Fight the Power Rap, Race, and Reality

ISBN-10: 0385318731

ISBN-13: 9780385318730

Edition: N/A

List price: $19.00 Buy it from $1.79
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Description:

Like the hard-hitting sounds of a Public Enemy jam, the words of the band's lead singer, Chuck D, excite the mind and senses.  In his first book, Chuck D pours out commentary that takes on Hollywood, race, the music industry, the murders of Tupac and the Notorious B.I.G., drugs, and the three E's--education, economics and enforcement.  Likening the challenge to "scaling a slick mountain on roller skates," Chuck D lets no one off the hook, putting celebrities and street kids alike on notice that the future is up for grabs...and the only way to be part of it, to be players not victims, is to work together. As an insider's view on Hip-Hop culture slides into intimate revelations about his own life, as lyrics from his songs bump shoulders with top ten lists like "The Greatest Rappers of All Time," Chuck D has his say with verve and electrifying energy, with anger, love and truth.  A book that brings light into darkness, Fight the Power speaks for a generation.  It is a powerful and prophetic message that America, both Black and White, urgently needs to hear. Nightline with Chuck as the featured guest. His rejection of celebrity and his constant community activism have made him a hero. For the past five years he's been touring colleges and universities, delivering three hour lectures on everything from the music industry's corruption of young talent, the history of black music from Blues to Rap, his own controversial lyrics, problems in the black community, self-empowerment, contemporary culture and current political leaders to Public Enemy's rise to international stardom. All while maintaining his solo and Public Enemy's recording careers. Fight the Power examines a multitude of complex social, racial and artistic issues. In his unmistakable voice, Chuck discusses the role of heroes and role models in the black community, Hollywood's negative images of blacks, the effect of gangsta rap, its images on the country's youth and the war between east and west coast rappers that may have spawned the murder of Tupac Shakur, the role of athletes and entertainers in eroding and strengthening values, and other vital contemporary concerns. Candid, thoughtful, and in your face, Fight the Power, the first substantial book by a rapper, offers readers a look into the culture of hip hop and the future of Black culture. --
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Book details

List price: $19.00
Publisher: Random House Publishing Group
Publication date: 9/8/1998
Binding: Paperback
Pages: 288
Size: 6.25" wide x 9.50" long x 1.00" tall
Weight: 0.792
Language: English

Directing, writing, and starring in his own films, as did Charlie Chaplin and Orson Welles before him, Lee has arguably had almost as profound an influence on American filmmaking as his predecessors, although in very different ways. In his own words, he is good at "marketing," and what he has marketed is a highly politicized African American cinema that is also commercially viable. Many critics credit Lee with paving the way for a new wave of mass-market yet socially conscious filmmakers, including John Singleton, Charles Lane, and Carl Franklin. The eldest of six children, Lee was educated first at Morehouse College and then at New York University's film school. His first feature release, She's Gotta Have It (1986), won the Prix de Jeunesse at Cannes and was both critically acclaimed and commercially successful in the United States. Lee went on to make School Daze (1988) and Do the Right Thing (1989), a technically sophisticated film that addressed racism in a complex and controversial fashion. The film constructs a narrative that leaves it to the viewer to decide whether its protagonist, Mookie, has done the right thing when he responds to the death of one of his friends at the hands of the police by throwing a trash can through the window of his employer, who had called the police in the first place. Because a riot ensues, many (white) critics argued that the film celebrated violence, and the press suggested that it would incite black spectators to riot (it did not). Other critics suggested that Mookie actually defuses a riot, by directing the community's anger toward property and away from the police. Two years later, Lee tackled the subject of interracial relationships in another hotly debated film, Jungle Fever (1991), which some saw as preachy and sexist and others praised as bold and complex. However, his most recent and ambitious film, Malcolm X (1992), has been almost universally acclaimed. Lee has published a companion text for each film that includes biographies of all of the principals, essays on such topics as guerilla filmmaking, production stills, details of salaries and finances, excerpts from his journal or production notes, and the script. These materials demystify production, advertise the talents of the people who work for him, and promote his political positions, particularly his commitment to black entrepreneurship and cultural self-expression.

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