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| Documenting the Heritage A Duty of Preservation and Continuity | |
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| Collectors and Collections of Jewish Music in America | |
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| Creative Connection Builders of Sacred Bridges | |
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| Scholars and Studies in Jewish Music Bible, Liturgy, and the Cantorial | |
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| Art Jewish Music and Biblical Heritage | |
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| An Historical and Bibliographical Perspective on Jewish Liturgical Music in the Settled Areas of Eastern Europe to 1900 | |
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| The Golden Age of the Cantorial Art Melodies of Prayer | |
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| The Jewish Liturgical Calendar | |
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| The Musical Heritage of Sephardic and Oriental Jewry Judeo-Spanish Moroccan Songs | |
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| Three Important Collections of Sephardic Music | |
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| Sephardic Music Conference in Jerusalem | |
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| Sephardic Traditions and Mediterranean Styles | |
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| The Music of Oriental Jewry Music of Mysticism and Piety The Mystics | |
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| Poet-Bards of the Liturgy The Music of Hasidism | |
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| Melodies of Spiritual Ecstasy Collections of Hasidic Music | |
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| The Yiddish Musical World of Eastern Europe Music and Yiddish | |
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| Folksong Heritage Yiddish Musical Theater | |
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| Its Origins in Europe Russian Nationalism and Jewish Music | |
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| The Holocaust Era | |
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| The Musical Legacy of the Holocaust America | |
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| Three Hundred Years of Jewish Music in America | |
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| Music of Zion and Israel Hope and the Man | |
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| Hatikvah and Naphtali Herz Imber Song and the Modern Return to Zion | |
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| The Inspiration of Israeli Composers | |
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| Musical Festivities in Israel Composers and Compositions | |
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| Reflections on Creativity and Heritage | |
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| [Salamone Rossi and His Era Meyerbeer, Halevy, Offenbach | |
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| The 19th Century Arnold Schoenberg | |
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| A 20th-Century Man Bloch, Milhaud, Castelnuovo-Tedesco An Emigre Sampler | |
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| Commissioning of Jewish Music Some Thoughts on American Popular Song Writers | |
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| Berlin, Kern, Gershwin, Arlen] Scripture as Creative Inspiration Women Miriam's Sisters | |
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| Jewish Women and Liturgical Music | |
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| Afterword | |
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| Index | |