and Table of Degrees
Appendix
Index of Names
Index of Terms

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