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| Old Jokes Appreciate | |
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| Drunk and Disorderly, Big Hair | |
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| Origin | |
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| What Would You Like to Be When You Grow Up? | |
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| Now Then | |
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| Decorum, Reflection | |
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| Ghosts of Narrative | |
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| Metaphysics | |
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| Quick It Can | |
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| Rods and Cones, and The Statute of Limitations | |
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| What Changes | |
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| End of October | |
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| Entranced | |
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| Real Estate: Kripplebush, New York | |
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| Crude Cabin, At the Brink of Quiet | |
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| Out of Water | |
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| Pathetic Fallacies Are Bad Science But | |
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| Antepenultimate | |
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| At the Botanical Gardens, University of British Columbia | |
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| After-Image, Cortes Island | |
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| My Word Is My Bond | |
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| We Stand Our Ground | |
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| Strong, Off Route 209 | |
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| Imagine That | |
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| The First, At the Last | |
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| Rain All Night, Paris | |
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| A Visit | |
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| Sensibility | |
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| St.-Germain-des-Pres: Summer 1948 | |
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| Ritournelle, for Paris 1948 | |
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| Private and Profane | |
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| Anniversary | |
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| Pleasant Avenue | |
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| "Ville Indigene": Afrique du Nord | |
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| Sam Refuted, Respectfully | |
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| Take Any Card | |
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| Under a Routine Procedure | |
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| Elegy for Elizabeth Bleecker Averell | |
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| Gigue for Christmas Eve | |
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| To Forbid Grief | |
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| Because We Certainly Have Nothing Better to Do | |
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| Survival | |
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| Springing | |
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| Dialogue of Nemo and Personne | |
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| Explication de Texte | |
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| The Crow Dressed in Peacock Feathers | |
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| A Tale Told by Atheneus (Venus Callipygus) | |
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| Symposium Holiday | |
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| Last Resort | |
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| "Luxuria," Dreamboat | |
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| Half Full | |
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| Out of the North: Two Views | |
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| Take My Disproportionate Desire | |
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| "Qu'ai-je a Faire en Paradis?" | |
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| Matins and Lauds | |
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| Possession | |
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| Multipara Gravida 5 | |
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| Communion of Saints: The Poor Bastard Under the Bridge | |
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| "'What Are You Doing Here, Stephen?'" | |
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| Rockefeller the Center | |
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| For a Divorce | |
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| Basic Skills | |
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| Residual Paralysis | |
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| About My Birthday | |
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| Bilingual | |
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| Among Women | |
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| From the Fountain at Vaucluse | |
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| Ghost Writer | |
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| The Differance: Chatou-Croissy | |
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| Live Model | |
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| Half-Life: Copies to All Concerned | |
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| Unabashed | |
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| As Is | |
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| Late | |
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| Of Certain Students | |
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| For a Season | |
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| Lullaby | |
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| A Third Thank-You Letter | |
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| Discovery | |
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| Advice: Ad Haereditates (I) | |
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| Gliding | |
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| The Great Dead, Why Not, May Know | |
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| On a Library of Congress Photo of Eunice B. Winkless, 1904 | |
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| The Problem of Freedom and Commitment | |
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| The Problem of Fiction | |
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| The Problem of Gratified Desire | |
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| The Problem of Loving-kindness | |
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| Wearing the Gaze of an Archaic Statue | |
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| "Love Is Not Love" | |
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| Hangzhou, Lake of the Poets | |
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| Levels | |
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| The Royal Gate | |
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| Outside the Fertile Crescent | |
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| Synthesis | |
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| De-fusing the Usual Criminal Metaphors | |
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| Jamaica Wildlife Center, Queens, New York | |
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| The Ides of May | |
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| Between | |
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| Hard-Shell Clams | |
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| Out of Eden | |
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| Patient | |
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| Museum out of Mind | |
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| Call | |
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| Friday Market | |
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| Myopia Makes All Light Sources Radiant | |
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| In Abeyance | |
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| Analemmatic | |
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| Take Time, Take Place | |
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| "I've Been Around: It Gets Me Nowhere" | |
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| Old Mama Saturday | |
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| Northampton Style | |
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| The Title's Last | |
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| One Is One | |
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| Pourriture Noble | |
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| For My Old Self, At Notre-Dame | |
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| The Border | |
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| Separate, In the Swim | |
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| The Story After the Story | |
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| Roundstone Cove | |
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| Reading a Large Serving Dish | |
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| Analysis | |
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| Two Questions | |
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| Pre-Text | |
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| Explores Cry Out Unheard | |
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| Winter | |
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| Oceans | |
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| Even | |