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| Introduction: Concept, Context, Content | |
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| New York, Urban Glass House, 2000: Vision Glass | |
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| A Tactical Indifference | |
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| Angouleme, Exhibition Center, 2000: Concept Decontextualized | |
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| Geneva, Vacheron Constantin Headquarters, 2001--2004: Manufacturing Time | |
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| Strasbourg, Concert Hall, 2003: Megaspan | |
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| B Reciprocity and Conflict | |
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| Pittsburgh, Carnegie Science Center, 2000: Phagocyte | |
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| Limoges, Concert Hall, 2003--: Concept Recontextualized | |
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| Vendee, International Sports Center, 2001: Double Content | |
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| C Contextualizing Concept | |
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| Rome, Italian Space Agency, 2000: Fractal Cantilever | |
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| Antwerp, Museum aan de Stroom, 2000: Fractal Matrix | |
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| Sao Paulo, Museum of Contemporary Art, 2001: A Vertical Museum Sketchbook | |
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| Troy, Electronic Media and Performing Arts Center, 2001: Double Envelope | |
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| D Conceptualizing Context | |
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| New York, Museum for African Art, Version 1, 2000--2002: Wood Curves, Glass Box | |
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| New York, Museum for African Art, Version 2, 2003--2004: The Tower versus the Museum | |
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| Cincinnati, Athletic Center, 2001--: Contextual Free Form | |
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| Athens, New Acropolis Museum, 2000--: Paradoxes, Paraboxes | |
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| E Context Becoming Concept | |
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| Nice, Sophia-Antipolis Campus, 2004: Camouflage | |
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| F Large Scale: Concepts Becoming Contexts | |
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| Paris, Expo 2004, 2001: Virtual City of Images | |
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| Toronto, Downsview Park, 2000: Natural Artifice | |
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| New York, Tri-Towers of Babel: Questioning Ground Zero, 2002: Whose Context? | |
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| Beijing, Factory 798, 2003--: Superposition | |
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| Project Teams | |
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| Project List | |
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| Bibliography | |