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| The Expressiveness of Film Techniques | |
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| Mise en Scene | |
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| Settings | |
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| Subjects | |
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| Composition: The Uses of Space | |
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| Mise En Scene and The World Outside the Frame | |
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| Close-Up: Mise en Scene in Citizen Kane | |
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| Summary | |
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| Questions About Mise en Scene | |
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| Works Cited | |
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| For Further Reading | |
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| Cinematography | |
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| Film Stock | |
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| Lighting the Camera | |
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| Digital Cinematography | |
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| Close-Up, Student Essay: Camera Distances and Angles in a Scene from Reversal of Fortune | |
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| Summary | |
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| Questions about Cinematography | |
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| Works Cited | |
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| For Further Reading | |
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| Editing | |
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| Early Film Editing | |
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| Building Blocks | |
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| Continuity Editing | |
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| Image on Image and Image After Image | |
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| Pace and Time | |
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| Digital Editing | |
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| Close-Up: The Expressiveness of Editing (and Other Techniques): An Excerpt from High Noon | |
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| Summary | |
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| Questions about Editing | |
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| Works Cited | |
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| For Further Reading | |
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| Sound | |
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| Film Sound: Early and Recent | |
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| Components of the Soundtrack and Their Uses | |
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| Additional Uses of Sound | |
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| Close-Up, Student Essay: Sound in One Minute of Fatal Attraction | |
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| Close-Up: Vocals, Sound Effects, and Music in an Excerpt from Psycho (1960) | |
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| Summary | |
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| Questions About Film Sound | |
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| Works Cited | |
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| For Further Reading | |
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| Postscript to Part One: Obvious vs. Subtle Film Techniques | |
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| Fictional Films | |
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| Sources for the Fictional Film | |
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| Screenplays, Shooting Scripts, and Storyboards | |
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| Individual Sources | |
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| Multiple Sources | |
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| Close-Up, Student Essay: "The Dead": Novella to Film | |
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| Summary | |
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| Questions About Sources for The Fictional Film | |
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| Works Cited | |
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| For Further Reading | |
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| Components of Fictional Films | |
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| Narratives: Factual and Fictional | |
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| Short Fictional Films | |
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| Full-Length Fictional Films | |
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| Structure | |
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| Time | |
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| Style | |
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| Close-Up: The Plot and Fabula of Pulp Fiction (1994) | |
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| Summary | |
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| Questions About Components of The Fictional Film | |
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| Works Cited | |
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| For Further Reading | |
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| Types of Fictional Films | |
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| Classical Hollywood Cinema | |
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| Other Cinemas | |
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| Close-Up, Student Essay: Out of the Past as Film Noir | |
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| Summary | |
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| Questions About Types of Fictional Films | |
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| Works Cited | |
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| For Further Reading | |
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| Alternatives to Live-Action Fictional Films | |
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| Documentary Films | |
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| What are Documentary Films? | |
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| What Might Documentaries Do? | |
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| What are Steps That Could be Used To Construct Documentaries? | |
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| How Does Filmmaking Technology Affect the Documentary Films Made? | |
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| Close-Up: Hearts of Darkness: A Filmmaker���s Apocalypse as a Narrative Documentary Fil | |