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SuperCollider Book

ISBN-10: 0262232693
ISBN-13: 9780262232692
Edition: 2011
List price: $55.00
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Description: SuperCollider is the most important domain-specific audio programming language of the last decade, with potential applications that include real-time interaction, installations, electroacoustic pieces, generative music, and audiovisuals. The  More...

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Book details

List price: $55.00
Copyright year: 2011
Publisher: MIT Press
Publication date: 4/15/2011
Binding: Hardcover
Pages: 776
Size: 6.00" wide x 9.00" long x 1.25" tall
Weight: 1.386
Language: English

SuperCollider is the most important domain-specific audio programming language of the last decade, with potential applications that include real-time interaction, installations, electroacoustic pieces, generative music, and audiovisuals. The SuperCollider Bookis the essential reference to this powerful and flexible language, offering students and professionals a collection of tutorials, essays, and projects. [With contributions from top academics, artists, and technologists that cover topics at levels from the introductory to the specialized, it will be a valuable sourcebook both for beginners and for advanced users.] SuperCollider, first developed by James McCartney, is an accessible blend of Smalltalk, C, and further ideas from a number of programming languages. Free, open-source, cross-platform, and with a diverse and supportive developer community, it is often the first programming language sound artists and computer musicians learn. The SuperCollider Bookis the long-awaited guide to the design, syntax, and use of the SuperCollider language. The first chapters offer an introduction to the basics, including a friendly tutorial for absolute beginners, providing the reader with skills that can serve as a foundation for further learning. Later chapters cover more advanced topics and particular topics in computer music, including programming, sonification, spatialization, microsound, GUIs, machine listening, alternative tunings, and non-real-time synthesis; practical applications and philosophical insights from the composer's and artist's perspectives; and "under the hood," developer's-eye views of SuperCollider's inner workings. A Web site accompanying the book offers code, download links to the application itself and its source code, and a variety of third-party extras, extensions, libraries, and examples.

Scott Wilson is Professor in Media and Cultural Studies at Kingston University, UK.

Nick Collins is Lecturer in Music Informatics at the University of Sussex.

David Cottle is Lecturer Associate Professor at the School of Music, University of Utah.

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