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| Forewords | |
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| Principles followed in the New Edition | |
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| Map | |
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| Introduction | |
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| Seicento Devotion and Religious Imagery | |
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| Rhetoric and Baroque Procedure | |
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| Patronage | |
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| Gianlorenzo Bernini (1598-1680) | |
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| Introduction | |
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| Sculpture | |
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| Stylistic Development | |
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| Sculpture with One and Many Views | |
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| Colour and Light | |
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| The Transcending of Traditional Modes | |
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| New Iconographical Types | |
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| The Role of the 'Concetto' | |
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| Working Procedure | |
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| Painting | |
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| Architecture | |
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| Ecclesiastical Buildings | |
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| Secular Buildings | |
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| The Piazza of St Peter's | |
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| Francesco Borromini (1599-1667) | |
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| S. Carlo alle Quattro Fontane | |
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| S. Ivo della Sapienza | |
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| S. Giovanni in Laterano, S. Agnese, S. Andrea delle Fratte, and Minor Ecclesiastical Works | |
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| The Oratory of St Philip Neri | |
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| Domestic Buildings | |
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| The Collegio di Propaganda Fide | |
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| Pietro da Cortona (1596-1669) | |
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| Introduction | |
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| Architecture | |
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| The Early Works | |
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| SS. Martina e Luca | |
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| S. Maria della Pace, S. Maria in Via Lata, Projects, and Minor Works | |
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| Painting and Decoration | |
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| The Early Works | |
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| The Gran Salone of the Palazzo Barberini | |
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| The Frescoes of the Palazzo Pitti and the Late Work | |
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| 'High Baroque Classicism': Sacchi, Algardi, and Duquesnoy | |
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| Andrea Sacchi (1599-1661) | |
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| The Controversy between Sacchi and Cortona | |
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| Alessandro Algardi (1598-1654) | |
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| Francesco Duquesnoy (1597-1643) | |
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| Architectural Currents of the High Baroque | |
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| Rome | |
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| Carlo Rainaldi | |
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| Martino Longhi the Younger, Vincenzo della Greca, Antonio del Grande, and Giovan Antonio de' Rossi | |
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| Architecture outside Rome | |
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| Baldassare Longhena (1598-1682) | |
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| Florence and Naples: Silvani and Fanzago | |
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| Trends in High Baroque Sculpture | |
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| Rome | |
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| The First Generation | |
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| The Second Generation | |
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| Tombs with the Effigy in Prayer | |
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| Minor Masters of the later Seventeenth Century | |
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| Bernini's Studio and the Position of Sculptors in Rome | |
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| Sculpture outside Rome | |
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| High Baroque Painting and its Aftermath | |
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| Rome | |
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| Baroque Classicism; Archaizing Classicism; Crypto-Romanticism | |
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| The Great Fresco Cycles | |
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| Carlo Maratti (1625-1713) | |
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| Painting outside Rome | |
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| Bologna, Florence, Venice, and Lombardy | |
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| Genoa | |
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| Naples | |
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| Abbreviations Used in the Notes | |
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| Notes | |
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| Index | |