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| Acknowledgments | |
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| Introduction | |
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| Art Spiegelman | |
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| Reading Comics: Art Spiegelman on CD-ROM | |
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| Mourning and Postmemory | |
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| Art Spiegelman and AutobioGRAPHICal Re-Vision | |
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| Breakdowns and Breakthroughs: Looking for Art in Young Spiegelman | |
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| The Global Scope of Autography | |
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| Human Rights and Comics: Autobiographical Avatars, Crisis Witnessing, and Transnational Rescue Networks | |
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| Picturing Oneself as Another | |
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| Dominique Goblet: The List Principle and the Meaning of Form | |
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| The Animal Witness of the Rwandan Genocide | |
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| Autobiography as Discovery in Epileptic | |
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| Manga and the End of Japan's 1960s | |
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| Visualizing Women's Life Writing | |
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| Autographic Disclosures and Genealogies of Desire in Alison Bechdel's Fun Home | |
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| Witnessing Persepolis: Comics, Trauma, and Childhood Testimony | |
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| A Story Told in Flashback: Remediating Marjane Satrapi's Persepolis | |
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| Autobiography: The Process Negates the Term | |
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| Up from Surgery: The Politics of Self-Representation in Women's Graphic Memoirs of Illness | |
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| The Gutter Effect in Eve Kosofsky Sedgwick's A Dialogue on Love | |
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| Photau(gyno)graphy: The Work of Joanne Leonard | |
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| Varieties of the Self | |
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| The Diary Comic | |
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| Justin Green: Autobiography Meets the Comics | |
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| Narrative Worldmaking in Graphic Life Writing | |
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| In Praise of Joseph Witek's Comic Books as History | |
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| Selective Mutual Reinforcement in the Comics of Chester Brown, Joe Matt, and Seth | |
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| Keeping it (Hyper)Real: Autobiographical Fiction in 3-D | |
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| Fictional Auto/Biography and Graphic Lives in Watchmen | |
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| American Born Chinese: Challenging the Stereotype | |
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| Materializing Memory: Lynda Barry's One Hundred Demons | |
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| Reflections on Lynda Barry | |
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| Contributors | |
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| Index | |