| |
| |
Foreword | |
| |
| |
| |
Introduction : reminiscing in tempo | |
| |
| |
Armstrong and Ellington | |
| |
| |
Portrait of the artist as a young man | |
| |
| |
Introduction to Satchmo : my life in New Orleans | |
| |
| |
A sixty-fifth birthday interview | |
| |
| |
Chicago concert | |
| |
| |
Satchmo and the critics | |
| |
| |
V.S.O.P. | |
| |
| |
Review of Louis Armstrong : an American genius | |
| |
| |
| |
Review of Louis Armstrong : an extravagant life | |
| |
| |
| |
Louis and Duke : the great summit | |
| |
| |
Ellington at Philharmonic Hall | |
| |
| |
Billy Strayhorn in concert | |
| |
| |
Early Ellington | |
| |
| |
The Ellington era | |
| |
| |
Ellington : 1927-40 | |
| |
| |
Ellington : 1944-46 | |
| |
| |
Far east suite | |
| |
| |
"... and his mother called him Bill" | |
| |
| |
Seventieth birthday concert | |
| |
| |
Ellington at the Whitney | |
| |
| |
Concert of sacred music | |
| |
| |
Profiles and portraits | |
| |
| |
James Reese Europe | |
| |
| |
Paul Whiteman | |
| |
| |
Hot Lips Page | |
| |
| |
Eddie Condon | |
| |
| |
Earl Hines | |
| |
| |
Roy Eldridge : "little jazz" | |
| |
| |
Roy Eldridge : "little jazz" for the ages | |
| |
| |
Bunny Berigan | |
| |
| |
Lionel Hampton | |
| |
| |
Jo Jones | |
| |
| |
Milt Hinton | |
| |
| |
Vic Dickenson | |
| |
| |
Dizy Gillespie | |
| |
| |
Clark Terry | |
| |
| |
Billy Taylor | |
| |
| |
Miles Davis | |
| |
| |
Miles in motion | |
| |
| |
Charles Mingus | |
| |
| |
Gene Ammons | |
| |
| |
Dinah Washington | |
| |
| |
Bill Evans | |
| |
| |
Paul Desmond | |
| |
| |
Bob Brookmeyer | |
| |
| |
Dick Wellstood | |
| |
| |
Ornette Coleman | |
| |
| |
Charlie Haden | |
| |
| |
Freddie Hubbard | |
| |
| |
Warren Vache | |
| |
| |
Liner notes | |
| |
| |
Ma Rainey | |
| |
| |
Benny Goodman and Jack Teagarden | |
| |
| |
Fats Waller | |
| |
| |
Art Tatum | |
| |
| |
Hot Lips Page : after hours in Harlem | |
| |
| |
Coleman Hawkins | |
| |
| |
Ben Webster | |
| |
| |
Jack Teagarden | |
| |
| |
Pee Wee Russell | |
| |
| |
Bobby Hackett | |
| |
| |
Ella Fitzgerald | |
| |
| |
Lester Young | |
| |
| |
Charlie Parker | |
| |
| |
Thelonious Monk | |
| |
| |
Sarah Vaughan | |
| |
| |
Sonny Stitt | |
| |
| |
Dexter Gordon | |
| |
| |
Jimmy Rowles/Stan Getz | |
| |
| |
John Coltrane | |
| |
| |
Tommy Flanagan | |
| |
| |
Martial Solal | |
| |
| |
Ruby Braff/Dick Hyman | |
| |
| |
Dick Hyman | |
| |
| |
Dave McKenna | |
| |
| |
Svend Asmussen | |
| |
| |
Joe Lovano | |
| |
| |
Record reviews | |
| |
| |
Bessie Smith : the world's greatest blues singer | |
| |
| |
The original dixieland jazz band | |
| |
| |
The Chicagoans (1928-1930) | |
| |
| |
Earl Hines : a monday date / quintessential recording session | |
| |
| |
Art Tatum : piano starts here | |
| |
| |
Jimmie Lunceford : Lunceford special | |
| |
| |
Count Basie : Basie's beat | |
| |
| |
Thad Jones - Mel Lewis live at the Village Vanguard | |
| |
| |
Benny Carter : the king | |
| |
| |
Lester Young : the pres/pres | |
| |
| |
Dexter Gordon : the panther | |
| |
| |
Lee Konitz : duets | |
| |
| |
Houston Person : trust in me | |
| |
| |
Barry Harris : magnificent | |
| |
| |
Jaki Byard : solo piano | |
| |
| |
Wes Montgomery : down here on the ground | |
| |
| |
Caught in the act | |
| |
| |
Erroll Garner at the Village Gate | |
| |
| |
Erroll Garner at Carnegie Hall | |
| |
| |
Bud Powell | |
| |
| |
Bill Evans | |
| |
| |
Cecil Taylor | |
| |
| |
Harry Edison | |
| |
| |
Dizzy Gillespie | |
| |
| |
Miles Davis | |
| |
| |
"Jazz at the Philharmonic" | |
| |
| |
Phil Woods | |
| |
| |
Ira Sullivan/Sonny Stitt | |
| |
| |
Joe Turner | |
| |
| |
Ornette Coleman | |
| |
| |
Ornette Coleman at the Village Vanguard | |
| |
| |
Mary Lou Williams/Cecil Taylor | |
| |
| |
Festivals and events | |
| |
| |
Newport 1960 | |
| |
| |
One night in Birdland | |
| |
| |
Lester leaps in | |
| |
| |
Eubie Blake in session | |
| |
| |
Jazz goes to Washington | |
| |
| |
Swinging at the White House | |
| |
| |
The blues comes to Ann Arbor | |
| |
| |
Breakfast with champions | |
| |
| |
Woody's fortieth | |
| |
| |
Trumpet encounter | |
| |
| |
Return to Birdland | |
| |
| |
Recording jazz | |
| |
| |
Recorded jazz | |
| |
| |
Discography : the thankless science | |
| |
| |
The Commodore story | |
| |
| |
The Hot Record society | |
| |
| |
The birth of Blue Note | |
| |
| |
Notes on keynote sessions | |
| |
| |
Review of The essential jazz records, volume I : ragtime to swing | |
| |
| |
| |
A new standard for reissues | |
| |
| |
The outreach of jazz | |
| |
| |
Hot chocolates | |
| |
| |
Jazz and dance | |
| |
| |
Jazz on film | |
| |
| |
Jazz and television | |
| |
| |
Not by choice | |
| |
| |
Cats and categories | |
| |
| |
The Conover controversy | |
| |
| |
Integrating jazz | |
| |
| |
"Titans of the tenor sax" | |
| |
| |
In defense of "commercialism" | |