What Is Sport?

ISBN-10: 0300116047
ISBN-13: 9780300116045
Edition: 2007
List price: $16.50 Buy it from $13.49
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Description: A little-known gem, the text of Barthes's "What Is Sport?" was never reprinted in the Seuil editions of his "Complete Works"--neither the three-volume version nor the later five-volume edition. It is published here in a graceful and faithful English  More...

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Book details

List price: $16.50
Copyright year: 2007
Publisher: Yale University Press
Publication date: 10/28/2007
Binding: Paperback
Pages: 96
Size: 6.75" wide x 5.75" long x 0.25" tall
Weight: 0.594
Language: English

A little-known gem, the text of Barthes's "What Is Sport?" was never reprinted in the Seuil editions of his "Complete Works"--neither the three-volume version nor the later five-volume edition. It is published here in a graceful and faithful English translation by Pulitzer Prize winner Richard Howard. Originally commissioned by the Canadian Broadcasting Corporation as the text for a documentary film directed by Hubert Aquin, "What Is Sport?" was written three years after the publication of Barthes's "Mythologies" (1957) and bears considerable resemblance to that work. Some of Barthes's best writing seems to have been inspired by popular culture. Once again blurring the distinction between high and low, the great French literary theorist muses philosophically on the question: What is sport? In investigating the phenomenon of sport, Barthes considers five national sports: bullfighting (Spain), car racing (America), cycling (France), hockey (Canada), and soccer (England). For Barthes, sport is spectacle and serves the primary social function that theater once did in antiquity, collecting a city or nation within a shared experience. The real pleasure of this book, however, lies less in its generalities than in its fleeting, strangely haunting moments of insight. It makes an appropriate gift for any sport enthusiast as well as those interested in the writing of Roland Barthes.

Roland Barthes (1915-1980), a French critic and intellectual, was a seminal figure in late twentieth-century literary criticism. Barthes's primary theory is that language is not simply words, but a series of indicators of a given society's assumptions. He derived his critical method from structuralism, which studies the rules behind language, and semiotics, which analyzes culture through signs and holds that meaning results from social conventions. Barthes believed that such techniques permit the reader to participate in the work of art under study, rather than merely react to it. Barthes's first books, Writing Degree Zero (1953), and Mythologies (1957), introduced his ideas to a European audience. During the 1960s his work began to appear in the United States in translation and became a strong influence on a generation of American literary critics and theorists. Other important works by Barthes are Elements of Semiology (1968), Critical Essays (1972), The Pleasure of the Text (1973), and The Empire of Signs (1982). The Barthes Reader (1983), edited by Susan Sontag, contains a wide selection of the critic's work in English translation.

Richard Howard was born in Cleveland, Ohio on October 13, 1929. He received a B.A. from Columbia University in 1951 and studied at the Sorbonne as a Fellow of the French Government in 1952-1953. He briefly worked as a lexicographer, but soon turned his attention to poetry and poetic criticism. His works include Trappings: New Poems; Like Most Revelations: New Poems; Selected Poems; No Traveler; Findings; Alone with America; and Quantities. He won the Pulitzer Prize for poetry in 1969 for Untitled Subjects. He is also a translator and published more than 150 translations from the French. He received the PEN Translation Prize in 1976 for his translation of E. M. Cioran's A Short History of Decay and the American Book Award for his 1983 translation of Charles Baudelaire's Les Fleurs du Mal. In 1982, he was named a Chevalier of L'Ordre National du M�rite by the government of France. He teaches in the Writing Division of the School of the Arts, Columbia University.

Preface
What Is Sport?
Correspondence
Translator's Afterword: A Backward Echo
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