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| The Burning Truck | |
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| Driving Through Sawmill Towns | |
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| An Absolutely Ordinary Rainbow | |
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| Vindaloo in Merthyr Tydfil | |
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| Incorrigible Grace | |
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| Boopis | |
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| The Pure Food Act | |
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| Jozsef | |
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| Kiss of the Whip | |
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| The Broad Bean Sermon | |
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| The Mitchells | |
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| The Powerline Incarnation | |
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| Creeper Habit | |
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| Employment for the Castes in Abeyance | |
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| The Buladelah-Taree Holiday Song Cycle | |
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| The Gum Forest | |
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| Rainwater Tank | |
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| The Future | |
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| Immigrant Voyage | |
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| Homage to the Launching-place | |
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| First Essay on Interest | |
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| The Fishermen at South Head | |
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| View of Sydney, Australia, from Gladesville Road Bridge | |
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| Quintets for Robert Morley | |
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| Equanimity | |
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| Shower | |
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| The Quality of Sprawl | |
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| Weights | |
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| Midsummer Ice | |
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| Machine Portraits with Pendant Spaceman | |
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| Little Boy Impelling a Scooter | |
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| The Hypogeum | |
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| Second Essay on Interest: The Emu | |
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| A Retrospect of Humidity | |
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| Flowering Eucalypt in Autumn | |
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| The Chimes of Neverwhere | |
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| The Smell of Coal Smoke | |
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| Time Travel | |
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| Late Snow in Edinburgh | |
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| Flood Plains on the Coast Facing Asia | |
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| The Dream of Wearing Shorts Forever | |
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| The Sleepout | |
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| Louvres | |
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| The Drugs of War | |
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| Letters to the Winner | |
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| The Milk Lorry | |
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| The Butter Factory | |
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| Bats' Ultrasound | |
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| The Lake Surnames | |
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| Nocturne | |
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| Lotus Dam | |
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| Hearing Impairment | |
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| Poetry and Religion | |
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| May--When Bounty Is Down to Persimmons and Lemons | |
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| June--The Kitchens | |
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| July--Midwinter Haircut | |
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| November--The Misery Cord | |
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| December--Infant Among Cattle | |
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| February--Feb | |
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| The Transposition of Clermont | |
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| The Emerald Dove | |
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| Cave Divers Near Mount Gambier | |
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| The Tin Wash Dish | |
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| The Cows on Killing Day | |
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| The Pole Barns | |
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| The 1812 Overture at Topkapi Saray | |
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| Glaze | |
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| Shale Country | |
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| The International Terminal | |
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| Mirror-glass Skyscrapers | |
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| Dog Fox Field | |
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| Words of the Glassblowers | |
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| High Sugar | |
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| On Removing Spiderweb | |
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| The Assimilation of Background | |
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| Accordion Music | |
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| Slip | |
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| Ariel | |
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| Politics and Art | |
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| The Ballad of the Barbed-Wire Ocean | |
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| Midnight Lake | |
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| Antarctica | |
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| Blue Roan | |
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| An Era | |
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| Wagtail | |
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| Lyre Bird | |
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| Shoal | |
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| Cattle Ancestor | |
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| Mollusc | |
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| Echidna | |
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| Shellback Tick | |
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| Cell DNA | |
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| Goose to Donkey | |
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| Spermaceti | |
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| Migratory | |
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| The Fellow Human | |
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| The Wedding at Berrico | |
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| The Say-but-the-Word Centurion Attempts a Summary | |
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| Dead Trees in the Dam | |
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| The Rollover | |
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| Corniche | |
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| Suspended Vessels | |
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| The Water Column | |
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| The Beneficiaries | |
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| Like Wheeling Stacked Water | |
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| Wallis Lake Estuary | |
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| Memories of the Height-to-Weight Ratio | |
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| On Home Beaches | |
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| Water-Gardening in an Old Farm Dam | |
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| It Allows a Portrait in Line-Scan at Fifteen | |
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| Performance | |
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| Australian Love Poem | |
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| Inside Ayers Rock | |
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| Contested Landscape at Forsayth | |
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| The Shield-Scales of Heraldry | |
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| The Year of the Kiln Portraits | |
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| Tympan Alley | |
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| A Lego of Driving to Sydney | |
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| Burning Want | |
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| The Last Hellos | |
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| Comete | |
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| Cotton Flannelette | |
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| The Trances | |
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| The Warm Rain | |
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| Demo | |
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| The Genetic Galaxy | |
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| Blowfly Grass | |
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| The Head-Spider | |
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| Dreambabwe | |
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| One Kneeling, One Looking Down | |
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| Bottles in the Bombed City | |
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| The Margin of Difference | |
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| The Harleys | |
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| Aurora Prone | |
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| The Instrument | |
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| Rodd Island Wedding | |
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| Coolongolook Timber Mill | |
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| Incunabular | |
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| To Me You'll Always Be Spat | |
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| The Disorderly | |
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| Five Postcards | |
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| Index of Titles | |
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| Index of First Lines | |